My favourite stuff of 2008
I’m back from my little Christmas exile, and I’m in a reflective mood, so here, for the heck of it, is my list of stuff I liked this year, in the world of guitar. 2008 was a pretty cool year for me. I wrote about a squillion articles for Mixdown and Australian Guitar, recorded a few tunes, wrote a huge batch of songs for my new band (watch out for us in 2009), interviewed Joe Satriani, John McLaughlin, Zakk Wylde, Steve Lukather, Page Hamilton, Max Cavalera, Bryan Beller, George Lynch and more, and started this here blog (with encouragement from the ever clever Mrs I Heart Guitar, who is an avowed blog-reading fiend).
2008 was also a pretty bitchen year for the world of guitar. We had releases by Steve Vai, Mike Keneally, Joe Satriani, Yngwie Malmsteen, the reunited Extreme, Guns N’ Roses, and even a freaking Van Halen tour (which never made it down to Australia or anywhere else outside North America for that matter… hopefully that will be rectified in 2009, but I shan’t be holding my breath for that one). There were also some very cool gadgets released during the year. So here’s my list of cool stuff in 2008. Click on any of the links to buy the stuff if you like.
General stuff
Meeting Paul Gilbert in person after many years of email communication and two interviews – he was just as cool as I could have hoped.
Hearing from Mike Keneally that he’d checked out my blog. In an email he said “Your website is EXTREMELY readable! Lots of cool articles.” I think I still smile in my sleep about that one.
Attending an album preview party for Trivium, and almost accidentally making a baby with the back of Corey Beaulieu’s head thanks to an uncomfortably posed photo.
Buying a crapload of new pedals while the Australian dollar was at 98 US cents. I went on an MXR spree and bought a Dyna Comp, Custom Audio Electronics Boost/OD, EVH Phase 90, Carbon Copy Analog Delay, and Dunlop Jimi Hendrix Octave Fuzz. Now the dollar sucks again, so I’ll have to hold off on buying a Dunlop Buddy Guy wah and an eBow until it recovers. Dammit.
Music
Paul Gilbert & Freddie Nelson – United States
This unexpected new direction follows two highly successful instrumental albums from Gilbert. Sounding like a cross between Queen, Paul’s own solo stuff, and a tiny dash of For Unlawful Carnal Knowledge-era Van Halen, the songs are memorable, the performances are powerful, and the shredding is noodletastic. You should also totally check out Gilbert’s ‘Silence Followed By A Deafening Roar’ CD, which was released earlier in the year. The link above will take you to CDJapan.co.jp, but you can also buy it at Amazon.com now too by clicking here.
Mike Keneally – Wine And Pickles
When I was a kid, I thought Gretsch guitars were the coolest freaking thing in the freaking world. All that metal stuff really looked like it did something, and I couldn’t wait to grow up and get my hands on one. Later my attention drifted to pointy Ibanezes and never really went back, but I still think Gretsches are cool, and the PRS Starla taps into enough of that vibe to make me say ‘dayum’ every time I see one. PRS, if you can find a way to make a Bigsby perform just like a Floyd Rose without changing the look at all, I’ll let you rebadge the Starla as my signature model. Just putting it out there, okay? Cool.
Yep, I’m an Ibanez geek. What can I say? The second I saw Steve Vai hoist that heart-shaped triple neck guitar on David Lee Roth’s ‘Just Like Paradise’ video in, what, 1988 or something, I was hooked. Having said that, I’m not just into spiky neon metal axes, and my favourite Ibanez in 2008 was the new FR series. These Telecaster-inspired axes feature a fast neck and modern pickup switching options while still carrying more than a little old school soul. I’m sure it’s only a matter of time before someone with a lot of sway in the industry picks up one of these and declares it their main squeeze forever more. It’d be me but I think I need to sell some guitars before I even think about buying any more.
MXR M169 Carbon Copy Analog Delay
I’m not sure exactly when this pedal was released – it could have been some time in 2007 – but I got mine in mid 2008 and it’s one of the best delay pedals I’ve ever encountered. It’s stupidly simple: controls for delay time, number of repeats, and volume of repeats, plus a button which adds a light warble to the delayed effects if you wish (and a few internal controls to adjust this modulation effect if you wanna, but really, they seem to have selected the most useful settings at the factory). The repeats mush up in a gloriously lo-fi way, and they get muddier and noiser as you increase the time between repeats, but that’s part of the charm of this vintage-vibed, sparkly green little beauty.
Bogner Alchemist series
I haven’t even played one of these suckers yet and already they make me go all a quiver. ‘Real’ Bogner amps are kinda outside my financial reach at the moment, so it’s encouraging to see a Bogner amp out there which the majority of players can afford (I’ll be sticking with my Marshall DSL50 cos we’re totally in love, but that doesn’t mean I can’t check out a hot amp from time to time, right? I’m sure my Marshall checks out other guitarists when I’m not looking). Anyway, the Bogner Alchemist series takes the vibe of the company’s far more expensive and covetous amps, and distils it into Asian-manufactured units for the player who wants to show off with a Bogner logo, but doesn’t have the financial wherewithal to hoist an Uberschall and Ecstasy into the back of the van for a pub gig.
So what were your highlights of 2008? Any gigs that totally did it for ya? Any new gear that you would hock your right leg to own? Favourite albums? Meet any of your heroes?







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The other guitarist in my band just bought a black FR Ibanez it looks, feels and sounds great! I couldn’t believe the price considering it is a Prestige model!
I tried out the Carbon Copy today, sounds nice but I’m holding out for the Time Machine before I put aside any cash!
You should do what I’m planning to do, and get the Time Machine as well as a Carbon Copy, hehe. The Carbon Copy is great for cascading Eric Johnson echoes but I wouldn’t use it as a main delay for standard repeats timed to the beat. But I’d use the hell out of the Time Machine that way.