NEWS: News for March 26, 2009

Hammond-Suzuki G37 And G27 Guitar Leslies shipping

Hammond-Suzuki USA today shipped the first production units of their G37 and G27 Leslie speakers designed especially for the guitar. Hammond executive VP Dennis Capiga said “Today marks the fulfillment of a dream, and several years of hard work. I can’t wait to hear the music guitarists will make with our baby.”

The G37/G27 is roughly one third the size and weight of a traditional keyboard Leslie Speaker, but has many of the same components. Unlike the last Leslie designed for guitar in the late 60’s; the G37 and G27 have a ‘real’ horn spinning on the top and the traditional Leslie rotor on the bottom. A 100 watt channel-switching guitar amp with “tube pre” powers the G37 while the G27 is powered by the user’s own amp.
MAP pricing for the G37 is $1495.00, and the G27 is $1325.00.

Listen to the new Queensryche album now!


I got a copy of this to review the other day, but you can check it out for yourself now at the VH1 website! 
Source: Queensryche.
Buy: Amazon.com

Three quarters of Soundgarden reunite

Here’s one that’s bound to put the wind up Chris Cornell and his attempts to become the next Justin Timberlake or whatever: Soundgarden with Tad Doyle on vocals and Tom Morello on second guitar, rocking Spoonman at the Seattle stop of Morello’s Axis of Justice tour.

Source: Blabbermouth.net.

Bruce Kulick to release limited edish EP

Former KISS guitarist Bruce Kulick will make a “BK3” limited-edition EP available at his upcoming clinics for Allans Music in Australia. The CD features guest appearances by TOTO’s Steve Lukather and John Corabi.

The songs included are:

* No Friend Of Mine (feat. John Corabi on vocals)
* And I Know (vocals by Bruce Kulick)
* Between The Lines (feat. Steve Lukather)

The EP will be available to the general public in mid-April after Kulick’s Australia trip.

Bruce Kulick’s Australian Allans Music clinic schedule:

April 01 – Melbourne – 7:00pm
April 02 – Brisbane – 6:30pm
April 03 – Adelaide – 7:00pm
April 04 – Sydney – 5:00pm

NEWS: Stryper bass player auctions iconic vest!

Speaking of interesting things on eBay, check this out! Stryper bass player Tim Gaines is selling one of the black and yellow striped vests from the band’s heyday. A must-have for collectors or anyone who wishes to look like a heavy metal bumblebee!

On the auction page, Gaines says “I was the bass player for the Rock Band Stryper from 1983 through 2004 when I retired. I have a whole wardrobe full of these costumes that I will obviously never wear again (at my age) and taking up much needed space, I thought I would offer them to someone who would appreciate them better than I – whether fan, collector, museum or ?

Up for auction is one of my OFFICIAL SPANDEX STAGE COSTUME TOPS – Worn by BOTH ROBERT SWEET and myself TIM GAINES. This is absolutely a RARE ONE OF A KIND ROCK MUSIC COLLECTORS ITEM. This spandex top was worn by both Robert and myself during the years 1984 thru 1986 on several Stryper world wide tours. It was also worn by Robert Sweet as seen on the album cover for our single Together As One as well as a promo photo of the same picture that was circulated to press and the Stryper fan base. This top was created by clothing designer Tina Henderson, who also created many of the first Stryper costumes in 1984 and 1985. Again, this is absolutely RARE ONE OF A KIND ORIGINAL stage costume.”

CLICK HERE for more details.

NEWS: EVH Frankenstein Relic pickup hits the ‘bay

Various eBay stores are now selling the relic version of the EVH Frankenstein humbucker, a reproduction of the famed butchered Gibson PAF pickup installed in Eddie Van Halen’s original striped axe.

CLICK HERE to see the pickup for sale in eBay stores.

I’m thinking of picking up (no pun intended) the non-relic version for my blue Ibanez RG soon. If I do I’ll post a video review. Last year I bought the MXR EVH Phase 90 pedal, so I’m looking forward to putting the two together and chugging through ‘Atomic Punk’ for a few hours. Hehe.

NEWS: Full Chickenfoot album details

Here’s the press release for the Chickenfoot album. Excited? I am!

CHICKENFOOT, the new rock supergroup comprised of drummer Chad Smith (RED HOT CHILI PEPPERS), bassist Michael Anthony (ex-VAN HALEN), guitarist Joe Satriani and vocalist Sammy Hagar (ex-VAN HALEN), has announced the global release of its self-titled debut album. The CD will be made available by earMUSIC in Germany on Friday, June 5 and in the U.K. on Monday. June 8. The album will be released by Best Buy in the U.S. on Sunday, June 7.
“Chickenfoot” will be packaged in heat-sensitive artwork, which means when you put your hand on the CD inlay, photos of the band members will be revealed behind the CHICKENFOOT band logo.

“Chickenfoot” track listing:

01. Avenida Revolution
02. Soap on a Rope
03. Sexy Little Thing
04. Oh Yeah
05. Runnin’ Out
06. Get It Up
07. Down the Drain
08. My Kinda Girl
09. Learning to Fall
10. Turnin’ Left
11. Future in the Past

Hagar wasn’t looking to form a new group in his post-VAN HALEN career. “I really wasn’t looking to have a real band, but when I got involved with these guys, only a fool would say, ‘No, I’m not going to do this.’ The minute we started jamming it was obvious, like, ‘This is something that needs to be heard.'”

A great band is nothing without a great rhythm section, and CHICKENFOOT has one of the best in the two-man team of bassist Michael Anthony and drummer Chad Smith.

As a founding member (and fellow Rock and Roll Hall of Famer) of VAN HALEN, Anthony laid the bedrock for which guitar genius Eddie Van Halen could fly. More than that, he provided a signature style of background vocal that became an intrinsic part of that band. “A total fluke,” the good-natured bassist humbly asserts. “I was just doing what came naturally.”

Hagar sees Anthony’s abilities differently. “Michael keeps the band going,” he says. “Listen, he’s never going to get the kind of credit he deserves — he played next to Eddie Van Halen. Hell, Jack Bruce didn’t get much credit compared to Eric Clapton — that’s just the nature of things. Mikey held down the fort, and he still does.”

Aiding Anthony in holding down the fort is Chad Smith, drummer for the RED HOT CHILI PEPPERS, who have, since Smith joined the group in the late Eighties, gone from cult faves to a worldwide force. Heretofore thought of as a “funk/alternative” drummer, Smith gets to rock hard with CHICKENFOOT, and the percussion explosion he creates might come as a surprise to those who only know of his work from tracks like “Under The Bridge”.

“The guy’s from Detroit, for God’s sake!” says Hagar. “He can play the hell out of funk, but he’s a rocker. He plays hard, man. You could put one mic in a room with Chad, and you can hear all the parts of his kit — he’s hard, but he’s balanced. The band wouldn’t exist without his groove.”

The members of CHICKENFOOT admit that the band came together almost by accident, a result of jams held at Hagar’s club, Cabo Wabo Cantina, in Cabo San Lucas, Mexico.

“We were just having fun,” recalls Michael Anthony. “After Sammy and I left VAN HALEN, we’d get together with musicians, and certain people seemed to really gel. Chad came down and we got on well with him. Gradually, we started talking about doing something more serious, but we needed a guitarist. Somebody smokin’ — somebody who could take us to the Promised Land.”

Enter Satch, who hooked up with Hagar, Anthony and Smith and felt “an immediate connection unlike anything I’d ever experienced before.” To Satriani, who had almost abandoned his lifelong dream of being a part of a “big-time rock band,” here was his chance, and here were his bandmates. “After just a few songs, it became stunningly obvious that we shared an overall musical agenda,” he says. “The only question was could we make a great album?”

The band answered that question last fall when they hunkered down with the illustrious producer Andy Johns at George Lucas’ Skywalker Studios and knocked out a batch of songs that sets a new standard for rock music in the new millennium.

From the thunderous, ominous opening strains of “Avenida Revolution” (detailing the bloody drug wars in Tijuana, in which Hagar makes his feelings come through his skin) to the album closer, the shimmering rock ballad “Future’s in the Past”, “Chickenfoot” is a firebomb of a record, the likes of which we haven’t heard in ages.

The band kicks and snorts their way through a passel of take-no-prisoners rockers like “Soap on a Rope”, “Sexy Little Thing”, “Oh Yeah” and “My Kind of Girl”.

“These are the kinds of songs I could never do on my own,” says Satriani. “I needed a band like this to make those songs come alive.”

The band explores mature themes on songs such as “Runnin’ Out”, about a world stretched to the breaking point to “Learning to Fall”, perhaps the most poignant love song Hagar has ever written lyrics for. As both a vocalist and songwriter, Hagar’s intensity and forcefulness are on vivid display on “Chickenfoot”.

“I write what comes to mind,” the singer says. “I’m not bound by anything subject-wise. I’m inspired by the music. When I heard the music Joe was going for, it made me reach, it made me stretch. I think it made me sing in a way that I normally wouldn’t have done. We seem to have that kind of effect on each other.”

Satriani agrees. “People have this idea of what this band is about, or what Sammy Hagar is about as a lyricist and a vocalist,” he says. “The thing is that we manage to get each guy to up his game in a non-confrontational way. When I play with CHICKENFOOT, I find myself wanting to give them more all the time. I don’t hold anything back. I think the rest of the guys feel the same way.”

That Satriani unleashes sheets of shred magna is, of course, a given, but what’s interesting is, as individualistic and recognizable as his talents are — and this is true of all the players — they transform in a strange and beautiful way on “Chickenfoot”.

Likewise, Anthony and Smith, channel past heroes. For Anthony it’s ELECTRIC FLAG bassist Harvey Brooks. For Smith it’s ZEPPELIN’s John Bonham. Together, they perform something of an astonishing balancing act, dispending performances that meet at the intersection of Heavy and Nimble. This is what a rhythm section does, drives the band in forceful, creative ways. Listen to CHICKENFOOT and you’ll hear what a true rhythm section sounds like.

“Chickenfoot”, which is already being hailed as the most intense rock ‘n’ roll album since LED ZEPPELIN’s classic efforts, coincides with a European tour that will consist of outdoor festivals, including Montreaux, Switzerland, and Bospop, Holland, plus various intimate indoor rock shows, including the London O2 Shepherd’s Bush Empire on June 25.

Tickets for the London 02 Shepherd’s Bush Empire concert go on sale at 9:00 a.m. on Friday, March 27. This will be CHICKENFOOT’s only UK date on the European tour.

CHICKENFOOT tour dates:

Jun. 20 – Austria Nova Rock Festival
Jun. 23 – Cork, Ireland: Live At The Marquee
Jun. 25 – London Shepherd’s Bush Empire
Jun. 26 – Holland: Heerhugowaard
Jun. 28 – Belgium Graspop Metal Meeting Festival
Jun. 29 – Paris: Olympia
Jul. 01 – Madrid (venue to be confirmed)
Jul. 03 – Pistoia, Italy: Blues Festival
Jul. 04 – Montreux, Switzerland: Stravinski Hall
Jul. 05 – Udine, Italy: Lignano Sbbiadoro
Jul. 07 – Hamburg: Grosse Freiheit
Jul. 08 – Copenhagen: Vega
Jul. 10 – Kilafors, Sweden: Rockweekend Festival
Jul. 12 – Weert, Holland: Bospop Festival