GIG REVIEW: Dream Theater, Palais, Melbourne, December 7 2009

Once upon a time, if my brother (hi Steevil) and I wanted to listen to Dream Theater we had to order the CDs as imports from the cool old Dutch dude who ran a CD store in our local main street. Forty bucks later we’d have ‘Images & Words’ or ‘Awake.’ This was the height of grunge and such musical tastes were frowned upon by my peers but I didn’t give a feck. Dream Theater were my band. They represented how I felt, what I thought about and how I liked to play.

Cut to today, and Dream Theater CDs are readily available in stores. And not only that – they’ve even started coming all the way down to Australia to prog our socks off at regular intervals. Their first ever tour of Australia was in January 2008 and already they’re back.

My evening started quite awesomely indeed with a 15-minute one-on-one chat with John Petrucci backstage at the Palais in St Kilda a few hours before the gig. You’ll be able to read that interview here later this week so I won’t spoil it for ya, suffice to say that JP was really friendly and talkative and it was so cool to have a chunk of his time to talk guitar geek stuff. Another of those “If the 15 year old me knew this would happen someday he’d probably pass out” moments.

Anyway, on to the gig. Pain Of Salvation were the support. I haven’t listened to them too much but it was cool to see them. They somehow manage to blend proggy rhythms with anthemic melodies without sounding trite at either. I was glad I saw them (and it’s great to see a band using Laboga amps on stage – check them out some time, especially the Mr Hector head), and I’ll definitely check them out further. Vocalist Daniel Gildenlöw has one hell of a high range. Good lord.

As for Dream Theater, the setlist wasn’t as all-encompassing as last year’s shows, where they took great pains to give Australia a “Sorry we’ve never played here before” show. Instead they dipped a little deeper into the catalog, in addition to three songs from this year’s kickass ‘Black Clouds And Silver Linings’ album. The show was bookended by the opening and closing tracks. Nice touch.

1. A Nightmare To Remember
2. A Rite Of Passage
3. Hollow Years
4. Erotomania
5. Voices
6. Keyboard Solo
7. Forsaken
8. Solitary Shell
9. In The Name Of God
10. Encore: The Count Of Tuscany

It was cool to hear Hollow Years live (what was with that bit they added to the pre-chorus? Threw off my singalong!), while it was a little bit jarring to hear Erotomania and Voices without The Silent Man following them up and rounding off the ‘A Mind Beside Itself’ trilogy. Forsaken was suitably epic, with the animated, vampire-laden video playing in the background. Solitary Shell was played at almost double the tempo but somehow it worked. In The Name Of God was one of my least-listened to tracks from Train Of Thought but one could never grizzle about having to hear that incredible solo breakdown.

Highlights included Jordan Rudess’s wizard (I won’t spoil it for you if you haven’t caught this tour yet) and iPod solos, Mike Portnoy’s wander around his drum kit during a low-key interlude, and trying to figure out what James LaBrie might be doing when ducking behind John Petrucci’s amps during extended instrumental sections. My guess is that he has a Nintendo Wii back there and is trying to beat his high score in bowling. Petrucci’s tone was monstrously huge, no doubt due in part to his new DiMarzio Crunch Lab and LiquiFire pickups, and he played with all the precision and fire we’ve grown to expect from him. Fun fact: Petrucci is using his B rig in Australia, which is based on the Mesa Boogie Mark IV amp.

If I were to pick my own ideal Dream Theater setlist, it’d probably look a lot different to this one. But that’s probably why I enjoyed this gig so much – they didn’t play what I expected, and there were three tracks that I would call completely left-field choices (Hollow Years, Solitary Shell and In The Name Of God). It takes balls to play a mere 10 songs over two hours and not play more obvious tracks. And in my mind the setlist went a long way towards making up for the many, many years Dream Theater never toured Australia, by saying “Hey, you got all the big stuff last time, but now we’re buddies, we all know each other, and we’re gonna go a little deeper into the catalog.”

Tickets are still available for tonight’s second Melbourne show.

Remaining Australian tour dates:

Dec 08, 2009: Melbourne, Palais Theatre
Dec 09, 2009: Adelaide, Thebarton Theatre
Dec 12, 2009: Perth, Metro City

LINK: Dream Theater at Roadrunner Records Australia.

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7 Responses to GIG REVIEW: Dream Theater, Palais, Melbourne, December 7 2009

  • Anonymous says:

    It sounds short, how long did they play for? I am going to the Perth gig and can't wait, especially after all the dramas they had last time they came to Perth on Jan 26 2008

  • JR says:
  • Anonymous says:

    The show began roughly 9pm and ran until after 11. It was a fantastic show, and I wish I could be there seeing them again right now. The Palais is a very nice place and has a great atmosphere.
    However, I will say that Pain of Salvation wasn't for me. They weren't bad, just their style didn't suit my taste that much. They provided a nice contrast to Dream Theater.
    There was no real dramas to speak of during the main show, but there was a slight glitch when Jordan's equipment stopped working for about 15 seconds and a keyboard tech came out and made a quick adjustment and fixed it. But it wasn't a show stopper, and if you hadn't seen it you would never know it even happened.
    All in all, this was a fabulous show from a fabulous band. You're going to enjoy Perth very much.
    Jeff in Melbourne

  • Peter Hodgson says:

    Killer photos, JR. I stumbled across your site a few months ago. Great stuff!

  • ramin says:

    I remember wondering what LaBrie does during the instrumental sections often myself. One theory that I remember from the Ytsejam mailing list from sometime around 1995 is that he ducks out to a nearby McDonalds for a couple of hamburgers ;)

    I'm still slightly annoyed that I missed them this tour, schedules just didn't work…

  • Shtevil says:

    I took advantage of the $60 ticket for tuesday's show and went along again,

    The set list was;

    Nightmare to Remember
    The Mirror
    Lie
    Keyboard Solo
    Prophets of War
    Wither
    Dance of Eternity
    One last Time
    Sacrificed Sons
    As I Am
    Pull me under/metropolis medley
    Encore: Count of Tuscany

    It was great to see The mirror and lie played back to back and One Last time is one of my favoruite DT tunes

    The Highlight for me apart from Seeing Myung make everything look like a walk in the park was JP's awesome tone on the slow volume swirl/feedback section he does in Count of Tuscany..

  • Ian Perge says:

    The version of "Hollow Years" they played that threw your singalong off is actually the *demo* version before Kevin Shirley loaded the "FII" Demos into ProTools and did his trimming (most evident on that, "You Not Me" substantially changed from its "You OR Me" beginnings, removing "Hell's Kitchen" from the middle of "Burning My Soul" and considerable changes to that as well, "Lines In The Sand" and "Take Away My Pain". As an old-school DT fan myself I actually PREFER the vast majority of Shirley's arrangement changes, which cut away as much of the fat as you can with a Prog Band (Capital P, genre as opposed to mindset.) They, however, did not, which caused a great deal of the band troubles in that time period and why he was they're last outside Producer. A shame, as I personally think they're gone downhill with each subsequent release.

    As for James' doings during the instrumental passages, there's a Behind-The-Scenes up on YouTube that reveals that when he ducks behind Petrucci's rig he's *actually going INTO* a shell of a cabinet or two (JP's tone has actually come from a 1×12" custom miked-and-isolated speaker since they switched to In-Ear Monitors in 2002 – yup, much like Pantera Dimebag's empty Randells and many other heavy bands before them JP's rockin' a "False Front" with his Mesas) where he has a stool, some hot tea to keep his voice loosened up, and a book to read. Seems to Tap-ish to be true, but I swear on my many basses that it is. :D

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I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), guitarworld.com, Tone DeafBeat and The Brag. I started I Heart Guitar in 2008. I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18 (I'm 33 now). I've also worked as a guitar teacher (up to 50 students a week) and a setup tech. I live in Melbourne, Australia. You can check out my guitar playing at Reverbnation or on YouTube. You can email me at iheartguitarblog@gmail.com


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