NEWS: Gibson releases Jimmy Page ‘Number 2′ Les Paul
Ooh, another Gibson Jimmy Page Les Paul, and I still haven’t fulfilled my promise to myself to become rich enough to buy all the previous ones. I’ll get to the Gibson press release in a second, but first let’s reflect on one of the greatest guitars I’ve never played:
Ok, enough of this japery. Here’s the press release about the new Jimmy Page model. I’ll meet you again after the press release for my commentary.
Every musician knows that late ’50s Sunburst Les Paul Standards are hard enough to come by as it is. Obtaining a pristine and exemplary ‘59 ‘Burst and modifying it for heightened performance and vastly expanded tonal options? Unheard of… unless, of course, you’re Jimmy Page.
That’s exactly what the legendary Led Zeppelin guitarist, perhaps the world’s most iconic Les Paul player, did with his own ‘59 Les Paul Standard, and now, thanks to the extreme efforts of Gibson’s Custom Shop and the intimate cooperation of Jimmy Page himself–the artist’s hallowed “Number Two” Les Paul is available to mere mortals, in the form of the Custom Shop Jimmy Page “Number Two” Les Paul.
Produced in strictly limited numbers, with two levels of aging, this guitar captures the look, feel, sound, and versatility of one of the greatest artist-owned Les Pauls of all time, and it is likely to disappear from authorized Gibson dealers in record time.
The 1959 Les Paul that has come to be known as “Number Two” was purchased by Page in 1973 after trying for some time to acquire an exceptional second Les Paul.
This was several years after having acquired his other legendary Les Paul–”Number One”, a ‘59 ‘Burst with shaved-down neck profile and no serial number–from Joe Walsh. “Number Two” was essentially all original when he acquired it. Jimmy did have some modifications done to the neck shape so that it would more nearly match the feel of his “Number One”. The neck is certainly slim but not to such extremes as the now-ultra-slim neck on “Number One”. It had a strong, beautiful sunburst finish with a red element that had faded to a dusky amber-brown, along with a clear serial number dating it to 1959. Page played this Les Paul frequently through his days with Led Zeppelin, and in the early ’80s decided to make it an even more versatile instrument.
Page also added that he wanted to “explore the full range of what the two humbuckers have to offer”. He designed a switching system for coil splitting, series/parallel, and phase-reverse options for both pickups, and employed a skilled electronics technician to devise a working schematic and make his sonic vision a reality.
The result comprised a push/pull pot on each of the guitar’s four standard controls, plus two push-button switches hidden beneath the pickguard, all mounted on a ‘59 Les Paul Standard that is otherwise a superb example of the breed, both in tone and playability.
The Custom Shop Jimmy Page “Number Two” Les Paul was recreated with intense, inch-by-inch examination of Page’s original guitar, inside and out. The process of getting it right involved the production of a number of hand-built prototypes, each of which was checked and critiqued in detail by Page himself. Approval of the final iteration was only offered after the legendary artist had intricately examined and extensively played this last prototype in his London home, after which it was given the thumbs-up, worthy of being the template for the Custom Shop Jimmy Page “Number Two” Les Paul.
Only 325 examples will be produced in total: The first 25 instruments are to be aged by vintage-reproduction master Tom Murphy then inspected, played and hand signed and numbered by Jimmy Page personally. An additional 100 guitars will be given the extensive aging treatment and 200 will be finished to Gibson’s VOS specs.
Got that? Cool, huh? Now, these guitars certainly aren’t cheap – the aged/signed version is $25,882; the aged version is $15,294 and the VOS version is $11,176. Be that as it may, I think it’s really cool that Gibson and Page are teaming up to do these reproductions of his iconic axes, and that they’re doing it right. Would I pay that much for one? Well, no, because once upon a time I didn’t even MAKE $25,882 in a year. But it would have been all too easy to just throw the Page custom wiring into an existing model and be done with it. At least Gibson’s going to the effort to get this stuff exact – even though I might have to trudge down to my local Cash 4 Kidneys to afford one.
What do you think? Can you put the cost aside and geek out over this new axe, or is that hefty price tag just too much of a hurdle?