REVIEW: ESP LTD MH-1000 DELUXE

ESP and its LTD brand have released probably dozens of MH-based guitars over the years and it’s easy to see why the design is popular: it embodies the playability and stage-friendly ergonomics of a superstrat, with certain similarities in wood, tone and construction with the Les Pauls. MH guitars are available in all price points right down to the budget MH-50, so let’s look at the LTD MH-1000 Deluxe – the most pimped out Korean MH you’ll find before you get to the really primo Japanese-made stuff, and on to the Custom Shop gear. Mmmmmmm, ESP Custom Shop… [insert Homer Simpson gargle here]
The MH-1000 Deluxe features a solid mahogany body with a quilted maple top. It’s not the most three-dimensional top you’ll ever see, and the flamy-ness relatively hard to see in low light, giving it a kind of restrained, sinister vibe befitting an axe of this orientation. Of course there’s a genuine floating Floyd Rose bridge and locking nut plus six-in-line Grover tuners. The maple neck has a rosewood fretboard, 24 extra jumbo frets and abalone-accented purfling (to match that encircling the body), with small bass-side abalone block inlays aside from the 12th fret MH-1000 inlay. Hardware is black nickel, dark enough to look aggressive and menacing but not so black as to be hard to see. In other words, your audience will still know you’re rockin’ a real Floyd Rose trem instead of a licensed version. And let’s face it: bragging rights are important. We’re guitarists, dammit, not pragmatists!
One particularly interesting feature of the MH-1000 Deluxe is its ‘set-thru’ construction. Not quite set neck, not quite neck-through, a set-thru neck is a set (ie: glued) neck which has been carved to feel like a neck-through. It’s an elegant solution which feels so authentic to what you might expect from a neck-thru that you’d be forgiven for mistaking it for one. What this means, of course, is that construction costs and wood use are kept lower than if neck-through construction was used, but you still get the ergonomic playability of a neck-through.
Pickups include an EMG 81 in the bridge position and an 85 in the neck – a classic combo favoured by many metal and rock players. The control layout is pretty simple: 3-way pickup selector switch for neck, bridge or both combined; master tone; master volume. There are no pickup splitting options either on the switch or via push-pull pots: what you see is what you get. This is a guitar that knows what it was designed for, and that’s to kick your audience’s ass.
With that in mind, it only takes one look to figure out what this guitar’s gonna sound like. If you’ve spent any time with EMGs you’ll know they have great headroom and clarity with an aggressive ‘burn’ around the edges of the notes. This was no different. I tried it though a variety of amps, and the character of the guitar always showed through, with the EMGs reproducing all the fine phrasing details that are sometimes smeared by other pickups. I cranked up the gain and launched into a palm-muted metal assault, and before I knew it about 20 minutes had passed before I’d even ventured beyond the 5th fret – it just sounded so good to dwell down there at the deep end. Moving up to the higher notes, the character of the pickups changed, with more clarity and less fizz. In fact if I was using a single-channel amp with no effects I’d probably choose the MH-1000 as my weapon of choice because it really seems ideally voiced to project unique tones for both rhythm and lead without needing to alter anything at the amp.
As for all that abalone, it might be a bit much for some players – and here’s my only problem with this guitar. I’m really over abalone. Like, really over it. Then again, it is associated with the kind of deluxe appointments that this model tells you to expect – ‘Deluxe’ is right there in the model name – and when you strap this guitar on your audience will certainly be aware that you’ve paid extra for a bit of flash, but hey, what’s the point of buying a guitar with ‘Deluxe’ in the model name if you’re not gonna show it off? The playability is exceptional (especially after lowering the factory setup a few turns), the tones are great and as long as you can hang with all that mollusk, the look is pretty bitchen too. If you dig the vibe but not the look, there are more visually restrained models in the LTD Standard series, or you can knock it up a notch with a genuine ESP Horizon FR-II.
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2 Responses to REVIEW: ESP LTD MH-1000 DELUXE
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Hi! I'm Peter Hodgson. I write for
Hi, I am new to ESP guitars, been playing for around 35 years ina number of high end bands but always played classic guitars Fenders adn Gibsons etc. Came acorss the ESP Horizon and played it and fell big time in love. Am seekign just the right one for me at the moment colous etc. Than by chance came across a friend who had just purchased one of the LTD’s and I went “what the?”Whats the difference and why cost points different. This editorial has made that brain input ;possible as it is Korean and the neck construction is not thru body so I can start to understand but I have to say I was very impressed with this LTD and I actually liked teh finish of the Abs as well which was making me wonder why so much cheaper than teh ESP Horizon. An excellent alternative to the Horizon I have to say but tend to like the 3 way and not teh 5 way that this one has but again just a personal preference and no big deal. I have to say the only downer for me in my style is I love low frets as I slide my fingers up the board and these tend to be a bit high for me so I most likely would geta Luthier to file down just enough to make the sliding of my fingers work better that feeling I am sliding over humps. Again a personal preference and these will most likely be enjoyed by a Vai style player.
Out of ten, for its price point and featurees and playablity I give it a 10/10 but when compared to an ESP Horizon I would give it a 8.5/10 which is probably a bit harsh but the Horizon has the edge in finish but again I quiver when giving it a 8.5 but that is comparing a guitar that looks the same as each other but one is not quite as good, but that is a direct side by side comparison. I love excellent finishes as it makes me feel better and it gives me that edge. Whenever I see a great guitarist I look to see what calibre of guitar he or she plays and it really makes me have a different perspective on that guitarist when I see that guitarist playing an excellent looking guitar. It is all about quality not only in playing but in the way they preent themselves. Someone who has a rough looking rig a rough looking guitar makes me think they ar not as professional as someone who is equally as good but has crap lookign setups wires all over the place, a crapped out guitar, for me it is all about being professional and like any otehr profession it is how you look as pro. I mean this as well when I see bands on stage that look they have just finished cutting the grass and walked on stage, they have no understanding of stage presence but a band that walks on that has heav rock or pp image that is showmanship.
Ok enough of todays lecture I am boring even myself here.
great guitar though.
Hi I finished this reply and then I felt I need to qualify my thoughts.
I bought a Fender Squire Strat. Stuck in some noiseless pickups and have used that on many great recordings. One guy saw what I was using and said you shoud,be using a far better guitar and he handed me a top of line Japanese guitar. I thought OK lets see what all the fuss is all about and immediately played the very same riff on a second track. He looked shocked as he could not hear any difference to the tone of the guitars. Mine slightly over a $350 guitar with new pickups and his well dare I say up around the $3000 mark. He looked embaressed.
I feel what I am attempting to say is, it is all about how you play as well. So many people think they have to have to most expensive guitar to sound great. that is a false thought. You can get the great sounds if you can play great on a cheap guitar. Many people will attack me but I have proven it in the studio.
So for all of you out there working hard to save for your most expenive guitar, look toward soemof these great Chinese made guitars as I have been impressed. Ok yes I agree as everyone shouts at me over my three Marshalls working in stereo on stage 100 watt amps the hardware is not as good, I agree but you can customise the guitar anyway you like and still, haev money to buy a better car to get to your gig instead of having to hitch a ride as all your money is inside your guitar case.
Coming dull circle, what I am doing badly at explaining is this LTD will do the job very well, just make it and set it up to your liking and you will have a great sound to work with.
Thanks for not falling asleep on me talking.