REVIEW: Ibanez Darkstone DN500


The Ibanez Darkstone is a slightly unusual foray for Ibanez. The company has never been afraid to take chances, of course – after all, they did build the first production 7-string guitar – but the new Darkstone line takes a lot more of these chances than even the legendary Universe. The line is pitched at the metal market, a notoriously difficult egg to crack if you want to try something different. Does the gamble pay off? Let’s see.

The first interesting quirk of the Darkstone is that it’s built from Sapele, a wood which is tonally reminiscent of mahogany but is more commonly found in acoustic guitars. Both the body and the set-in neck are built from Sapele. The scale length is 24.75″ (ie: Les Paul-ish rather than the Strat-like 25.5″ of an RG), and the neck feels surprisingly beefy for a D-shaped profile. The frets are medium, but the slightly curvy 305mm (12″) radius and the pearloid binding (just like the binding on my beloved Ibanez UV777BK) makes the frets feel a little bigger. By the way, I reviewed the black model, but it’s also available in white. Get both and alternate them each night the way Jimmy Page alternated his black and white stage suits.

The Tight-Tune bridge and tailpiece lock down securely for a dual purpose: to prevent movement and to increase sustain. The locking effect is two-fold: each saddle locks into the base plate, and the bridge itself locks into the body. The controls are very basis, consisting of master volume and tone pots (the latter is coil-splitting) and a 3-way pickup selector switch. The pickups are Ibanez’s new PP1-N and PP1-B units, which feature snazzy rectangular bobbins and tubular pole pieces.The pickup rings are designed especially for the Darkstone to keep the pickups parallel to the strings, and they have unique bevelled edges that are also super comfortable for those of us who like to latch the pinkie finger on to the pickup ring for stability when speed picking. In fact, before we even get into the playability let me tell you that this feature is so handy that I hope Ibanez carries it over to other models. There are a lot of guys like me who anchor their finger on the pickup ring or pickup like that.

The Darkstone is surprisingly comfortable to play. The chunky, deep and wide neck fits snuggly in the palm, and the light string tension makes bending a breeze. The 12″ radius is just curvy enough to make chording and double stops comfortable but flat enough that you won’t fret out when bending.

As surprising as the playability is, though, it has nothing on the tone. The Darkstone has a distinctive character with a very open high end and tight bass. In the bridge humbucker mode it almost reminds me of a hot-rodded Gretsch without the noise: a defined ‘braaang’ sound which emphasises the detail of the strings. The upper mids leap out in a really powerful and musical way. It works great for clean and dirty overdrive sounds but it’s surprisingly perfect for metal. It’s not a conventional metal tone – much edgier, brighter and with a bit more dynamic range compared to the pickups one might more readily think of for metal – but for those brave enough to step out of the regular list of guitars and pickups typically used in the genre, it could just change the way they approach tone forever. The neck humbucker has a juicy tone which does that great Satch thing when you dig in hard with the pick. The tone sounds a bit scooped in the ‘mid-midrange’ but boosted just a little in the high midrange, emphasising pick attack and harmonics while also adding depth. It tracks stupidly well for super-fast picking. In single coil mode, the basic character of the guitar is the same but the sound toughens up considerably, with even more impact and punch. It can get way down and dirty, and even in single coil mode it’s still great for heavier styles. As singles these pickups clean up very effectively when you roll back the volume control.

Want to hear the Darkstone in action? Here are some clips of me playing this baby through AmpliTube 3. You’ll hear (in order): the neck pickup in humbucker mode; the neck pickup in single coil mode; the bridge pickup in humbucker mode; the bridge pickup in single coil mode; then both pickups together in single coil mode.

Darkstone Sounds by I Heart Guitar

The Darkstone is pitched at the metal market but it can do rockabilly and punk like you won’t believe. But its greatest strength, even beyond the utterly flawless build quality, is that ultimately it has a very clearly defined tone of its own.

LINK: The DK500 at Ibanez.com



5 Responses to REVIEW: Ibanez Darkstone DN500

  • thomas4th says:

    Sounds like a great guitar for someone looking for a variation on the Gibson sort of formula. The pickup rings sound like a brilliant idea, since I usually have a couple fingers curled around the bridge pickup (no rings since I’m playing Fender designs at the moment). Your description of the pickups’ sound reminds me of how I’ve heard the DiMarzio FRED described – tight and bright with good attack and harmonics. I’ll have to track one down and give it a proper run; I do miss the comfort of the shorter scale length and the Iceman-meets-PRS look is sharp and distinctive.

    • thomas4th says:

      Post-clips addendum (thank you for recording them, Peter! The redesign looks great, BTW – I think the new graphic up top is a big improvement):

      Wow – they sound great. Neck ‘bucker: Maybe it’s the harmonic minor, but I do get something of a Malmsteen vibe, but with a more Slash-like roundness befitting the guitar’s construction. It handles the Vai-like passage pretty authentically as well. Split: Similar, but a little “bluesier,” i.e. reminiscent of a burlier Strat neck pickup. Bridge ‘bucker: I’m getting a Jerry Cantrell sort of vibe, but with maybe a Satch-ier attack. Split: Hmm, sounds a little like a heavy-metal Tele to my ears, and the attack reminds me a bit of EVH, actually. Both split: This position sounds shockingly versatile; I imagine you could play a whole song here and be just fine, which is what I love about my Tele’s middle position. Ibanez has really got a nice set of pickups in this guitar.

  • kittiebadluck says:

    Such a great guitar! I bought it two months ago and it is my favourite. I have quite a harem of guitars at home more or less expensive and this one seems Perfection.
    It is so well build for the price and the sound is incredible.

  • Wout says:

    I need some help! I want to buy a guitar and this one really got my attention. But, the ibanez s770 is also very nice. Can you give me some advise? Thanks in advance.

  • Von Gazwin says:

    I love this guitar. I bought the white version about 6months ago. Replaced the stock strings with high end Tomas Stik’s ( a really light gauge 8 ). I dip into the metal genre but play mostly charged rock and goth.
    Very stable guitar with a really defined bite even in humbucker mode. I find the middle position gives a really sleazy sort of twang when playing distorted riffs. The first position is a superb tight rock/metal punch.
    I tend to lay off the compression with this guitar.
    I like the design and look. It’s not to everyone’s liking but hey it’s different. The build quality is excellent for the price. Saperle is a heavy wood and I would recommend a decent strap!
    I’ve married this up with a Blackheart combo and Jekyll and Hyde pedals. The distorted tones I now have are the best I’ve ever had considering my modest playing ability.
    I’d consider this guitar for genres beyond metal. I believe it’s very versatile.
    If I had to have a niggle it’s the scratch plate. Just the shape! But that is being really picky.
    Some metal speed players may find they can’t lower the strings as much as they’d like and you might want to try one out properly first. The necks aren’t like Ibanez’s Wizard necks at all.
    The neck is very Les Paul in it’s feel.
    I think most surprising to me was the tone to the pickups. Very controlled and tight bass and overall well defined and brighter than I expected.
    But overall I’d say it’s worth approx £500 it retails at.

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Hi! I'm Peter Hodgson. I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), guitarworld.com, Tone DeafBeat (including their weekly hard rock/metal column Crunch) and The Brag. And I'm Assistant Social Coordinator with Seymour Duncan. I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've also dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food. You can check out my guitar playing at Reverbnation or on YouTube, and feel free to email me at iheartguitarblog@gmail.com