COOL VIDEO ALERT: Pulp = still awesome
Sure, Pulp isn’t traditionally what one might think of as I Heart Guitar music, but Mrs I Heart Guitar is a Pulp fan and they remind me of falling in love and all that, plus Jarvis Cocker’s “Don’t Let Him Waste Your Time” is one of the best songs ever. EVER.
REVIEW: Ibanez Artist ARZ800
Ibanez may not be particularly known for their single-cut guitars – the iconic nature of designs like the RG and Iceman series tend to selfishly draw the eyes towards them during a casual flip of the catalog – but the company has made it’s fair share of such beauties over the years. In fact, in the 70s Ibanez made copies of a particularly well known single-cut that were so accurate and revered that they got slapped with threats of legal action and had to stop. The Artist offers occasional hints at this history but the series is always undergoing refinement and it’s now very much it’s own family of guitars, not trying to reflect any particular design by another company but not shying away from those sexy curves either.
One aspect that particularly separates the ARZ800 from most other single-cuts is its scale length: 25 inches, halfway between the 24.75″ of traditional single-cuts and the 25.5″ of so-called ‘superstrats.’ This gives the strings a slightly looser feel but not so much that you’ll get weird pitch drift if you pick super-hard. It also makes the guitar a little better-suited to lower tunings, such as Drop D or Drop C.
COOL VIDEO ALERT: Tim McMillan
Here’s some guitar goodness from the effervescent Tim McMillan.
The worlds first guitar/cooking show.
Random diet Goblincore tapping
The iphone guitar duo
LINKS: www.reverbnation.com/timmcmillan, www.youtube.com/timmctim
REVIEW: Digitech BP355
Bass players often seem to be given the short end of the stick when it comes to multieffects and recording-friendly products. There have been a few cool units over the years, but more often than not bass players are criminally short-changed when it comes to under-foot processing power. No more! DigiTech’s BP355 is going to change all that. Part preamp, part multi-effects unit, part looper, part recording interface, it’s an innovative piece of kit that covers a lot of basses… uh, bases.
Amp models? It has 21, based on – you ready for this? – Mesa Boogie Dual Rectifier, Fender Tweed Deluxe, ’63 Vox AC30 Top Boost, ’65 Fender Blackface Twin Reverb, ’77 Marshall Master Volume, Ampeg B15, Ampeg SVT, Ashdown Bass Magnifer, Demeter VTBP-201S, DigiTech Clean Tube, DigiTech High Gain, DigiTech Solo, Fender Bassman, Fender Dual Showman, Hiwatt Custom 50, Mesa Boogie 400+, SWR Basic Black, SWR Interstellar Overdrive, Sunn 200S and Trace-Elliot Commando (as well as a Direct voicing with no amp model to speak of).
NEWS: MI Audio modded Crunch Box giveaway
MI Audio Pty Ltd is offering a killer giveaway of three Crunch Box pedals with five mods which may be used on a possible future production version.
The mods:
1) Start with an internal voltage tripler to run at the pedal at 24V for the punchiest, most amp-like tone.
2) The presence trimmer is now external for on-the-go adjustments.
3) A 3 position clipping switch for >> traditional CB sizzle, a more organic softer clip, or an open sounding ‘volume boost’ mode.
4) A switchable filter mode for a fat, ‘fixed wah’ tone
5) A switchable lower gain mode, with improved guitar volume sensitivity.
There are 3 ways to win a modified Crunch Box. One Crunch Box will go to someone who has subscribed to MI’s newsletter. Subscription form can be access on their Facebook page or the MI Effects website. A second Crunch Box is Facebook-related and a third is Twitter-related. All the details can be found at http://www.mieffects.com/giveaway.htm
Hi! I'm Peter Hodgson. I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), guitarworld.com, Tone Deaf, Beat (including their weekly hard rock/metal column Crunch) and The Brag. And I'm Assistant Social Coordinator with Seymour Duncan.
I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've also dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food.
You can check out my guitar playing at Reverbnation or on YouTube, and feel free to email me at iheartguitarblog@gmail.com