If you read I Heart Guitar last week you probably read about the beautiful new SolidBody Standard that Taylor is building for me (you can keep up with each update here). Over the next few weeks I’m going to pick out various features that I chose, and explain why I picked them for my guitar. This week it’s the Taylor Tremolo Bridge.
There’s a great video below which explains the trem, but of course it doesn’t explain exactly what I like about it. There are two things in particular that attract me to this bridge: the profile and the fulcrum point.
The Taylor bridge is smooth. Real smooth. I tend to tune out how uncomfortable it is to palm mute on most guitars, since it’s just a necessary evil, but Taylor has really nailed the design of this bridge so that it’s comfortable and unobstructive. It also looks sleek and cool, like something from a 1950s vision of the future.
The Fulcrum Point
The fulcrum point of the bridge – the point at which it pivots – is set lower into the body of the guitar than usual. This gives it more balance and a smoother operation. It’s a two-point knife-edge design, and whether you choose the fixed or tremolo version, the bridge height can be adjusted both front-to-back and side-to-side. Each string has its own saddle which is locked in place after intonation is set.