REVIEW: IK Multimedia AmpliTube Slash for iPad

Slash is one of those players who manages to cross the divide between generations. Original classic rock fans love his blues-based style. Hard rock and metal fans dig his attitude. And kids are drawn to his guitar hero persona. Slash has always used top-quality gear and has had no hesitation in putting his name to the equipment that meets his standards. We may not all be able to afford a Gibson Slash Les Paul and his signature Marshall AFD 100 amp, but now with AmpliTube Slash you can at still rock out with a version of Slash’s iconic tone – no, scratch that, make that tones.

AmpliTube Slash is available for iPad, iPhone and iPod Touch, and you can use IK Multimedia’s iRig or iRig Stomp to connect to the app. Other interfaces which use the 30 pin connector work too, and you can also use iRig MIDI to control AmpliTube Slash with your floor controller.

The app includes five effects (Chorus, Delay, Booster, OctoBlue and Distortion/Wah, the latter being available for free when you register the app) as well as a noise gate, two amplifier heads (Marshall JCM Slash Edition Silver Jubilee and the AFD 100), a single track recorder, expandable to eight tracks with mastering effects. You can export your recordings via email, SoundCloud, FTP or File Sharing. There are 30 tone presets included, and you can create your own too. There’s a tuner, a metronome, and you can import/purchase and play along with your favourite Slash tracks or any music in your library. The SpeedTrainer section lets you slow down or speed up licks while maintaining pitch for practicing. if you currently own AmpliTube for iPad or iPhone, upgrade to version 2.5 for free and all AmpliTube Slash gear models are available as in-app purchase, either as a complete set or a-la-carte.

So those amp models: it appears that there are two included, but really there’s three, with two contained within the Marshall AFD100 amp, just like with the real amp. Lemmie explain. The original AFD100 Slash amp features two modes: AFD and 34. The 34 mode is based on Slash’s modded JCM 800 2208 (which has ’34’ stencilled on the side). The second mode, AFD, adds an extra gain stage and is based on the sound heard on the Appetite For Destruction album. So the AFD model in the app is based on this amp and its two modes. Cool huh?

I plugged my Gibson Les Paul Traditional in using Sonoma Wire Works GuitarJack 2 (I don’t have an iRig Stomp handy) and let rip. I could tell you all about the sounds, but you can hear some of my noodlings here.

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Family Guy & KISS join forces

PRESS RELEASE

FAMILY GUY AND KISS COMBINE FORCES FOR A NEW, ROCKIN’ CONSUMER PRODUCTS LINE

Collaboration Kicks Off Co-branding Strategy That Will Pair Animated Franchise With Other Iconic Names 

On their own, FAMILY GUY and KISS are two of the most recognizable names in entertainment. Today, Twentieth Century Fox Consumer Products and KISS are proud to announce an upcoming co-branded FAMILY GUY/KISS product line that will hit shelves this coming fall. Moving forward, Fox Consumer Products and Kiss will look to create a line of co-branded merchandise inspired by other prominent guests from the show.

The FAMILY GUY/KISS line is an organic collaboration that taps into the band’s references within the show. So far, KISS has appeared three times on the series, providing viewers with insightful and hilarious nuggets that include Peter Griffin’s love for the band and the fact that Lois Griffin once dated KISS’ bass playing Demon, Gene Simmons before he became famous.

To support the program, Fox Consumer Products and Live Nation Merchandise, Kisses’ licensing agent, will be looking for partners in the following categories: vinyl figures, bobble heads, apparel, plush, novelty, barware, social expressions and fine art.

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REVIEW: Ernie Ball Music Man Game Changer

There haven’t been many innovations in pickup switching since the 50s. A few coil splits, phase flips, blend pots, series/parallel tweaks and Fender’s S1 are pretty much all that’s happened in that department in 60 years (okay, I’m understating it to make a point, but bare with me). So Ernie Ball Music Man has tackled the problem in a system that takes the best of what techs have been tweaking in back rooms for years, and blows it out to almost unlimited potential in The Game Changer. The best way to describe it is this: it frees the coils of each pickup from the normal order of things, so now you can instantly – and with an analog signal path – rewire your guitar or bass by combining any order of pickup coils in series, parallel and in or out of phase. The result is more than 250,000 possible pickup configurations, which you can create on your computer and then send to the guitar for storage in several banks.

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CD REVIEW: Rush – Clockwork Angels


The release of a new Rush album is always cause for celebration among Our People. Progressive, melodic, virtuosic, energetic, verbose, thoughtful – Rush is music for those of us who like to ponder, think, analyse, and discuss as well as rock out. And Clockwork Angels gives fans more fodder for discussion and immersion than any Rush release to date. It’s their first concept release since side one of Hemispheres and it goes all out, with an accompanying novel to be released later this year. It tells a tale of a steampunk world, oppressive leadership, a surreal carnival, flying ocean liners dashed by deceptive lights on the horizon – it’s almost like a Terry Gilliam film has been teased into a musical rather than visual narrative. And it matters: when you take the lyrical and thematic content on board, Clockwork Angels is an immersive experience. And yet that’s not the reason why this is being called the best Rush album since Moving Pictures by so many fans. The reason is, it’s simply good music. Thought Vapor Trails and Test For Echo sounded urgent and energetic? They’re almost naps compared to the power of Clockwork Angels.

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