REVIEW: Mayones Regius PRO 7

Mayones Guitars have been around for decades but in recent years they’ve really risen to prominence, partly through better distribution, partly through home high-profile players such as Periphery’s Misha Mansoor, and partly because the world is finally catching up to their extremely high quality. You can ogle photos of a Mayones online all you want but that doesn’t tell you the whole story: they feel as great as they look, and you get a definite sense of ‘Daaaaaamn that’s a high-quality guitar’ when you pick one up. Read More …

REVIEW: Mastodon – Once More ‘Round The Sun

Mastodon Once More Round The SunIf I may be indulged with an overwrought metaphor, being a Mastodon fan is kind of like driving along the coast and gazing out the window: the view in the near field keeps changing – buildings, beach, cliffs – but the view out to the horizon remains more or less the same, give or take a few clouds or whatever. Whatever Mastodon does, it has a certain emotional, ragged-yet-anthemic quality which is always there, but sometimes the more up-front aspects are expressed in a psychedelic, unpredictable way and sometimes the attitude is more blatant and direct. Thus far Crack The Skye is the epitome of the more abstract approach, while The Hunter went for directness, especially in terms of groove. Now Once More ‘Round The Sun further refines the latter approach, but this time the melody is cranked up to 10. A great example is the chorus of “The Motherload.” It’s practically arena rock – albeit a rather skewed, dark take on arena rock. “High Road” does a great job of building upon the sound established on The Hunter, while “Chimes At Midnight” returns to some of the more moody-then-chaotic moments of Crack The Skye but without quite the same level of sophistication. Read More …