Hero Of The Underground: Fender Celebrates 60 Years Of Jazzmaster® Innovation

HOLLYWOOD, Calif. (May 9, 2018— Fender Musical Instruments Corporation (FMIC) today announced the 60th anniversary celebration of Fender’s most creative and expressive model: the Jazzmaster. A hero of the underground, the Jazzmaster has been adopted by generations of artists looking for unique sonic qualities and combinations, unlocking genre defying sound that lives on today within music and culture.
In 1958, Fender introduced the Jazzmaster as the top-of-the-line electric guitar for jazz musicians; later the sound and easily modifiable style attracted counterculture and misfit players, including aficionados of surf guitar – who rarely hesitated to personalize their instruments and make a sound of their own. Over the past 60 years, players across genres have wielded Jazzmaster guitars – from J Mascis (Dinosaur Jr.), Lee Ranaldo (Sonic Youth) and Elvis Costello to Troy Van Leeuwen (Queens of the Stone Age), Chelsea Wolfe, Jim Root (Slipknot), Chris Stapleton, Portugal. The Man and The War on Drugs. A cult classic today, the Jazzmaster still is the core tool for contemporary artists and innovative players continuing pushing the creative boundaries of music.
To celebrate the 60th anniversary occasion, Fender is releasing highly collectible iterations of the beloved Jazzmaster, including three, limited edition models in select colors: the Limited Edition 60th Anniversary ’58 Jazzmaster, Triple Jazzmaster and Classic Jazzmaster.
“The Jazzmaster is the little engine that could,” said Justin Norvell, SVP, Fender Products. “It didn’t follow its original destiny to be a jazz guitar, but found a niche on the creative cutting edge and maintains significant popularity today as we celebrate its 60th anniversary. Whether it’s surf, ‘90s punk rock or alternative music, the Jazzmaster has remained the guitar of choice, pushing music forward into uncharted territory.”

The original ‘58 Jazzmaster boasted a revolutionary offset waist, distinctive-sounding pickups, a flexible rhythm/lead circuit and was the first Fender guitar to sport a rosewood fingerboard. An homage to the original prototype of this ground-breaking guitar, the 60th Anniversary ‘58 Jazzmaster accurately recreates the bold and distinctive look and feel of the original 1958 prototype, giving players a taste of the Jazzmaster in its original form. The Limited Edition 60th Anniversary ’58 Jazzmaster is offered in 2-Color Sunburst. 
The Triple Jazzmaster features a modern, triple-pickup and is an homage to the mod ethos that permeates Jazzmaster player circles. Combining authentic looks and uniquely flexible wiring – the guitar also features brand-new humbucking pickups from pickup guru Tim Shaw for a guitar that’s ready to rip it up on stage and off. The Limited Edition 60th Anniversary Triple Jazzmaster is offered in Daphne Blue.
Classic Jazzmaster updates the classic 1966 model with features that modern, creative players are sure to appreciate. This model is a reproduction of the 1966 Jazzmaster, which at the time, was updated with the following features: bound neck, block inlays, and as a special aesthetic touch, a slick-looking matching painted headstock. These stylish visual cues—as well as the rich, multi-dimensional sound—made this one of the most sought-after Jazzmaster models. The Limited Edition 60th Anniversary Classic Jazzmaster is offered in Daphne Blue, Black, Vintage Blonde, and Fiesta Red. 

The 60th anniversary Jazzmaster models are available at local dealers and on www.Fender.com on the below dates; models include: 

o    Available Now: Limited Edition 60th Anniversary ‘58 Jazzmaster – $2,299.99    

o    Available September 2018: Limited Edition 60th Anniversary Triple Jazzmaster –  $1,999.99 and Limited Edition 60th Anniversary Classic Jazzmaster – $1,199.99. 

To learn more about Fender’s 60th Anniversary Jazzmaster models and for product descriptions of each model, click here. For series product images, click here.  

For technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.

  

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ABOUT FENDER MUSICAL INSTRUMENTS CORPORATION: 

Since 1946, Fender has revolutionized music and culture as one of the world’s leading musical instrument manufacturers, marketers and distributors. Fender Musical Instruments Corporation (FMIC), whose portfolio of brands includes Fender®, Squier®, Gretsch® guitars, Jackson®, EVH® and Charvel®, follows a player-centric approach to crafting the highest quality instruments and musical solutions across genres. FMIC is dedicated to unlocking the power of music through electric and acoustic guitars, amplifiers, pro audio, accessories and digital products that inspire and enable musical expression at every stage, from beginners to history-making legends. 

 

Metal Social Media Isn’t Just Jerks Yelling At Each Other

Social media is a shitshow lately. I don’t need to remind you about certain divisive presidents of certain international superpowers, or particular superstars who always seem to pop up to draw attention to themselves when someone else is getting too much positive press. Whipping out your phone to check your social feeds can be unintentionally stressful, and the metal community is no exception. Staind’s Aaron Lewis shot his mouth off at Limp Bizkit’s Wes Borland recently for referring to Los Angeles rather than his native Jacksonville, Florida as his home (like there aren’t millions of people who want to re-forge their identity outside of their hometown), and it spilled over into Facebook arguments among fans on various Facebook groups. Drum legend Mike Portnoy is always speaking out against metal news sites that seem to phrase their headlines in ways designed specifically to generate arguments in the comments section. And don’t get me started on the shitstorms whipped up in the replies any time Kerrang! or Revolver tweets about Slipknot, Ghost, The Pretty Reckless, Babymetal… It’s enough to make you want to chuck your phone in the creek and go have a lie down under a tree. 

Sometimes you need to step back and realise that your social media feed is for you to curate. If you’re cramming this information in your head all day, it’s okay to make sure you’re only cramming in the stuff that doesn’t send you into a panic attack. I’ve noticed there are a few particularly great social media accounts that post uplifting-but-still-totally-metal content, and I find they help me get through my day as someone who buries their face in their phone way too much and would rather load up on a ‘promote what’s great, not what you hate’ philosophy. If that sounds good to you, here are some recommendations for people to follow on Twitter. Oh and I’m @iheartguitar if you don’t follow me already.

Ben Eller – @BenEllerGuitars
Uncle Ben is one of the sweestest dudes you’ll ever meet. A great guitarist and bassist, he puts a lot of heart and happiness into everything he does, whether it’s sharing spicy guitar memes or his hugely popular This Is Why You Suck At Guitar YouTube series. (Dude can only get away with that series title because he’s so damn nice). 

Kimberly Freeman (One Eyed Doll) – @Kimberly_OED
Kimberly is the frontwoman of the duo One Eyed Doll. Imagine if a supernatural horror movie could play metal guitar, or if What We Do In The Shadows was a band instead of a hilarious mockumentary. Kimberly is incredibly supportive of her fans, and her retweet game is crazy strong. 

Jose Mangin – @JoseMangin
A self-described heavy metal ambassador, Jose is a host on Sirius XM Radio and the dude lives metal. He’s the kind of guy who will put his Uber driver on the guest list for a festival he’s hosting, and he’s a big believer in using metal as a catalyst to bring people together across racial and social divides.

Jared Dines – @JaredDines
Jared is a music/comedy YouTuber with nearly 2 million subscribers, who makes videos about metal cliches and tropes, but is also a talented guitarist who understands that metal can simply be fun. Check out his recent video where he uses a custom Australian-made 18-string Ormsby guitar to create a crushing-but-hilarious djent track. 

Higgo – @Higgo74
You may have heard Higgo on Triple M or GoldFM, or on his Distortion podcast. Dude is metal through-and-through and he always on top of the latest bands and releases as well as the classics. Even if I do razz him for tweeting about reality TV sometimes. Heh. 

Jaide Soto – @Jaide_Alicia
Jaide is an 10-year-old metal journalist from the USA who was raised on a diet of Van Halen and KISS, and whose metalhead dad helped her set up shutupandrockon.com to share her reviews and interviews with the likes of Fozzy’s Rich Ward (another great person to follow at @thedukeofmetal), Faster Pussycat guitarist and rescue-dog advocate Ace Von Johnson (@acevonjohnson) and Twisted Sister’s Dee Snider.

Dean Delray – @DeanDelray
Dean is a comedian and former rocker from California whose podcast Let There Be Talk is a must-listen resource for great conversations with rock royalty. He’s utterly hilarious onstage so if he’s ever in your neck of the woods, do go see him and you’ll have a great night.