Dave Nassie Melts Faces Off With The Forza

Damn Dave Nassie of Bleeding Through can play. If you’ve been lucky enough to catch him playing at the Seymour Duncan booth at NAMM you’d know what I mean, but this great video from Chicago Music Exchange certainly highlights Dave’s considerable skills on the ‘ol gee-tar. He’s demoing the new Seymour Duncan Forza overdrive, which is exclusive to CME. You can pick up yours here.

Pro Tone Pedals Mark Holcomb Haunted Delay

Here’s Pro Tone Pedals’ Mark Holcomb Haunted Delay pedal for the Periphery guitarist and all-round nice dude. It’s designed to be an ambient style delay like an old-school vintage tape echo, offering delay times from 25 to 450milliseconds, with a repeat control that ranges from one repeat through to infinite feedback. There’s a mix control as well as a volume knob which gives you anything from unity gain to a 20dB boost, enough to kick things up for solos and stuff. Pro Tone has designed the Haunted delay was intentionally designed to work well with modern high gain amps as well as classics. Mark says “I’m extremely happy with how unique and versatile this pedal turned out, and it’s been an inspiration merely jamming on it as of late. The intention here was to create something truly trippy – a pedal versatile enough to handle the soundscape-y material I’m drawn to, while at the same time having a very streamlined interface, making it easy to use as a songwriting tool – which is its main use for me.” To order the pedal, visit protonepedals.com/markholcomb

 

 

 

Paul Gilbert Demos The DiMarzio PAF Master Pickups

DiMarzio says:

“One variation that’s highly sought after by vintage PAF® players is a pickup that is quiet, bright, and very dynamic. The PAF® Master Bridge Model has all that combined with real rock and roll character. It reacts to playing, and sounds good when playing more than one note at the same time. Picked hard, it has a beautiful, snarly, thick, rockin’ tone. The PAF® Master Bridge Model: vintage just got better. Read More …

Cool Gear Alert: Pettyjohn PreDrive

Man, this thing looks so cool! The PreDrive is a studio grade, dual foot-switchable guitar preamp designed to be the first pedal in your chain. Built in the USA with two discrete opamp chips and audiophile components throughout, the PreDrive will preserve every detail of any instrument plugged into it. Its preamp was designed to serve the unique needs of a matching impedances of magnetic pickups, and can be used as a preamp for almost any instrument outfitted with a magnetic pickup. With a full frequency range and a transformer coupled Direct Output you can capture great direct in tones in the studio, perfect for reamping, using virtual amps or even use the PreDrive in front of digital effects units to add extra dimension and clarity to your tone. More info on Pettyjohn here. Read More …

COOL GEAR ALERT: Gibson SG Standard 24

I was just cruising around Gibson.com and I came across this: the Gibson SG Standard 24 for American Music Supply. Look at this thing! Just LOOK AT IT! Argh, how cool! It bums me out that this is an exclusive model that I guess won’t find its way to Australia. I love mini humbuckers (I used to have a Firebird with Seymour Duncan mini humbuckers which sounded awesome), I love SGs (I’m Australian – we’re genetically predisposed to like SGs because of Angus Young), and 24 frets are ear-shredding fun. From a tonal perspective a mini humbucker in the neck makes a lot of sense: it focuses the pickup on a narrower area of the string, giving you a tighter and more focused sound. I’d love to get my hands on one of these, but alas, I fear I am doomed to miss out. Still, phwoar.

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COOL GEAR ALERT: PRS Guitars “Stripped” 58

Today I had the huge honour of spending about an hour with Paul Reed Smith himself for a huge interview which will be posted on I Heart Guitar soon. We talked about a lot of very interesting stuff – various PRS pickups, signature artists, the growth of the SE division, PRS’s wood stocks, and much more. One thing I wish we’d touched on but didn’t was this beauty: the PRS Guitars “Stripped” 58 model. Originally offered as a limited run for Experience PRS in 2011, this guitar is based on the popular SC 58, but with some changes which make it more affordable but no less desirable. It has a 24.5″ scale length, 22 frets on a rosewood fretboard, moon inlays (with bird option), mahogany neck and body, plus a curly maple top (with a 10-top option). The pickups are a set of 57/08 humbuckers (which sound amazing) and there’s an individual volume and tone control for each pickup. The guitar also has PRS’s two-piece bridge, which is machined rather than cast, for greater resonance. Just look at that thing. That tailpiece is so chunky that I think I can hear it making my computer monitor more resonant just by being displayed on it.

COOL GEAR ALERT: DigiTech Whammy V

Here’s something incredibly interesting that I just saw on the excellent Effects Database: the latest DigiTech Whammy V Pedal. And get this: it’s finally operated by a 9V DC adaptor (rather than AC). That feature alone is bound to sway some on-the-fencers, but the Whammy V also offers True Bypass (a popular aftermarket mod) and a new chordal shifting mode.

Here’s the press release.

SALT LAKE CITY, Utah – HARMAN’s DigiTech today introduced its next-generation Whammy pedal, building upon one of the most iconic guitar pedals recognized by guitarists around the world. The new Whammy features the classic Whammy sound that guitarists have embraced for over 20 years, and moves to the next level by introducing chordal Whammy pitch-shifting, additional Whammy intervals, and true bypass.

For over two decades the Whammy pedal has been known as the ultimate pitch-shifting pedal in the world, used by everyone from Jimmy Page to Tom Morello and heard on songs like “Seven Nation Army” by the White Stripes and the Black Keys’ recent hit, “Lonely Boy.” The introduction of new possibilities with the Whammy pedal reinforces its legendary status of the pitch-shifting realm.

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