INTERVIEW: The Peep Tempel

Peep Tempel

Word on the street is that when Mariachi El Bronx – the alter ego of The Bronx, natch – asked for the best Australian garage band to support them on their recent Aussie tour, there was really only one option: The Peep Tempel.​ Known for their no-fuss approach, catchy songwriting, animated vocal delivery and sweetass guitar work, their sound is immediately identifiable as Australian but with that indefinable thing that transcends geography and makes them a contender for “Aussie band who can make it overseas” rather than “Aussie band who never gets a break.” They’re currently wrapping up an Australian tour (check out current and future dates here) and I caught up with guitarist/vocalist Blake Scott to geek out about guitar.  Read More …

INTERVIEW: Jeff Hughell

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By Daniel Gonzalez

For 20 years, Jeff Hughell has quietly been gaining recognition as one of today’s most innovative bass players.  Equipped with his custom made 7-string bass guitar, Hughell’s arsenal of technique and chops can cover a range of genres stretching from death metal to jazz.  Here we sit down with Jeff to discuss his debut LP, Chaos Labyrinth, how it all started, and some future plans.   Read More …

INTERVIEW: Ace Frehley

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Ace Frehley. Just the mere mention of his name is enough to send a jolt through the veins of those with even a passing knowledge of KISStory. Whether you subscribe to the mythology of ‘Space Ace’ being a visitor from the planet Jendel or you tend to go with the less colourful version of the story (he’s from the Bronx), Ace represents a certain combination of earthiness and exoticness. In his days with KISS his iconic Spaceman character brought comic book mystique to established guitar hero tropes. His post-KISS career has seen him explore material that’s generally a little more ‘street,’ with more overt nods to his bluesier inspirations. But that doesn’t mean Ace is averse to an occasional trip back to his home planet: last year he released Space Invader, a self-produced album of mostly original tracks along with a very Ace-ian cover of Steve Miller’s “The Joker” which enjoyed a #9 debut on the Billboard 200 charts – the only time a solo album by any past or present KISS member has hit the US top 10. And Ace returns to Australia in April and May with his triple-pickup Les Pauls in tow. Tickets here. Read More …

INTERVIEW: Yngwie Malmsteen

Yngwie

Yngwie Malmsteen is the undisputed master of neoclassical guitar. Other players like Richie Blackmore and Uli Jon Roth had explored elements of the style but none pushed it to quite the extremes that Yngwie did. A million guitarists arose in his wake to try to copy what he was doing but none have managed to capture Yngwie’s pure power and dazzling technique. As Yngwie himself puts it when discussing the various Yngwie clones who sprung up over the years, “And that’s why I call myself Yngwie J Malmsteen, not to be confused with all the other Yngwie Malmsteens.” And Yngwie will hit Australia in June for his first concert tour since 2006 (tickets here). Read More …

INTERVIEW: DragonForce’s Herman Li & Sam Totman

The mighty DragonForce have always brought the epic energy, triumphant power-metal riffage, anthemic choruses and intense shred to their work, but what makes their new album Maximum Overload stand out a little from the rest of their catalog is their willingness to step outside of their established sound just far enough to keep it fresh. Vocalist Marc Hudson has well and truly settled in now (he joined prior to the recording of previous album The Power Within, and Trivium’s Matt Heafy contributes his vocal power to three tracks as well. And for the first time DragonForce have worked with an outside producer, Jens Bogren, who has also produced, mixed or mastered the likes of Soilwork, Symphony X, Pain of Salvation, James LaBrie, Devin Townsend. Throw it all together and you have Dragonforce’s biggest-sounding album yet. Read More …

INTERVIEW: Nergal of Behemoth

Behemoth The SatanistThere was a time when it looked like we might not get another Behemoth album. Frontman Adam ‘Nergal’ Darski was diagnosed with leukaemia in August 2010, and an urgent bone marrow transplant was needed. The surgery was ultimately successful, but Nergal was re-admitted after developing an infection. Then when the band finally returned to the road, he found himself exhausted, pushed to the brink by the exertion and intensity required to play a Behemoth show. “I knew I was pretty much fucked and there was a battle to be won, and I had no fucking idea if it was going to take six months or twelve months or maybe four years, because with cancer you never know,” Nergal says. “I learned from being in the hospital that there are things in life that you can control and things that you can’t control. The sooner you realize which is which it’s going to make your life so much easier, and since then I started to focus on the right things. I could be determined, I could have discipline, I could have faith, but everything else is not under my control, and it really was a case of just crossing fingers for the best possible outcome.” Read More …

INTERVIEW: Sepultura’s Andreas Kisser

andreas kisserSepultura are stayers. They’ve weathered all sorts of line-up changes and shifts in musical style – not to mention shifts in overriding heavy music trends occurring around them – and yet they’ve never given up and never made the same album twice. Their latest, The Mediator Between Head and Hands Must Be the Heart, finds the band (guitarist Andreas Kisser, vocalist Derrick Green, bassist Paulo Jr. and drummer Eloy Casagrande) working with producer Ross Robinson for the first time since 1996’s Roots with incredible results. Inspired by the 1927 film Metropolis, the album is dark, foreboding, mysterious, aggressive and energetic, bursting with intense guitar work and Green’s trademark guttural vocals. It’s been far too long since Sepultura visited Australia, but they’ll be back in October with dates in Melbourne, Brisbane and Sydney. I caught up with guitarist Andreas Kisser.  Read More …

INTERVIEW: Dan Sultan

Dan Sultan is something of a rarity in the Australian music scene, let’s admit it: a dude with charisma, talent and opinions who isn’t afraid to use all three. Often the dreaded ‘Tall Poppy Syndrome’ gets in the way of letting artists truly express themselves but Sultan seems to just go for it with a purity of will and utterly without pretence. He doesn’t feel the need to talk himself up, but he doesn’t talk himself down either. That makes him a pretty damn refreshing interview. And it also makes Blackbird, his new studio album, something very special. Named after Black Studios in Nashville, where it was recorded, it’s Sultan’s first album in five years and the follow-up to his acclaimed Get Out While You Can. A lot can happen in five years, especially when you carry the burden of expectation on your shoulders, but Sultan is taking it all in his stride. With producer Jacquire King (Tom Waits, Kings Of Leon), Sultan has crafted a varied, expressive album which sounds at once brand new and comfortable. It’s familiar and yet exciting. And its’ loaded with great guitar tones. Read More …