Check out the new single by Nic Rollo. Some damn sweet guitar in the middle section!
NIC ROLLO ANNOUNCES NEW SINGLE & VIDEO MONSTER
Perth based producer and songwriter Nic Rollo has today announced his driving, eerie new single Monster, about identifying and quelling the monster within us all, set for release on February 5. Accompanying the track is a dark, revolving film clip, directed by Alex Montanari (Cub Sport, What So Not, Khalid) and Matthew James. Monster follows the 2019 release of Nic’s brilliant, iridescent EP What Happened to the Kid.
Monster will feel familiar to anyone who has said something in frustration or anger that they regret after the fact – the track is an introspective interrogation of that remorse, and what it’ll take to tame the inner monster who is responsible for those biting remarks. Reminiscent of synth-pop auteurs M83 and indie rockers The Wombats, and mastered by pop royalty Chris Gehringer (Harry Styles, Rihanna, Halsey), the track is buoyed by glistening synths, hooky guitar and driving percussion – while Nic’s gentle vocals and arresting lyrics take centre stage. Reflecting on the inspiration behind the track, Nic explains, “Monster was written during a previous relationship of mine when things were a bit shaky. There were a few times that I’d said something to my ex that had started to cause fractures in the relationship and unnecessary conflict. Monster is about that side of myself that I don’t always like – the part that is impulsive and lashes out when I should just hold my tongue instead.”
The video for Monster feels like the beginning of a horror film – there’s a sense of suspense, as though the calm atmosphere of the night-driving scenes will not last for much longer. It’s a beautiful watch, too – the lights passing in the night as the song plays out feels like a perfect representation of the moody nature of the music. Speaking about the clip, Nic says, “The video for Monster is a narrative based video that features a lot of driving and aims to be aesthetically pleasing. Matthew James, Alex Montanari and I came together to think about the video a few months back and we all had this vibe of the song revolving around driving and having dark colours. The story itself is supposed to be slightly confusing – am I driving to the burial or from the burial? Am I burying the monster or is the monster burying me?”
The release of Monster is a killer way to kick off 2020 for this exciting young artist, as he enthuses, “It feels fantastic to finally be releasing Monster. I wrote the song over a year ago and have been sitting on it for what feels like forever now. To date, it is probably my favourite song that I’ve written, and I’m super stoked to finally be able to share it with people.”
When it comes to building a connection, there is no better way to do it than through music. Listening to music is one of the most bewildering experiences a person can go through as each song has its own effect on a person’s mind. Music is all about passion, emotion, and creativity. Listening to the right music at the right time can motivate you to achieve a lot of tasks. Personally, I have found music to be one of the best driving forces which has allowed me to drift through my hard times. However, to make sure that there is the right balance in your music playlist, there are somethings that you simply can’t ignore. So, to help you create the most ultimate playlist, here are 3 tips that you can follow.
Always Try to Discover New Music
A common mistake that most people do is to keep listening to old songs. There comes a point when you get bored of listening to the same stuff, and when that happens, it is a clear indication that you need to add new music to your collection. Taking some time out of your life to find new music is very vital for creating the perfect playlist. New music allows you to feel fresh and revitalizes your mood. You can subscribe to different artists on YouTube, and when they release new music, simply go over to YouTube to mp3 converter and download the music so that you can listen to it anytime you want to.
Create a Different Playlist for Different Moods
As I said before, music is the perfect gateway to let your emotions flow. If you set each playlist according to your mood, you will be able to enjoy it fully. Having different themes for your playlist will allow you to direct your mood in the right way. If you are trying to study or focus on a certain thing, you can listen to upbeat music with no lyrics so that you don’t get distracted. Likewise, if you are travelling, you can listen to music with good lyrics which will help you connect with nature in a better way.
Variety is Key
Where you need cohesion between your songs so that you can enjoy a particular mood or feeling to the fullest, you also need variety in your playlist for it to be captivating. Incorporate a versatile range or artists, genre, and type of music in your playlist so that you can enjoy the sudden ups and downs. You should aim for a playlist that has at least 30 to 50 songs so that you randomly listen to your favorite songs. Music is not only about yourself, but sometimes we also try to impress our friends with the music we listen to. If the car’s aux cable is in your control, you need to create a consistent vibe and play the music that everyone is going to like. Having a variety of songs will help you rock the aux.
Why Taking Microsoft 70-767 Exam is Essential to Shaping Your Career in IT. Pass It through Using Practice Tests.
With the increase in data quantities exchanged by companies and the growing demand for analyzing these data to extract information efficiently, data warehouse development has gained a lot of attention. Data warehouses allow faster execution of queries when demanded by applications. SQL Server developed by Microsoft has brought together an infrastructure and a set of features to aid the design and maintenance of Data warehouses. One of the main tasks of a database administrator or developer is to implement data warehouses of various scales and maintain them at the optimum efficiencies. Employers are therefore more likely to hire professionals who have validated these skills through formal sources of education or possess certain certifications from a trusted vendor like Microsoft, for instance. Being a leader in the IT field, this globally recognized vendor offers credentials for all tastes: from beginners and professionals to experts. And one of its most sought-after certifications is the MCSA: SQL 2016 BI Development badge. Let’s see how you can benefit from ithere.
MCSA: SQL 2016 BI Development
The MCSA SQL 2016 BI Development is a certification offered by Microsoft that validates your data warehouse implementation skills. This credential is targeted at roles whose key responsibilities include data cleansing, ETL and data warehouse implementation. Business Intelligence (BI) is being adopted by many companies to improve business operations such as sales, production, and finance. SQL Server’s features enable users to design powerful data models that can be easily analyzed, deliver fully interactive BI reports, and extend on-premises data to the cloud. This certification essentially validates your capabilities to effectively carry out the above services for an enterprise. To earn it, you’ll have to pass two exams 70-767 and 70-768. In this article, you’ll know all you need to succeed in 70-767 test, but first let’s see why it’s beneficial for you to be MCSA: SQL 2016 BI Development certified.
Why get certified by Microsoft?
Getting an MCSA qualification brings a great deal of value to your current profile and improves prospects in terms of expanding knowledge. Here are some things you may want to consider when choosing to obtain the MCSA: SQL 2016 BI Development credential.
● Microsoft’s reputations as the best in the business – Gartner is an enterprise widely renowned as the leader in research and advisory. For more than 10 years in a row Power BI from Microsoft has been recognized as a Leader in analytics and business intelligence. This excellence reflects on its training and certification programs as well hence getting your SQL Server skills validated by Microsoft will give a strong edge in the IT market.
● Clear cut schemes to broaden and update skillset. Once a candidate has completed the MCSA he/she could choose to take the MCSE to advance their skills. This will open up lucrative job opportunities and lead to promotions within the workplace. Thus, after being MCSA SQL 2016 BI Development certified, you can opt for the MCSE: Data Management and Analytics badge. In addition, Microsoft has also given flexible options to recertify so that the skills remain more relevant and up to date.
● Higher salary – According to statistics by Glassdoor the annual salary for a SQL BI developer is $100,984. These numbers may vary considerably from company to company and your work experience as well. There are a vast number of job opportunities in the industry with the growing popularity of Microsoft and its products.
● Minimum compromises for tight schedules. Microsoft has provided flexibility with prep options and materials. You can either choose online learning, instructor-led, self-learning via books and practice tests or even follow Microsoft’s optional training courses. You can get the printed sources of material from the Microsoft Press Store, and Amazon as well. So the vendor eases the prep process for you.
The Microsoft 70-767 exam overview
So, as you know to obtain the MCSA: SQL 2016 Server BI Development certification you have to sit for two exams:
70-767 – Implementing a SQL Data Warehouse
70-768 – Developing SQL Data Models
Each of the exams will cost you $165.
As for Exam-labs.com70-767 exam details, it’s a 120-minute test comprising of 40-60 questions. These questions will come in a variety of forms including single choice, multiple-choice, and case studies. This exam will test whether you possess skills to manage a data warehouse, extract and load data from it, and how skillful you are to build data quality solutions.
Microsoft makes regular changes to the above objectives and the content within them so it is highly recommended that you constantly check for updates and refer the official Exam Change Document.
Achieving a score of 700 or above is the requirement for earning a ‘pass’ in 70-767. Within a couple of minutes from completion, you will be notified via email about your ‘pass’ or ‘fail’ status. Additionally, you will receive a score report elaborating and providing an in-detailed analysis of your performance in each subsection.
Just like with every other Microsoft certification exam 70-767 will assess you through a variety of questions of multiple formats, hence you need to be prepared for whatever is put forward. Familiarizing yourself with the content and the exam structure is the key to time management. Exam-Labs is a web platform that provides exam dumps encompassing all major certification exams hosted by the world’s most acclaimed vendors. Here you can find vce files with the most updated and actual 70-767 questions to practice with. All questions available have been tested by IT experts thus is recognized as genuine learning material by test takers worldwide. Such files a usually called premium files. Also, at Exam-Labs, you can find free exam dumps, uploaded by the recent exam takers, thus, you can get the insight of what is waiting for you at the exam. The files available here are opened with the VCE Simulator that resembles the exam interface and facilitates interaction with the questions just like in 70-767 test. Practicing this tool has multiple benefits like:
● Higher productivity
● Reduced stress and anxiety
● Ability to identify weak areas faster
● Test strategies that work best for you
If you are looking forward to establishing your name in the world of business intelligence, then 70-767 exam will be a critical milestone for you. Earning the MCSA: SQL 2016 BI Development certification will increase your scope and potential to reach newer heights career wise. Preparation for the test will be easier if you use the material provided by the vendor and train with the exam dumps provided by Exam-Labs. They will come in handy during your preparation phase. Use this material effectively to maximize your performance and boost your confidence before 70-767 exam.
Gruv Gear Introduces LYNK Pedalboard & Pedalboard Kapsule Case
Orange County, California (February 4th, 2020) – Gruv Gear designer and manufacturer of innovative gear and world-class accessories for gigging musicians, is delighted to announce the LYNK Pedalboard and a new universal Pedalboard Kapsule Case.
Gruv Gear’s LYNK Pedalboard introduces a fresh new approach to the traditional guitar pedalboard. It is an ingenious modular system of ‘lynkable’ panels that allows guitar and bass players to optimize their pedalboard design and construction with click and play convenience. Gigging and traveling musicians can quickly and easily customize their pedalboard configuration to ensure they bring only what they need for each performance.
Each LYNK is a lightweight aluminium panel and measures a generous 12” wide x 17” deep, offered in single, double and triple board configurations. The ABS connectors that link each panel have threaded feet which allow users to adjust the surface to the perfect angle. There is also a wireless power option which keeps pedals and devices running from a few hours to a few days and also reduces cable clutter and trip hazards.
With LYNK, guitarists and bassists no longer need multiple pedalboard setups or to constantly re-wire their boards. They would instead arrange their core “essential” pedals on one board, additional effects on the next, and their full extended setup on the third. Minor signal chain adjustments may still be made, but with the convenience of keeping basic layouts intact.
Once constructed, the ideal way to transport a customized LYNK pedalboard is in the universal Pedalboard Kapsule Case. Made with the same rugged travel-ready construction and technology as the Kapsule for guitars and basses, the case features built-in TSA locks and the Global Recovery Tag system recognized by nearly 3000 airports worldwide. It is built with a polycarbonate / ABS shell lined with soft, yet tough fabrics to protect and cushion the LYNK and most pedalboards during transit. The latest Kapsule has Gruv Gear’s characteristic, comfortable retracting handles and unique snap-on wheels to make transportation easy and convenient. Also included is a handy accessory bag to store cables and pedals, multiple EVA foam blocks so the fit is spot on and a large front pocket for extra cables and music sheets.
The Church has just posted the following on their Facebook:
14,600 Nights of Space Rock n Roll
The first 40 years….
A band is like a family and over 40 years it is only natural that families will change and that members will come and go. Therefore it is with great sadness that we must announce the departure of Peter Koppes from our ranks to explore his own musical path.
Peter has made the hugest contribution to the Church’s sound and he will be sorely missed. However the remaining members have decided to carry on with this immense body of work which Peter, as well as Richard Ploog, Jay Dee Daugherty and of course Marty Willson-Piper, have been invaluable in creating. We wish Peter all the success with whatever he pursues from now on.
The good news is The Church are delighted to announce Jeffrey Cain will be staying on as a permanent member with Ian Haug and Tim Powles and we are very happy to welcome Melbournian guitar slinger Ashley Naylor into the band. We are already under way creating a brand new album which so far is turning out to be a beautiful thing.
Picture it. Neal Morse has just jumped in a cab to go grab some dinner. The radio’s playing, the driver’s talking, and Peter from I Heart Guitar calls to chat about your very special, unique Australian tour which comprises of just two spontaneous acoustic shows before you head off on holiday. (Those shows are Friday, January 31 at the Evelyn Hotel in Melbourne and Saturday, February 1 at Crowbar in Sydney. Tickets here.). And it actually turns out to be a pretty cool talk.
I Heart Guitar: This is a really interesting tour and I think, you know, a rare chance to see you playing in a format that we don’t often get to see you in.
Neal Morse: Yeah, yeah. It’s really an intimate thing. You know, you get an opportunity to be more spontaneous than you can as a band, you know, a lot of times the band shows are great, but you know, they pretty much have to have a set list and know exactly what you’re going to do and what doesn’t work. And you have the video guides and all that stuff that production need to know what to do with this. But with this I can be more spontaneous.
I Heart Guitar: Yeah. I mean it’s something I’ve seen a few more people do these days and I guess it’s one of those things where as the music industry changes and there’s less money to be made, less of a living, I don’t want to say less money cause that makes it sound materialistic. That’s a good living to be made from releasing music. But there are more opportunities to present it in different ways. Like you know, Devin Townsend has just done an acoustic tour followed by like a live band followed by one show with a very specific metal lineup. Now he’s about to do another tour with a whole different band all for the same album, re-contextualized and over and over just to kind of see where he can take it now. Whereas I guess once upon a time, you know, bands might have put out the record and then toured the same show for two years.
Neal Morse: Right. Yeah, that’s true. Let’s see. Let’s just depends on the level of at and what’s your feeling to do, you know what I mean? I’m just glad to be able to come down here and have an audience to play my music for. I enjoy doing the solo thing and I enjoy doing the band things a lot too, you know, so I can understand why people would do a lot of different things, you know, because it’s just fun to mix it up, you know?
I Heart Guitar: You know, something that’s always kind of stuck in my mind about you is I can never tell who your audience is because so many different people rave about you, you know? And it’s like I’m a guitar nerd and I know who Joe Satriani’s audience is. But yours, I have no idea cause it’s like everyone.
Neal Morse: Well, yeah. You know, uh, mostly it seems like it’s mostly the prog audience but there’s some, there’s some overlap there with some other genres for sure.
I Heart Guitar: I think there are prog fans who only listened to a very narrow definition of prog, and maybe they’re musicians and think of things very critically from that point of view. And then there are others who are drawn to the genre because of the genre itself and how expansive it can be. And I think you get a lot of the second kind.
Neal Morse: You know, I used to think that about projects that if it wasn’t, you know, odd type signature, they wouldn’t accept it. And I found that I really, the opposite is true. There’s a lot of them who have really embraced a lot of my more quote-unquote ‘normal’ songs. And so I think everybody appreciates a good solid. I like that.
I Heart Guitar: So, being a guitar site, my readers are huge guitar nerds like me. So what do you play? Like what do you bring with you with a show like this?
Neal Morse: Oh, well you know this time because I’m going on vacation, actually right after this, so I asked if I could play the opening act guy’s guitar, so I didn’t bring a guitar or a keyboard actually! So I’m using all borrowed or rented stuff. All I did was bring pedals about like a little looper pedal and an inline tuner and a compressor. So if I want to solo above the loop, it’ll cut. And uh, that’s pretty much it. But I think it’s going to be really cool cause it’s it’s all about the material.
I Heart Guitar: Are you much of a collector of guitars and stuff?
Neal Morse: [To his wife in the cab] He’s asking if I’m much of a collector of guitars! I have quite a few. But you know, you never have all the ones that you really want. Yeah. I like, for example, I’ve never owned a Taylor. I mean that’s just not right, you know, but I don’t have a Taylor.
I Heart Guitar: Do you have any guitars that have interesting stories behind them? Any, you know, pawn shop finds or strange, serendipitous gifts or anything like that?
Neal Morse: Well that sort of blonde Strat that I usually play live. My brother Richard found it out of the Recycler, the nused newspaper in LA. He got that for like 150 bucks for like a birthday present. And the girlfriend that I had at the time bought that guitar for me in the 80s and all of that distress on there is, I actually inflicted it all! So it’s a real deal. You know, I, I play a lot of other guitars in studio, but for live, that one’s just home. Sometimes guitars are just home, you know?
Hardline Media proudly present Geoff Tate’s Operation: Mindcrime! The legendary frontman returns to Australia with his band to perform the classic concept album “Operation Mindcrime” in its entirety, and much more. I caught up with Geoff on the eve of the tour to talk about what’s what, and my favourite Queensryche album, Promised Land.
I Heart Guitar: So first of all, I was really excited to get the chance to interview you again. We spoke, jeez, years ago for the Gibson guitars website once, and I remember that that chat for me was at like 4:00 AM and we had a great old talk. But yeah,, you’re coming to Australia and I can’t wait!
Geoff Tate: Yeah, I’ll be there. Uh, it’s, I guess a few weeks in February. I think it’s going to be my fourth time in Australia.
I Heart Guitar: Yeah, I know the first time I ever saw Queensryche was on my birthday in Melbourne in 2005, 2006? It was the Operation: Mindcrime tour, which takes us to this new tour. Of course Operation: Mindcrime is something for a signature for you and that’s kind of the, the main focus of this tour. You probably get this question a lot, but how has that album changed for you over the years? Like there are things on there that still very much matter today, just in different forms.
Geoff Tate: Yeah, that’s crazy. We were just talking about that at that rehearsal tonight, talking with some of the guys from my band about how some of these lyrics just really, uh, you know, they, they still kind of stand up today, you know, the subject matter is similar or same and uh, like I guess it’s because, you know, the album is, um, deals with a lot of social issues and, and also with, um, kind of classic themes of, um, human beings and how we, uh, tend to try to dominate each other oftentimes in those are classic subjects that, uh, you know, I don’t know if we’ll ever, ever get, I’d be different as a species, you know, we’re pretty much kind of stuck in our ways, you know, but I think a lot of, lot of the, lot of the themes, yeah, they’d definitely stand up today, you know?
I Heart Guitar: Yeah. Especially in terms of not just people in power, but people in power, manipulating people who aren’t in power, but making them think they’re getting something out of it when they’re really being used.
Geoff Tate: Yeah. That’s a classic thing right there!
I Heart Guitar: So I’ve been watching a lot of videos in preparation for this interview of the current guys you’ve been playing with. And I’ve got to say like, you really seem to be inhabiting this material. You’re not just reciting it. And every time I see you play, every time I see a video of you on stage, you, you’re not, you’re not just reciting these songs, you are performing them in the moment. You’re not necessarily singing things the same way twice, but it’s still the song and it feels like it’s very real to you.
Geoff Tate: Yeah, it is very real. Yeah. And I honestly don’t know any other way to approach it other than what it is. That’s just me being me, you know? But, uh, I have to say I’ve really enjoyed, um, the last year or two of playing this record again and uh, you know, presenting it for people. And I’m quite surprised that the tour has lasted as long as it has. In fact, Australia, it will be the last shows that we’ll, um, we’ll be playing it. In fact, we weren’t, we were planning on being finished a tour with this album quite a while ago, but it just keeps having more and more leg, you know, to it, uh, promoters keep calling and wanting it, you know, and so I’ve, I’ve got to put, got to do something else now. So I’ve started getting ready to start the Empire, 30 year anniversary tour that starts in February. So, um, funny enough, I’m starting that in Norway of all places and then we finished that leg and we fly directly to Australia where we perform the last shows for operation Mindcrime. Then we, uh, go back to I think Sweden and start there and go back to our other set of the 30 year anniversary for Empire. We’re going to be flip flopping a little bit.
I Heart Guitar: Yeah. Yeah. I’m looking forward to when you get to Promised Land! That record was huge for me.
Geoff Tate: Oh wow! Yeah. Yeah. I love that album a lot. Yeah. I was just actually this weekend, this weekend, I was just up in San Juan Island where we recorded the Promised Land album and I was sort of reminiscing to some friends and my family was with me about all the places where we recorded and what we did while we were there and showing them some of the locations, you know, it was kind of fun going kind of going back to time
I Heart Guitar: What does that album mean to you now? Like it went so deep lyrically into a lot of things and to me it was like a new sound that was, you know, it was dark, it was aggressive, it wasn’t quite as, as pop oriented as, you know, as empire was. Did it feel like you were kind of treading new ground at the time?
Geoff Tate: Uh, yeah, it did. It felt like, um, well we hadn’t actually made music together as a band for, Oh, I guess three years. We took time off and just sort of tried to adjust to our, new surroundings that we found ourselves and after the success of Mindcrime and Empire. And I think that we were very separate, you know, as people and had moved on and from each other and, and you know, people had started, got married, started families, um, had divorces in that period of time. And we started up new businesses, took up hobbies, had children, you know, all kinds of life happened in that period of time. And so really, you know, to get the band sort of back into the headspace and creating, we decided to go to this remote Island and live up there and, and you know, make music again, in a studio that we built, and kind of tried to make the record in a real organic way. So that was the goal, really is to sort of come back together and see what we could, we could do again. I think the record was about that. It was about exploring what we had been through over the last few years and where we were at generally at at the moment, how we had progressed or declined or, you know, what was, what was feeding our inspiration at that point, uwas really the discovery, you know, really was, trying to find out what had been going on, you know. And, uh, so the album has a lot of, uh, I guess maybe more introspective soul searching kind of songs on it. And I think it’s the first record that we ever made in my mind that sort of captured a mood and kind of stuck with it, you know, which I wanted to.
I Heart Guitar: Well it’s interesting too because a lot of bands would come out of like a really big success like Empire and the next album would have been very literally about, “Oh yeah, the music industry is a hideous bitch goddess” and all this. Whereas as you said, it was more introspective, I guess it was about how you felt about what was going on rather than just describing what was going on, which there are so many albums out there like that which are like “Oh, I’m disillusioned because the music industry is different to how I thought it would be at this level.” But instead you didn’t do songs specifically saying, you know, “this is where our careers are at.” It was, “this is how I’m feeling.” And so that I think allows people to apply their own experiences to it, even though their experiences might be nothing like, what inspired it.
Geoff Tate: Yeah. That’s an interesting way of looking at it. A lot of people thought it was just too fucking melancholy.
It’s safe to say that breaking into the independent music production game comes with its fair share of hurdles, especially when a great majority of DAWs (digital audio workstations) don’t come with very thorough instruction manuals. But when you finally do get your head around your chosen DAW, you’ll be greeted with a whole new challenge: tracking your first demo. Here’s all you’ll need to know to get the ball rolling.
There’s a fair amount of hardware required when it comes to actually recording your tracks, and it pays to invest in the best quality equipment from the get-go. This means investing in instruments that boast seamless digital integration like Fusion’s rosewood guitar, MIDI controllers for harvesting some funky, experimental sounds, and finally a suitable vocal recording microphone, the sourcing of which is generally easier said than done. You may find that you’ll need to use different microphones for different genres, just as you may find yourself using a broad array of instruments or instrumental effects in the same contexts. Know that this is just as normal as playing around with solid-state or tube amps at any point in your journey, and that not everything needs to be state-of-the-art to produce the sounds you might be looking for.
Colour-code your tracks
Just as an organised room reflects an organised mind, an organised DAW will greatly simplify the process of independent production. Colour-coding your tracks will ensure that all your separate elements will be easy to find and use, and even easier to critically assess. And although this article is largely about tracking your first demo, it’s a good rule of thumb to think about establishing this good habit right now as it also pays to be consistent from track to track and from instrument to instrument. For instance, get into the habit of selecting a specific set of hues for a specific set of instruments. Purples could be used to indicate drums, reds for guitars, blues for brass, and so on and so forth. Developing these visual associations alongside your sounds will definitely make independent music production feel like second nature in next to no time at all.
Finally, the word ‘experiment’ has been used sparingly throughout this article, and for good reason: you should always be doing it. The whole process of music production is reliant on experimentation. Playing around with MIDI controllers and instruments and getting to grips with all your chosen tools, all of this should be viewed in the same lens as you would a jam session with friends. The fantastic thing about music production is that when you have a passion for expression through music, it should rarely feel like work and constantly feel like learning. The only time it should feel like work is when you’re editing, and even then, you should still be experimenting. The structure is only a framework for creation. Expression is creation itself.
And remember that there’s no set timeline when it comes to music production, unless you’re challenging yourself and have decided to set yourself deadlines and other personal goals. Even so, it’s not wise to set yourself deadlines when you’re just starting out because you don’t want to limit your exploration too much. You should allow yourself to take as long as you’ll need on your first track until you feel proud of your end result, and then be sure to spread it out there because it’s no good for you gathering dust in an external hard drive. Share it with your friends, post it online, get your feedback, and move on to your next project!