If you know me, you probably know that I love both vintage and modern guitar designs pretty much equally. Some days I love nothing more than playing my 50s-style Les Paul Traditional or my ’62 Reissue Strat. Other days I’m all about my headless Kiesel Vader or my Roadflare Red Ibanez RG550. Well Gibson have gone and combined two of my loves in the one guitar: a Les Paul Axcess with Floyd Rose and – gasp! – neon finishes! It’s available in Neon Green, Neon Yellow, Neon Blue, Neon Orange and Neon Pink. Personally my pick of the bunch is the Neon Green. Look at that thing.
The bodies are Mahogany with a 2-piece Maple top, with a Mahogany neck and Richlite fingerboard. The neck is a Slim C-Shape, and the pickups are a 496R neck humbucker and a 498T in the bridge position, with push-pull pots for coil splitting.
It’s about time! Judas Priest’s Richie Faulkner has been flying the flag for the mighty Flying V for years now, and his customs with the oversized pickguard are some of the coolest Gibsons ever. Now there’s an Epiphone version with Floyd Rose, EMG 66 and 57 pickups and that distinctive pickguard.
Yup, you read that right: Episode 2 of the I Heart Guitar Podcast is out now and the guests are St. Vincent, Richie Kotzen, Dan Auerbach of The Black Keys, and blues legend Walter Trout.
You can listen here on iTunes or on the podcatcher of your choice (and if you can’t find it on whatever you’re using, email me at firstname.lastname@example.org and I’ll get it added for you). Don’t forget to leave a review!
There’s also a Patreon page where you can show me some love and get access to an exclusive subscriber-only podcast feed. The first subscriber-only bonus just went out on Monday: a live track from my performance at the Melbourne Guitar Show in 2015. Subscribers will get all sorts of stuff: gear demos, extended interviews, live call-in shows, previews of the album I’m releasing in early 2018 and more (while also helping to pay for things like hosting fees, podcasting gear, food for my sausagedog, etc).
Well, I’ve finally gone and done it: meet the I Heart Guitar Podcast! The first episode is online now and it features Rich Ward of Fozzy, Tony MacAlpine, and an interview from the archives with Black Sabbath legend Tony Iommi. I hope you enjoy it, and there’s a lot more where that came future will include guest co-hosts, gear reviews, blogpods from various events, and lots more.
I’ve also started a Patreon for those who wish to support this site and the podcast. $3 monthly subscribers will get a patron-exclusive bonus podcast each week.
You can listen to the podcast below, or at the following links:
I don’t know where my guitar picks disappear to. I’m pretty sure it’s the same place my socks and my abs went. Some days I spend at least as much time searching for plectra as I do playing guitar, and although for years I was strictly a one-pick dude (the Jim Dunlop Jazz III), I’ve trained myself to now use whatever pick I find, wherever I find it. It’s just better and more musicianly to remain adaptable than to be bound to any one type of pick.
The makers of Pickmaster must realise this quandry because they’ve created the ideal way to ensure you are never left pickless. The Pickmaster Plectrum Cutter is a very chunky and solidly built tool which lets you stamp out picks from whatever material you find around the house – old credit cards, the lid from the butter tub – you could even be super-ironic and use it to cut a guitar pick out of one of those large triangular bass picks. Read More …
Sarah McLeod has just released a video for the track ‘Wild Hearts’ from her new record Rocky’s Diner, and is about to hit the road for an Australian tour in support of the album. The Wild Hearts video captures seemingly routine moments in time, like passing buskers in the street – but rather than rush by them, like you might if you were on your way to work or similar responsibilities, the clip allows you to stay a while. It also features her adorable little dog, Chachi!
Wow, 2018 is gonna be a big year for Joe Satriani fans! Joe has announced a new record called What Happens Next, and it’s out on January 12. It features the rhythm section of Glenn Hughes and Chad Smith, so I can’t wait to hear the results. Visit Joe’s website to hear a preview of the track ‘Energy.’ And Joe is also kicking off a new G3 tour on January 11 with John Petrucci and Phil Collen. I’m really excited about this one because that’s three of my favourite guitarists from my teen years (who am I kidding – now too!) on the one bill, and it will be really interesting to see what Phil does in a solo context.
Here’s the press release about the new record and tour. Read More …
When the email about IK Multimedia T-RackS 5 hit my inbox, it dawned upon me that I’ve been using T-RackS for 18 years now. Whoa! If you haven’t tried it yet, a) what’s wrong with you and b) it’s an incredible suite of plugins for mastering, and I use it in all sorts of ways. Currently I’m using some of its EQ models to emulate particular mixing desk channels – my guitars go through a the model based on the Pultec® EQP-1A and a Black 76 Limiting Amplifier, then through my secret weapon: the Mic Room mic modeller, set for the same kind of mic I’m using but giving me access to the Proximity and Harmonics controls. Shh, don’t tell anyone.
T-RackS 5 has just been announced and it includes all the same great models but with a new improved audio engine, four new processors for a total of 38 high-quality modules on a flexible 16 processor series/parallel chain, a comprehensive broadcast ready professional metering tool section, a new completely redesigned, smart single-window GUI as well as an album assembly section with multi-format exporting function.
I’m particularly excited by the new Master Match module, which automatically matches the sound of your songs using up to three different source tracks as reference.