PRESS RELEASE: Jackson is proud to announce the latest addition to its Artist Signature series instruments, the Misha Mansoor Juggernaut HT6 and HT7 guitars. Misha Mansoor is acclaimed for his masterful guitar work in fashioning the progressive metal of Periphery. Now, the esteemed Djent-leman himself and Jackson have collaborated closely on the Misha Mansoor Juggernaut HT6 and HT7 guitars, brand-new models like nothing else Jackson has ever seenor heardbefore. The instrument is crafted with a distinctive Jackson body shape inspired by the Dinky, with sleekly scalloped horns, a comfortably contoured neck heel and a gorgeous AAA quilt maple top on trans-finish models. The bolt-on quartersawn maple neck is sculpted with Mansoors own custom profile, and features graphite reinforcement, ivoroid binding and heel-end thumbwheel truss rod adjustment. Continue reading
There was a prototype on display last year, now it’s here: the Ibanez 9-string RG. Oh wait, did I say ‘it’s here’? I meant ‘they’re here’ because Ibanez is launching TWO 9-strings this NAMM: the affordable RG9 with Ibanez pickups, and the Prestige RG90BKPISH in Invisible Shadow finish, which features Bare Knuckle Canine humbuckers. Release date is yet to be confirmed but I’ll keep you posted. These are really beautiful guitars and I can’t wait to hear the music people make on them! Pics below:
Nick Perri’s PERRI INK. Custom Guitars company has done the seemingly impossible: burst out of the gate with a really clear, defined style which they’ve been able to successfully imprint upon everything they do, no matter what style of guitar they apply it to. In other words, in almost no time at all PERRI INK. has made it so that you can spot a PERRI INK. guitar before you even see the name on the headstock. This is especially true of the new Capistrano model, launched simultaneously with the new Mojave. Here’s a press release about the new models, but make sure you check out the video too, alright? Cool. Continue reading
Between The Buried And Me’s critically acclaimed concept album The Parallax II: Future Sequence is a modern classic of progressive metal, swinging through various musical moods and sonic settings while miraculously bringing the band into more cohesion, which is no mean feat given their reputation for eclecticism. It’s the continuation of the band’s 2011 EP The Parallax: Hypersleep Dialogues, and they’ll be playing it across Australia this month. Joining them on the tour are US Prog Metal alchemists The Contortionist, who combine influences of Rush, Dream Theater, Cynic and even BTBAM and mix it all up with their own personality, a frenzy of warped time signatures, percussive mathematics, spider-fingered fretwork, dazzlingly atmospheric keyboards and arresting vocals. In short, this tour will be an incredible opportunity to see a stunning, virtuosic night of musicianship. I caught up with Between The Buried And Me guitarist Paul Waggoner ahead of this unprecedentedly progtastic tour. Continue reading
I always love hearing of guitar makers incorporating non-guitarry influences in their work. Whether it’s an art style like Art Deco or Art Nouveau, a movement like Steampunk or a minimalist aesthetic Steinberger-style, it’s always great to see someone looking outside of the accepted sphere of guitar inspirations when it comes time to kit out that collection of wire and wood. PERRI INK. Custom Guitars’ latest is the Memento, which is inspired by the Christopher Nolan movie of the same name. And in true PERRI INK. Custom Guitars style, the model is being launched with some rather tasty-looking pics. Press release and plenty of photos below: Continue reading
Funeral For A Friend’s sixth and latest album is Conduit. It’s one of the heaviest records the band has ever done, yet as always the brutality is tempered by some rather complex, almost jazz-like chords. Okay, maybe ‘jazz’ is stretching it a bit but they’re certainly more intricate than the voicings employed by most heavy bands. “It’s funny how other people interpret it,” guitarist Gav Burrough says. “When you’re writing it, it’s organic and it just comes out. So what we try to do is to not think about it. Continue reading
Steve Stevens is about to hit Australia for a clinic tour (an earlier scheduled tour was cancelled when Allans Billy Hyde went under – don’t worry, they’ve been bought by new owners now, but that’s another story). Stevens will be showcasing the latest and greatest gear from Roland and BOSS, including the Roland G-5 VG Stratocaster and Roland GR-55 Guitar Synthesizer, as well as offering insights into guitar playing and generally sharing his decades of knowledge and experience. I Heart Guitar caught up with Stevens to talk clinics, gear and his new project with Sebastian Bach.
I Heart Guitar has two tickets to give away in Melbourne and two in Brisbane. Enter by emailing iheartguitarblog AT gmail dot com with STEVENS in the subject line and answer this question: which 80s rocker did Stevens work with in 1993?
Every clinic is different: what can we expect from yours?
Well Roland are bringing me to Australia, and I’ll be demoing the new GR-55 as well as their new G-5 which is made by Fender, and also their Virtual Guitar, the VG Guitar. Regardless of the whole electronics side of it, the guitars themselves are really great. You’re going to get a great Fender Stratocaster, to begin with, and all the other stuff is like an added bonus. I’ve found that touring with it I end up carrying a lot less guitars with me because one guitar can replicate a 12-string, a Dobro and all these other things. So it’s been really handy for me.
That technology has really come of age recently. I remember trying some stuff about 20 years ago that was cool for the time, but you look back on it and it’s like “…Oh.”
Yeah. I was actually the first person to bring the GR-700 into the States. I was in Japan to do press for Rebel Yell and they brought me up to this very secretive room at Roland and they had the GR-700 there. I convinced them to let me bring it with me because we were getting ready to do the Flesh For Fantasy video. That was like the first guitar synthesiser I had from them. Continue reading
Check out these killer new releases from Perri Ink. Custom Guitars! Nick Perri has a great eye for cool guitar design, with flashes of the past and present and an eye to the future too – all filtered through the tastes and requirements of real working players.
The Show & Tell
The PERRI INK. “Show & Tell” was designed in part to pay homage to the band and record that gave company owner Nick Perri his start in the music industry, and also to very specifically nail three of the most significant tones used on the Silvertide record, “Show and Tell”. Aside from its comfortable body contours and stunning good looks (supplied by Casey Johnson at Headcase Kustom Art), it also features our most ambitious pickup configuration and wiring schematic to date. From a thick humbucking crunch in the bridge, to a P90 jangle in the neck, and a tapped and paralleled combination of both, this guitar can summon tones to cover ALL your bases.
Like all PERRI INK. Custom Guitars, the Show & Tell is American made, handmade, built to order, and includes a Certificate of Authenticity. Continue reading
It’s been a year since we checked in with Periphery and in that time the mighty djent machine has grown and evolved at a rapid, startling rate. In the wake of a successful tour with Dream Theater, Periphery’s place as the centrepiece of the djent movement is now firmly established. It’s a genre characterised by heavy syncopated riffs, punchy mid-heavy guitar tones, the use of extended range instruments, clean-to-scream vocals and some of the most outrageous lead guitar work ever committed to hard disc, and Periphery II: This Time It’s Personal builds on the strengths of the band’s self-titled debut in every way. It’s more melodic, yet more extreme. There are more shredding solos but more moments of guitaristic introspection too. More colourful and dramatic. I Heart Guitar caught up with Misha Mansoor and Jake Bowen to talk shop.
Last time we talked, you said you were planning two albums, one of which would be a concept album. Is this still the plan?
Misha: I think we had a lot of expectations, and I guess our gut reaction to that is to just say ‘fuck it’ and do whatever we want. What we’d originally hoped would happen was that we’d get a tonne of time off to just write. We’re at a point where there are so many ideas. All was going to plan but then we got a Dream Theater tour offer smack in the middle of that session. It kinda came to a decision. And no matter what, you never turn down a Dream Theater tour! Continue reading
I find it pretty interesting how pickups are such simple yet such complex things. Essentially just a bunch of wire wrapped around a magnet, the creative possibilities are practically endless and so, therefore, are the adjectives used to describe them. So as a result you end up with some very cool names for pickups: names like Tone Zone, Humbucker From Hell, Blaze, Liquifire and Crunch Lab from DiMarzio; War Pig, Nailbomb, Mother’s Milk, Black Dog, Abraxis and Holydiver from Bare Knuckle. Full Shred and Screamin’ Demon from Seymour Duncan. So you’ve gotta dig the appropriately named new Deathbucker from LACE.
Oh, it also looks pretty cool.
LACE Unveils the Alumitone Deathbucker Electric Guitar Pickup
Using patented and patent pending Lace “current driven” technology, the Deathbucker was designed by Jeff Lace, for high output with a heavy metal drive. Extreme output with thunderous bottom end, yet crisp highs allow the player the most versatile of high output pickups.
This new “current driven” technology is only available from Lace. It is considered one of the most revolutionary concepts in pickup design today.
Celebrating 30 years this year in business, Lace is known as the most innovative pickup company today. Products include the world famous Lace Sensor.
“This passive design yields active pickup performance with absolutely zero noise and no need for a battery” stated Jeff Lace. “In split mode, the unique Alumitone design is dead quite with full range” further stated Lace.
Another Deathbucker advantage is there is no volume drop in split mode and working as a single coil; noise is virtually eliminated in comparison to standard old style humbucker designs.
Deathbuckers are compatible with all guitars and other pickups. As an easy drop in replacement, the 4 conductor design needs only 250k pots. It is excellent for any playing situation from live to direct to board recording.
Deathbuckers are available in black and are shipping now.
For more information, visit their web site at http://www.lacemusic.com/.