PRESS RELEASE: Epiphone continues its fan-inspired monthly giveaways for 2014. And during the month of February, Epiphone is offering fans a chance to win a signed Epiphone Jack Casady Signature Bass in stunning Silverburst finish. Designed in close collaboration with Casady, a member of the Rock and Roll Hall of Fame and a recipient of Bass Player’s Lifetime Achievement Award, the Jack Casady Signature Bass is considered by both fans and professionals to be one of the greatest electric basses ever made. The Jack Casady Signature Bass has been seen on stage with Sir Paul McCartney, Dave Grohl of the Foo Fighters, Britpop legends The Stone Roses, and of course, Jack Casady himself both solo and with Hot Tuna. Continue reading
PRESS RELEASE: For over 20 years DigiTech® has provided the most sought after pitch shifting pedals for guitar and bass. With that, we are thrilled to re-release the legendary Bass Whammy™. The Bass Whammy features all of the Whammy and Harmony settings of the original, but also offers several modern upgrades and additions. Our latest pitch shifting technology has been optimized for bass guitar frequencies, and the Bass Whammy provides both Classic and Chords modes for both soloing and chordal playing. Two modes of detune provide subtle thickening and lush sonic textures. True bypass ensures your tone is never compromised when the effect is off. Continue reading
PRESS RELEASE: Source Audio, creators of the award-winning Soundblox® line of effects pedals and the Hot Hand® 3 Wireless Effects Controller, have released the Soundblox 2 MANTA Bass Filter. The Manta is the next generation of Source Audio’s popular Soundblox Pro Bass Envelope Filter. The pedal features 12 top-notch filter effects that triggered the success of the original Soundblox Pro BEF plus the addition of eight variations of on-board distortion. The distortions are not just crunch, or amp simulation; they are specifically designed to work in tandem with the filter effect selections. The Manta’s vast range of effect combinations and adjustable parameters offer an abundance of options, from classic funk tones to modern, super-aggressive dubstep wobble effects. Continue reading
It’s always fun seeing what the Fender Custom Shop comes out with throughout the year. It seems that every few months there’s another interesting reissue, unique reimagining or ‘I can’t believe they’re making that!’ artist model. It just so happens that with this newest round of offerings the Custom Shop has made two instruments that have tipped my ‘Oh awesome‘ trigger, as well as two that are simply cool. The two that are currently making me pawn my kidneys are the Limited Geddy Lee 1972 Jazz Bass and the Closet Classic™ Rosewood Telecaster. Are you kidding me? Geddy Lee’s Moving Pictures bass and George Harrison’s Let It Be rooftop-gig Telecaster? Shut up and be owned by me already!!! Anyway, here’s the press release with plenty of info about each model. Continue reading
You might remember that yesterday I was pondering the rise of the 7-string, and how the music is dictating the development of the instrument. A similar thing happened when 5-string basses appeared on the scene. Then there were 6-string basses, which remain something of a niche instrument for jazz and prog guys, really: you don’t tend to see them in punk bands. Just sayin.’ Anyway, so as to not feel left out by the rise of the 8-string guitar, Ibanez has created the BTB7 Limited Edition 7-string bass. Compared to a regular four-string bass it adds one extra low string and two extra high ones: it’s tuned (low to high) B E A D G C F. Continue reading
Trevor Bolder – bass player for David Bowie’s Spiders From Mars and for Uriah Heep – has died of cancer aged 62. Man, glam just wouldn’t be the same without the image of Bolder, huge sideburns and Gibson EB-O bass, but more importantly, it wouldn’t sound the same. Just listen to his work on Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Aladdin Sane and Pin Ups. And Bolder remained active with Uriah Heep up until 2011′s awesome Into The Wild album. Here’s an official statement from Uriah Heep: Continue reading
Schecter is well known on the metal scene for their incredibly shredworthy axes (which is a huge about-face when you consider the company’s earlier days making great Strat and Tele-type instruments for players like The Who’s Pete Townshend). And this helps Schecter’s basses to have a lot going for them too: the company really understands how to make a fast, playable and comfortable neck on an instrument that is designed to handle the rigours of the road.
The Studio-4 is a neck-through instrument with a multi-laminate maple/walnut neck and body core, given some extra visual pop by mahogany body wings topped with slices of bubinga. Combined with a rosewood fretboard, the look is elegant and refined, and it’s the kind of bass that could look equally at home on a country, blues, rock or metal gig. There are some hints to the company’s modern metal leanings, particularly in the form of the pointy headstock, but the overall look gives the impression that this is not a one-trick pony. Continue reading
Would Van Halen I be as iconic if it didn’t kick off with Michael Anthony’s couldn’t-be-more-simple-or-more-cool intro to ‘Runnin’ With The Devil’? …Look, I’m gonna say no. Mike was a huge part of Van Halen’s classic sound, and it’s great to hear him loud and proud in Chickenfoot. Mike now has a signature Peavey bass amp, a nice match for his Yamaha BB3000MA bass, I might add, and it’s an all-tube, 300-watt beast that somehow still manages to weigh in at a manageable 38 pounds.
Here’s the press release.
January 24, 2013, Meridian, MS – Peavey Electronics, known for its commitment to tonal quality and innovation, today announces the new Michael Anthony VB-MA™ signature tube-powered bass amplifier. This 300-Watt all-tube head packs a low-end punch, while weighing in at an extremely portable 38 lbs.
SCOTTSDALE, Ariz. (January 15, 2013) — Fender is proud to announce four bass additions to its acclaimed American Vintage series, all meticulously reimagined to evoke the authentic feel and sound of the original basses released between the late 1950s and early 1970s.
For a while there it looked like Aerosmith were done. Steven Tyler had fallen off the wagon (and subsequently the stage), and at some point he was in consideration for a proposed Led Zeppelin tour in the absence of an unenthusiastic Robert Plant. Along the way bass player Tom Hamilton was diagnosed with throat and tongue cancer (he recovered but the cancer returned last year, and after treatment he’s recovering well). And of course Tyler went off and took a job as a judge on American Idol too. When the band finally reconvened and hit the studio, the question was “Which Aerosmith will be making an album? The 70s bluesy rockers? The 80s/90s hard rock superstars? The FM smash balladeers?” It turns out the answer was “All of them.” Music From Another Dimension! manages to have something to appeal to fans of all three of the band’s main eras, and with 15 tracks on the standard edition it’s pretty much a case of “If you don’t like the ballads, there’s plenty of the other stuff.” Whether intentional or not, Aerosmith seems to have found a way to please everyone.
Hi! Have you had a chance to listen to the record?
Yeah! I like that there’s three Aerosmiths here – the 70s feel, the 80s/90s stuff and the ballads. Something for everyone who likes something about Aerosmith.
Yeah, I noticed that’s how it came out. Every era of our career is represented. I don’t think it was a conscious decision. We’ve learned that it’s so much about songs, and we’ve dipped into different styles throughout our career. What always comes back is it’s all about songs. We want to have really kickin’ drums and blasting guitars, and Steven singing amazing vocals. And I’m a musician so sometimes I’ll listen to music just for the bass player, but not that often. I really believe that the song is the thing.