The family of pickup pioneer Bill Lawrence has just announced that Bill passed away over the weekend. You might know him best through pickups like the L500XL used by Nuno Bettencourt and Dimebag Darrell. Or perhaps his work for Gibson (and here’s a great article about Bill’s time with them). Or the extensive series of pickups he designed for use in the highly acclaimed Fender American Deluxe Series of guitars and basses. The All About Tone section of Bill’s website is essential reading for anyone who has ever plucked a string on an electric guitar and wondered ‘how?’
Here’s the message from Becky Lawrence… Continue reading
Dimebag Darrell was one in a billion. A true metal iconoclast who took a little from EVH, a little from Billy Gibbons, a bit of Hetfield, and twisted it around until it was pure Dime. Everything about the dude was custom: for his signature tone he used a graphic EQ and heavy noise gating to get the most out of the Randall half-stack he won in a guitar playing contest. And his main guitar was a heavily customised Dean ML (he actually scratched ‘The Dean From Hell’ into the headstock) which featured new pickups, a Floyd Rose bridge (which required serious routing considering the guitar originally had a tune-o-matic bridge and thru-body stringing) and a custom paint job and further tweaks by legendary luthier Buddy Blaze. Check out the story of Buddy’s role in this legendary guitar in this great Premier Guitar article.
Boogie Street is commissioning several runs of these High Gloss Padauk N4s. Each run will be a numbered run of 7 guitars, and each run will be slightly different in hardware color and/or other subtle differences. They will all feature a high gloss Padauk N4 body and an oil finish padauk neck, plus Nuno’s specs including the Bill Lawrence Bridge humbucker and the Seymour Duncan ‘59 in the neck.
A factory hardshell case is included, as is a Nuno-signed extra blackplate, a Washburn/Boogie Street Guitars/Nuno dealer banner, and a 10 x 16 full colour certificate of authenticity, signed by Washburn USA Custom Shop director Terry Atkins, as well as by Eric McKenna from Boogie Street.
Hit up Boogie Street Guitars for more info.
CLICK HERE to buy Extreme’s new album, Saudades de Rock and CLICK HERE for a recent I Heart Guitar story about the Washburn N3 Nuno Bettencourt limited edition and Nuno’s new signature Randall amp.
Nuno Bettencourt’s signature Randall amplifier will be officially unveiled at Winter NAMM in January 2009, but Nuno fans won’t have to wait until then to snag a unique piece of signature gear.
As posted at the Extreme band forums, Funky Munky Music is awaiting delivery of a very limited run Washburn N3, based on Nuno’s third ever Washburn prototype, which had a maple fretboard and two Bill Lawrence L500 pickups. The standard Nuno model, the N4, has a Seymour Duncan 59 in the neck in addition to a bridge L500.
There was a Korean-produced model called the N3 for a while, but the new limited edition N3s are made in the USA. They have 22 frets, unlike Nuno’s original which had 24, and feature an original Floyd Rose bridge, a birdseye maple neck and fretboard, the original 1 5/8” nut width, and the original N4 neck profile. Interestingly, at the Extreme forum, Funky Munky says Nuno asked Washburn to revert the neck profile of the N4 to the original shape within the last month or so, and change the nut width to 1 5/8” instead of the current 1 11/16” nut width.
The new N3 will be available in relic and non-relic versions, and the holographic N3 sticker will be included as case candy, so buyers have a choice over whether they put the sticker on or not.
As for that Randall amp, in an official press release Nuno says “There is a reason that I have never endorsed any amplifier company exclusively. Because I have always had to jump back and forth from amp to amp. One for rhythm, Another for solos. A different amp on every recording and tour, constantly searching, unsatisfied. Always good, but not great. Never finding that perfect tone. There was always something missing. Basically, I gave in and truly believed that Marshall would be the staple to fall back on… The Constant.”
“I’ve worked on this amp for over three years. We’ve delayed release of the amp until it was perfect. Until now. The words “I’ve got an amp that I will put my name on and have put it up against any other amplifier and blew them away.” I thought those words would not come out of my mouth. But they have. And it’s true. I’ve worked on this amp for over three years. We’ve delayed release of the amp until it was perfect. Mission accomplished. It’s not fancy. It just sounds killer. It’s a workhorse. One clean channel. One dirty channel. And a boost solo channel, with its own volume and drive controls, because when it’s time to let loose, you should be heard loud and clear.
As a bonus, it looks like no other amp and cabinet before it… the look takes the past into the future.”
I found the image of the amp at the What’s That Dude Play? blog.
For more about the very interesting saga of Bill Lawrence pickups, check out the Bill Lawrence Review website.