TV Jones, Inc was formed 1993 by guitarist and luthier Thomas V. Jones in Whittier, California. Now based out of Poulsbo, Washington, the company is known for their brilliant recreations of classic Gretsch Filter’Tron pickups in the form of the TV Classic, as well as more modern variations on the theme, like the TV Classic Plus, Magna’Tron, Power’Tron, Power’Tron Plus (developed with Billy Gibbons of ZZ Top) and Super’Tron. They do plenty more too: for the full range check out TVjones.com
d you get started? Did you follow the classic ‘accidentally destroy a lot of cheap guitars as a kid’ route, or more traditional luthiery?
As a kid I took my guitars apart out of curiosity. Later on I did many repairs and even attempted to build a double neck electric guitar (6 string and mandolin). Around 1990 I decided to become more serious about guitar repair and construction, so I got a job at a violin shop called The World of Strings in Long Beach, California. I worked in the guitar department for almost three years, and learned to repair and construct stringed instruments based on orchestral instruments. So I got started as a luthier.
What is it about the FilterTron tone that is so magic for you?
The growl, clarity in the bass, and compression –– it is magical.
I imagine you must have disassembled, analysed and reassembled quite a few vintage pickups over the years – what have you learned from this process? Was there as much variation between FilterTrons as there was between classic-era PAFs?
I learned that it’s not just the coils, or coils that make a great pickup, but the combination of superior materials that make a great pickup. Most vintage pickups were made with high quality materials –– that’s all there was. We choose to have our components and materials made in the USA –– the birthplace of the electric guitar pickup.
It’s finally here, and it’s bad to the bone. And now you can own it. Billy Gibbons’ favorite axe has always been his beloved Pearly Gates – a rare 1959 Gibson Les Paul Standard with legendary angelic qualities. It has appeared on every track of every ZZ Top album to date, and sings with a “God-like voice” unlike any other guitar. And now, the master craftsmen at Gibson Custom have recreated it in excruciating detail – right down to the last scratch and ding. Gibbons’ legendary Pearly Gates – a rare 1959 Gibson Les Paul Standard – is like no other guitar in the world, and now you can own a painstaking replica of this sacred instrument. Admit it; this is the artist model you’ve been waiting for. Now it’s here, so don’t wait any longer. There are three different models for you to choose from – all in very limited quantities. They won’t last long, so act now. The Billy Gibbons ‘Pearly Gates’ Les Paul Standard is now available. Find your nearest authorized Gibson Custom dealer and check it out.
The Billy Gibbons ‘Pearly Gates’ Les Paul Standard will be produced in a very limited quantity of only 350 guitars – 250 will receive Gibson Custom’s patented V.O.S. finish, 50 will be aged to look exactly like the original Pearly Gates, and another 50 will aged and personally signed and played by Gibbons himself. We know … try and relax … take a deep breath. And remember, we’re not responsible for what happens when you actually play one.
Pricing & Options
Billy Gibbons Burst
Aged and Signed
Billy Gibbons Burst
Billy Gibbons Burst
Vintage Original Spec
More info: Gibson.com
My first ever Van Halen album was For Unlawful Carnal Knowledge (I think I bought it on cassette with my birthday money when I turned 13) and I thought Sammy Hagar was the coolest dude alive – well, after Steve Vai and Eddie Van Halen, anyway.
Sammy’s new album, ‘Cosmic Universal Fashion,’ is unique in his discography because it wasn’t written and recorded from start to end as an album: instead it comprises a bunch of disparate tracks written and recorded in a variety of different settings over a number of years for various projects. Yet there’s a unity to the tracks which helps them sit together in the same collection even though the moods vary wildly.
‘Cosmic Universal Fashion’ is not immune from moments of guitar brilliance. In fact the CD opens with a wild, high-speed guitar lick, and with axemen including Journey’s Neal Schon, ZZ Top’s Billy Gibbons, and the Wabos’ Vic Johnson, there’s no shortage of guitar fire on this one. Tracks two and three, in particular will be especially appealing to guitar geeks like me. These two songs, “Psycho Vertigo” and “Peephole,” are the only recordings of Sammy’s short-lived supergroup, Planet Us, which included Schon, Van Halen bass player Michael Anthony and drummer Deen Castronovo (Joe Satriani was later added to the line-up, but aside from a Rockline performance nothing was ever recorded with him). These songs are dark, powerful, moody and atmospheric, and are not a million miles removed from Sammy and Mike’s work on Van Halen’s ‘Balance’ album.
The album’s first single and title track is a collaboration with a young Iraqi musician, Steven Lost, and the song’s theme and music video (see below) both echo Van Halen’s 1991 single, ‘Right Now,’ while updating the theme to the present day. The music couldn’t be any more different than the Van Halen track though, with heavy, semi-industrial drums, creppy synths and huge guitar chords.
‘Loud’ is a straightforward, top-down, foot-to-the-floor rocker with funny lyrics and a guitar solo straight out of big 70s rock, and ‘When The Sun Don’t Shine’ has country elements and a sunny, summer feel which remind me of Sammy’s ‘Livin’ It Up’ album. ‘24365’ has a tight funk-metal guitar riff which reminds me of Extreme in their ‘III Sides To Every Story’ era, and ‘I’m On A Roll’ could fit quite neatly if added between ‘Good Enough’ and ‘Why Can’t This Be Love?’ on Van Halen’s ‘5150’ album.
There are a few misfires on the CD – Sammy’s cover of the Beastie Boys’ ‘(You Gotta) Fight For Your Right (To Party)’ might be a fun track in a live setting, but it doesn’t really work here and Sammy seems to strain a little bit with the vocals. And ‘Switch On The Light’ has some cool grooves, some tasty Billy Gibbons guitar and a bold, progressive chorus, but it kinda loses its way a bit. But for the most part, there’s a good balance of ‘Party Sammy’ and ‘Serious Sammy’ here, and the opportunity to hear the two Planet Us songs is a very welcome surprise which, combined with the strength of ‘Loud,’ ‘24365’ and ‘I’m On A Roll,’ makes the album well worth checking out.
Roadrunner/Loud & Proud
Sammy Hagar has just released the video for ‘Cosmic Universal Fashion,’ the title track off his forthcoming alblum (released November 18). The album features Sammy’s parner in ex-Van Halenism, bass player Michael Anthony, as well as Billy Duffy from the Cult, Matt Sorum from Guns N’ Roses, Billy Gibbons from ZZ Top and Neal Schon from Journey.
‘Cosmic Universal Fashion, was written in an online collaboration between Hagar and a young Iraqi band in Baghdad, and the music video is a sequel to Van Halen’s ‘Right Now.’ video. The album also includes a cover of the Beastie Boys’ ‘(You Gotta) Fight For Your Right (To Party).’ If anyone has a right to cover that song, it’s a dude who started his own tequila company, hehe.
I’ll have a review of the album soon. In the meantime, here’s the video.
Billy Sheehan’s new album, Holy Cow, is now available in Japan. The album features guest appearances from Doug Pinnick of King’s X, Billy Gibbons of ZZ Top, and Billy’s former Mr Big bandmate, Paul Gilbert.
1. In A Week Or Two (I’ll Give It Back To You)
2. Dynamic Exhilarator
3. A Lit’l Bit’l Do It To ‘Ya Ev’ry Time
4. A Bloodless Casualty
5. Make It To Another Day (I Keep Rolling On My Way)
6. Another Broken Promise
7. Just Another Humanoid
8. Turning Point
9. Two People Can Keep A Secret (If One Of Them Is Dead)
10. Theme From An Imaginary Sci Fi
11. Cell Towers
12. Swimming Underwater