REVIEW: Taylor SolidBody Standard

Recently, Taylor Guitars and Australian distributor Audio Products Group offered me an incredible opportunity: to design my own guitar via the Solidbody Confgigurator at then have the guitar built, then use it for reviews and videos on I Heart Guitar. After thinking about it for about a millisecond I of course said yes and started designing. I’ve been in love with the Taylor Solidbody since the first time I reviewed the SolidBody Custom a few years ago, and if you dig around on YouTube you can even find a Share My Guitar video from NAMM 2010 which has about five seconds of me jamming with some random dudes in the background. So I was familiar with the general layout and qualities of the various Solidbody models, and I took this into account in designing my guitar.

My first choice was to decide between the SolidBody Classic (swamp ash body with satin-finish maple neck and Indian rosewood fretboard) or Standard (chambered mahogany body, quilted maple top, gloss-finish mahogany neck, ebony fretboard). I decided on the Standard. The next choice was cutaway: single or double? I selected the double cutaway version just because it feels more ‘me.’ The guitar’s scale length is 24 7/8″.

The Configurator gives you the option of tremolo or fixed bridge versions. I selected the tremolo version – it’s a non-locking unit with a low fulcrum point which gives it extra smooth operation, and the intonation setup work is done through the back of the guitar, keeping the playing surface smooth and screw-free. I decided to go for a pickguard rather than direct mount pickups, so I could later take advantage of Taylor’s interchangeable solderless pickguards. I selected three of Taylor’s mini humbuckers, which I fell in love with when I reviewed that first SolidBody back in the day. To my ears, these pickups are voiced somewhere between a P90 and a Gretsch FilterTron, with maybe a bit of overwound Strat thrown in. But they’re very low noise and are uniquely Taylor in construction and tone. Taylor’s tone knob is specially voiced to produce a wah-like midrange kick when it’s turned all the way down, and their guitars feature a fuse to protect you from unwanted zaps onstage.

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