Here’s my latest for Gibson.com: a lesson on the most evil musical intervals ever.
Today we’re going to look at some of the most evil musical intervals known to man – some of the most dastardly, unsettling, creepy, ghoulish musical notes ever. Notes so dark, so twisted, so evilthat they lay awake at night formulating new taxes, new places to hide your guitar picks when you need them and new ways to make you late for work. Notes so malevolent that Ozzy himself can but cower and tremble in their ghastly presence.
I’m talking about the minor second, the minor third and the flattened fifth.
No? Well, you will be. Crank up your amp and lay into Figure 1 at around 50 beats per minute.
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