Th1rt3en is Chris Broderick’s second album in one of the most coveted guitar jobs in the world: Dave Mustaine’s sparring partner in Megadeth. Broderick has some pretty big shoes to fill (Marty Friedman, Chris Poland, Glen Drover), but that’s old news: he brings his own style, feel and technique to the band in a way that they hadn’t really had since the early days of Friedman’s reign in the 90s. Th1rt3en finds Broderick once again shredding with the best of them and weaving in and out of classically Megadeth riffage with confidence and ease. I caught up with Broderick to talk Th1rt3en and, of course, guitar.
Hi, is this Peter?
Yes it is. Nice to meet you again! I met you a couple of years ago NAMM.
Oh did you really? Where at? What booth?
The Ibanez booth.
Oh nice! Very cool.
And now you’re with Jackson. How’s your new signature guitar working out for you?
It’s awesome! Dare I say, it’s perfect, for me personally. Because you have to understand, when I approached Jackson they were the only ones that never said no. They said “Yeah, we can do that, and we can do that.” So I built that guitar from the ground up thinking about everything I could from the ergonomics to the weight distribution to the placement of the tone knob. Even the placement of the pickups, in addition to the fretboard radius, the stainless steel frets, extremely tall narrow frets. I built that guitar up to be exactly what I’d want, so for me it definitely is the perfect instrument.
Are you using the seven-string version with Megadeth, or is that more of a ‘just because you can’ thing?
No. Well, I’ve always been more of a seven-string player than a six-string player, ever since they were available in the late 80s, early 90s. So for me I’ll always be playing more seven-string stuff. But since Megadeth is more of a traditional thrash band we stick to six strings just to keep those traditional thrash roots more in focus. So whenever I’m onstage with Megadeth it’s always six string, and when I do my own stuff it’s definitely seven-string.