NAMM 2012: LTD Buz-7 Buz McGrath signature model
Unearth’s Buz McGrath always had some of the freaking coolest custom Ibanez models. So many of us screamed bloody heresy when he switched to ESP. It’s not that ESP guitars are bad or anything – c’mon, they’re amazing – it’s just that Buz’s ideas always worked so well with Ibanii. Would his ideas translate over to the ESP aesthetic? Well get a load of this:

Ooooh yeah. That’s the LTD Buz-7 right there, my friend. I especially like the subtly angled trem cavity (it’s really like that, yeah? It’s not an optical illusion?), the black bound maple fretboard, the Snow White Sunburst finish and the reverse headstock. Other features: neck-through-body construction, maple neck, alder body, 25.5″ scale, Xtra Thin Flat neck contour, 24 extra jumbo frets, EMG 707 active pickups, Grover tuners, Floyd Rose 1000 series bridge. More info here.
NAMM 2012: Cool stuff at ESP
One of the highlights of NAMM every year is seeing the weird shit ESP unleashes seemingly just to show off what they can do. For example:

I’m pretty sure the reason they ask you not to touch it is because you will anger it and make it leap off the stand and come screaming for your jugular.
Speaking of cool new ESPs…
So you saw the new ESP stuff in this post? Well here’s another that I really like:

That’s an ESP Eclipse-II in Silver Sparkle finish. And while it’s not completely identical, it rather reminds me of the Eclipse that Queensryche’s Michael Wilton used in this video:
In fact, it’d only really take a few minor inexpensive cosmetic changes – pickup rings, selector switch surround, that sort of thing – to turn this new Eclipse-II into your own version of that super-cool Wilton axe, if you so desired.
And, as we all know, silver burst guitars are more metal than anything else. Even black guitars. So check this out. It’s another Eclipse-II:

NAMM 2012: new ESP models
Lots of cool stuff coming from ESP in 2012, including an entirely new Kirk Hammett signature model shape, ditto for Slayer’s Jeff Hannemann, a Michael Wilton (Queensryche) acoustic, killer sigs for Suicide Silence, Whitechapel and Unearth, and some wild new finishes.
Here are some highlights from ESPguitars.com:

Whitechapel sigs
Nearly everyone in the entire band Whitechapel got new LTD Signature Series models for 2012. The LTD AW-7 (Alex Wade) is a 7-string model based on the M Series, with a neck-thru-body design, alder body with flamed maple top with a Blood Red Sunburst finish. The guitar also features DiMarzio pickups and a fixed bridge with string-thru-body and locking tuners. The LTD BS-7 (Ben Savage) is a 7-string custom version of the MH Series guitar, with a neck-thru-body design, a See Thru Black finish on an alder body with flamed maple top, a teardrop-shaped headstock, maple fingerboard, EMG active pickups, Floyd Rose bridge, and locking tuners. Zach Householderʼs new signature model, the LTD ZH-7, is also a 7-string guitar based on the MH Series. It features a mahogany body with quilted maple top with a See Thru Black Satin finish, large block inlays, EMG active pickups, a Tonepros bridge, and locking tuners. Bassist Gabe Crisp also gets a signature model with the LTD GC-4, a customized Viper bass with neck-thru body design, a mahogany brown finish, ebony fingerboard and an EMG pickup set.

New Kirk Hammett models
Celebrating his 25th year as an ESP player, Metallicaʼs Kirk Hammett has three new models for you. The ESP KH-DC and LTD KH-DC are a brand new double-cutaway body style based on the Eclipse/EC, with a set neck design at 24.75” scale, and an attractive STBC (See Thru Black Cherry) finish on its flamed maple top. Like other EC models, the guitar offers a mahogany body and mahogany neck, with a rosewood fingerboard. The KH-DC features gold hardware, including gold-covered EMG 81 (bridge) and EMG 60 (neck) active pickups, and a Tonepros locking TOM bridge and tailpiece. The ESP version of the new Kirk Hammett model includes Sperzel locking tuners, while the LTD version offers ESP locking tuners.

The limited-edition LTD KH-25 has black distressed finish and graphics designed to emulate Kirkʼs famous KH-2 Vintage model. The KH-25 has bolt-on construction at 25.5″ scale, with a basswood body, maple neck, and a Floyd Rose Special bridge. The guitar also features ESPʼs new ALH-200 active pickups.
Win a kickass ESP with bmusic!

bmusic is celebrating the launch of their new website with a killer competition available to everyone (yes, you can enter even if you’re not from bmusic’s home turf of Australia). You can win an ESP BMF M-III Bushido Makoto guitar (read more about it here) by creating an account on the new bmusic.com.au, subscribe to their newsletter then “Like” them on Facebook. Creating an account leaves you under no obligation to buy, but you can increase your chances of winning with every purchase you make at the new bmusic.com.au. You have until December 31st, 2011 to enter and to make eligible purchases from the new bmusic.com.au to increase your chances of winning.
Go here for more info!
REVIEW: ESP Gus G EC Eclipse
Man, I’m jealous of Gus G. Not only are Firewind awesome, but the dude has also been immortalised in the Eternal Descent graphic novel series. Oh and he replaced Zakk Wylde as Ozzy Osbourne’s guitarist. He appears on Ozzy’s latest album, Scream, which is easily the Prince Of Darkness’s best since No More Tears – and his high-tech shreddering combines the great 80s Euro metal tradition and a more modern sensibility. Gus has several ESP and LTD signature models to his name, including an aggressive Explorer/V hybrid that looks positively evil. The Gus G EC, by contrast, is a slightly – only slightly, mind you – more traditional axe.
This Japanese-made guitar (also available in an LTD model as the GUS-600EC with some slightly different specs) is built with set-thru construction, which means the neck is glued in but then shaped to feel like a neck-thru for extra playing comfort. The body is mahogany with a hard rock maple top and white/black ply binding. The neck is three-piece maple (although you can’t see it since it’s finished in black gloss), with a rosewood fretboard and white binding. The carbon nut is 42mm standard, and the back of the neck is a thin U contour that seems to fit right into the webbing between thumb and index finger very comfortably. There are 22 extra jumbo frets, and the fretboard inlays are Firewind flames, which are well applied with only a minimum of epoxy filler around the tricky angles. The decal, which is applied only to the top is a cut a little roughly around the edges, but you wouldn’t notice from even a couple of feet away.











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