EVH® ANNOUNCES NEW 5150III® 50S 6L6 HEAD AND MATCHING 5150III® 50S 212ST CABINET
Scottsdale, Ariz. (January 16, 2020) – EVH® today announces the all-new 5150III® 50S 6L6 Head and 5150III® 50S 212ST Cabinet.
The EVH® 5150III® 50S 6L6 Head is the perfect amp for players who want Ed Van Halen’s touring tone, arena volume and performance in a compact package. Three channels of road-tested sound work for any playing style—crisp cleans, chunky overdrive, tight distortion and searing leads, while newly added independent dual-concentric controls allow for gain and volume level matching.
Tweaked to meet Ed’s touring requirements, this 50-watt head delivers a full-spectrum of tone. Channel one powers crystal-clear clean tone; channel two features increased gain for greater sustain and is re-voiced for improved low-mid frequency definition; channel three also has improved range for the “low” control and oozes with increased liquid gain. Channels one and two each have dual concentric gain/volume controls, with shared EQ (low, mid, high). Channel three has its own gain, volume and EQ (low, mid, high) controls. All three channels also have global presence and global resonance controls.
The 5150III 50S 6L6 Head is also loaded with seven JJ ECC83 preamp tubes, a pair of Shuguang 6L6 power tubes, switchable output impedance (4, 8 and 16 ohms) and an adjustable bias control.
Seductively dark in black textured vinyl with a dual black EVH striped steel grille front panel, the 50-watt stealth head also comes with vintage-style “chicken head” black control knobs, red lamp jewel, dual speaker output jacks, four-button footswitch, effects loop, direct out and molded plastic handle.
A high-quality fitted cover is available as an EVH accessory.
The EVH® 5150III® 50S 212ST Cabinet is the perfect companion to the new 5150III 50W 50S Head, with matching stealth black chrome EVH logo badges.
This 60-watt, 16 ohm front-loaded 2×12 straight cabinet features rock solid birch construction and a pair of 12” Signature Celestion® G12H Anniversary Series speakers.
Wrapped in Black textured vinyl with woven grille cloth, the 5150III 50S 212ST Cabinet comes with attached tilt-back legs, removable EVH pop-out casters and a head-mounting mechanism. A high-quality fitted cover is available as an EVH accessory.
I didn’t even dare dream this day would come to pass but here it is: the EVH Striped Series Frankie!!!
EVH® REVEALS ALL-NEW STRIPED SERIES FRANKIE MODEL, ALL-NEW WOLFGANG® WG STANDARD EXOTIC MODEL, UPGRADED WOLFGANG® WG STANDARD MODELS AND FRESH FINISHES FOR WOLFGANG® SPECIAL
Scottsdale, Ariz. (January 15, 2020) – EVH® is proud to reveal the all-new Striped Series Frankie, refreshed Wolfgang® WG Standard models including the all-new Wolfgang® WG Standard Exotic Spalted Maple and new colors for the Wolfgang® Special.
Widely regarded as the most recognizable electric guitar ever, Eddie Van Halen’s iconic and revered Frankenstein™ guitar has arrived with a price tag the everyday musician can afford in the form of the Striped Series Frankie.
Sporting Eddie’s famed red with white-and-black-striped paint job and a worn-in reliced look, the all-new Frankie features a basswood Stratocaster®-style body paired to a graphite-reinforced quartersawn maple neck. An oiled finish on the back of the neck allows for hours of playing comfort, while the 12”-16” compound radius maple fingerboard with 22 jumbo frets was designed for fast and furious playing styles.
Routed for an HSS pickup configuration just like Eddie’s original instrument, the Frankie features an EVH Wolfgang® humbucking bridge pickup with a dummy Strat® neck pickup and a dummy five-way blade housed in the middle position.
A sturdy and dependable EVH-branded Floyd Rose® locking trem and Floyd Rose locking nut work in tandem for precise tuning even with extreme changes in pitch, while the EVH D-Tuna® retunes to drop-D and back with strict accuracy at the flick of a finger.
Other unique features of the Frankie include a white skirted Strat-style single volume control knob (labeled “tone”), custom black pickguard, reliced chrome hardware, standard strap buttons and EVH neck plate.
The Wolfgang® WG Standard has been refreshed with new colors and all-new baked maple necks and fingerboards, while the WG Standard Exotic lineup welcomes the all-new Wolfgang® WG Standard Exotic Spalted Maple.
Boasting the same style and massive sound Eddie Van Halen created with a price tag the everyday musician can afford, all Wolfgang® WG Standard models offer a basswood body with special “comfort cut” forearm contour for maximum playing ease. The bolt-on baked maple neck with graphite reinforcement rods hold strong against the ravages of temperature and humidity, while a conveniently located spoke wheel at the base of the neck makes for quick and painless truss rod adjustments.
These stylish axes also feature an oiled finish on the back of the neck and a 12”-16” compound radius baked maple fingerboard with rolled edges, 22 jumbo frets and black dot inlays.
Dual EVH® Wolfgang® humbucking pickups mounted directly to the body increase vibration transfer, resulting in sustain for days on end. Two domed control knobs have been dialed-in to Van Halen’s exacting specifications—the smooth-feeling 500k pots make it easy to find a unique sound while retaining the crisp high-end sparkle of the Wolfgang pickups. The EVH-branded Floyd Rose® Special bridge and R2 locking nut consistently keep the instrument in tune through the heaviest playing.
The Wolfgang® WG Standard is now available in Gloss Black with a black headstock and black chrome hardware, as well as in Cream White, Matte Army Drab, Neon Orange, Quicksilver, Slime Green or Taxi Cab Yellow with a black headstock and black hardware.
Capped with an elegant quilt maple top and masked-off natural body binding, the Wolfgang® WG Standard QM is available in Black Fade, Chlorine Burst, Northern Lights, Tahiti Night or Transparent Amber with a black headstock and black chrome hardware.
Featuring a spalted maple top and masked-off natural body binding, the Wolfgang® WG Standard Exotic Spalted Maple is available in Natural with black headstock and black chrome hardware.
Designed with stunning style, giant sound and high-speed playability, the Wolfgang® Special is now available in Burgundy Mist Metallic, Deep Purple Metallic or Ice Blue Metallic finishes with a matching headstock. The Burgundy Mist Metallic model features black body binding and black hardware, while the Deep Purple Metallic and Ice Blue Metallic models feature cream body binding and chrome hardware.
The Wolfgang® Special features a basswood body with an arched top and a robust graphite-reinforced bolt-on quartersawn maple neck. The neck is carved and rolled to Eddie Van Halen’s exacting specifications and features a hand-rubbed urethane finish on the back. Primed for high performance, energetic riffing and blazing leads, the 12”-16” compound radius ebony fingerboard has 22 jumbo frets and pearloid dot inlays. Truss rod adjustments have also never been easier thanks to a spoke wheel conveniently located at the base of the neck.
A pair of flagship custom designed black EVH® Wolfgang® Alnico 2 humbucking pickups are mounted directly to the body, providing dynamic yet articulate voicing, as well as endless sustain for powerful chords and melody lines. A dependable EVH-branded Floyd Rose® locking trem and Floyd Rose locking nut work in tandem for precise tuning even with extreme changes in pitch, while the EVH D-Tuna® retunes to drop-D and back with strict accuracy at the flick of a finger, with a low-friction volume control for smooth swells and a high-friction tone control that prevents accidental tone shifting.
For more information, please visit www.evhgear.com.
Check this out!!!
SCOTTSDALE, Ariz. (July 18, 2019) – In celebration of the 40th anniversary of five-time platinum-selling 1979 album Van Halen II, EVH® is privileged to unveil the ’79 Bumblebee tribute guitar. Eddie Van Halen debuted this wildly iconic black-with-yellow-stripes guitar on the cover of the seminal album, and played it extensively throughout the band’s 1979 world tour.
“The ’79 Bumblebees that we’re making sound very much like how I always wanted the original to sound,” said Van Halen. “So it may have taken 40 years, but I now have everything I wanted back then — a bitchin’-looking guitar that plays and sounds great.”
Limited to 50 instruments worldwide, the meticulously recreated ’79 Bumblebee tribute model features all of the original specs, including an ash Strat® body, bolt-on birdseye maple neck with oiled back finish, straight 12” radius birdseye maple fingerboard with 22 jumbo frets, katalox dots and black side dots, and skirted Strat-style “Tone” volume knob.
True to Van Halen’s pickup recipe, the instrument has been outfitted with an EVH ’79 Bumblebee humbucking bridge pickup. EVH also matched the Bumblebee’s six screw holes, (hidden under the original prototype non-fine tuner locking tremolo bridge that EVH recreated just for this project), along with the original prototype locking nut. All hardware has been reliced, including the custom brass string retainer, screw-eye strap hooks, side output jack and original period-correct Schaller® tuning machines.
Its black-with-yellow-stripes paint job has also been reliced to match the wear and tear from his heavy year of touring in 1979, and the guitar is stylishly finished off with chrome hardware.
Notably, the back of the headstock of each guitar bears Eddie Van Halen’s signature, adding to the value and the once-in-a lifetime collector’s nature of this instrument.
Arriving in a custom-made Anvil® hardshell case, the package also includes ’70s-era Fender® Super Bullets strings, Van Halen ’70s tortoiseshell picks, an exclusive Bumblebee collector’s booklet, Young Guitar book Van Halen Live Tour in Japan 1978 & 1979, and several autographed items—a certificate of authenticity, 8”x10” 1979 concert photo of Eddie Van Halen and vinyl copy of Van Halen II.
During the recording process for Van Halen II, Eddie Van Halen sought something fresh to play other than his original “Frankenstrat,” which at the time was being heavily copied by many major guitar companies.
Van Halen had the idea to build a new guitar with an ash body and black-and-yellow-stripe paint job, with rear-loaded electronics so there would be no pickguard. While he tasked Wayne Charvel to cut the body, the maple neck was made by Lynn Ellsworth at Boogie Bodies with dot inlays on a maple fingerboard. Other features on the first-incarnation guitar (as pictured on Van Halen II) were a standard nut, single Mighty Mite humbucking pickup with transparent bobbins, single chrome volume knob, original Charvel six-screw brass tremolo bridge, and Schaller® tuning keys.
While pleased with the looks of the guitar, Van Halen was less impressed with its tone and quickly began tinkering with it, as he was prone to do. He installed a new Boogie Bodies maple neck with a natural headstock, unfinished back (which he has always preferred) and 12”-radius dot-inlay maple fingerboard. Next to go was the Mighty Mite pickup. After selecting a DiMarzio® Super Distortion humbucking pickup, he swapped out its ceramic magnet for an alnico 2 magnet from a Gibson® PAF. He rewound the pickup by hand, dipped it in paraffin wax and put copper tape around the windings.
Van Halen also stripped out the original Charvel bridge, leaving its six screw holes behind. He instead outfitted the instrument with a prototype two-point Floyd Rose® bridge and locking nut with retainer bar, becoming the first professional rock guitarist to use a locking-nut tremolo system. He also swapped out the chrome volume knob with a Strat-style skirted “Tone” knob. After all these modifications, only the original body, striped paint job, screw-eye strap hooks and Schaller® tuners remained from the first version of the guitar.
“Bumblebee,” as it would quickly come to be known by fans, became insanely popular and remains a longtime favorite for Van Halen listeners everywhere.
In an eternal sign of deep respect, Eddie’s original Bumblebee guitar was buried alongside Pantera guitarist “Dimebag” Darrell Abbott, who died tragically in 2004. Eddie Van Halen was Abbott’s main influence, and Bumblebee was Abbott’s all-time favorite guitar.
For more information, please visit www.evhgear.com.
Van Halen’s popularity went through the roof in the 80s with the addition of Sammy Hagar and look, let’s not get into a whole thing about Sammy vs Dave, but the fact is that the Van Halen Live Without A Net video was a landmark event in the lives of a great many guitarists of the era. At that time Eddie was playing Kramer guitars, and the 5150 Series – while clearly not a Kramer design – really represents Eddie’s reinterpretation of that era of his career. The 5150 was launched with a Striped Series model, but now it’s splitting off into its own supercharged shred-fiend line, complete with twin Wolfgang humbuckers and your option of the 5150 Series Standard in solid colours (Matte Army Drab, Rocket Red or Satin Primer Gray) or the 5150 Series Deluxe with Quilt Maple tops in Tobacco Burst or Transparent Blue Burst finish.
These guitars have so many features that we associate with the Wolfgang, including the heel-mount truss rod adjustment wheel, EVH frictionless volume pot and D-Tuna. The bodies are Basswood and the graphite-reinforced bolt-on quartersawn maple necks feature comfortable modified “C” profiles, hand-rubbed urethane back finishes and 12”-16” compound radius maple fingerboards with 22 jumbo frets.
Wanna hear these guitars in action?
Some of my favourite recorded chorus sounds are courtesy of one Mr. Eddie Van Halen. Whether using an actual chorus pedal or setting his Eventide harmonizers to a slight pitch-shift, Eddie’s given us a lot of great chorus sounds over the years. And now you can get ’em too with the new MXR EVH5150 Chorus pedal, based on Eddie’s chorus unit from the early 80s (think Diver Down).
What I really like about this pedal is that more than any other chorus pedal on the market, this one is totally optimised for your rig regardless of whether you prefer chorus going into your amp’s preamp or in the effects loop, with three input level and two output level settings to make it play nicely with the rest of your gear. It has mono or stereo output, controls for Tone and Intensity, and a Volume control (not something you usually see on a chorus). It’s interesting to note that there’s no Rate control for the chorus, and as Pete Thorn notes in the video below, this is a little more static like the sounds Eddie got with his harmonizer until you really crank up the intensity.
This one was announced at Summer NAMM a few days ago and isn’t on the market just yet but I can’t wait for it to hit the streets.
By far the most talked-about guitar at the Melbourne Guitar Show this past weekend was the Peavey HP2. If you haven’t heard yet, this marks Peavey’s return to USA-made electric guitars, and it’s very, very similar to the old Edward Van Halen Wolfgang models. Word has it that these are actually made using New Old Stock bodies that had been sitting around unpainted since Eddie departed, and that this first run has already been completely sold to dealers.
If you’re in the USA, you can keep an eye on Guitar Center’s Peavey guitar inventory (including used Wolfgangs) here. If you’re here in Australia, Galactic Music is our Peavey distributor and you can find your nearest dealer here.
I checked the HP2 out up close and was instantly taken back to how great the Wolfgang was. There are a few subtle changes that separate this from the Wolfgang though. The pickups cosmetics are now standard zebra, instead of one zebra and one reverse zebra, and the pickups are tweaked a little to allow them to sound better in single coil mode than the originals did. The Peavey logo on the headstock is bigger, and there’s a range of new finishes including the beautiful Deep Ocean. It was hard to judge the sound on the crowded and very noisy show floor but initial impressions are that the tone is everything it should be, with maybe a little more detail in the high end.
Obviously it goes without saying that EVH’s Wolfgang guitars are phenomenal quality, and the range hits a lot of different price points that Peavey isn’t hitting. I know a lot of completists who will want an HP2 to go alongside their army of Peavey Wolfgangs, EVH Wolfgangs and Striped Series, Ernie Ball Music Man Edward Van Halen guitars and various Kramers.
Look, there’s no way to get around this so let’s just dive in: Peavey has returned to building guitars in the USA again, in the form of the HP 2 Guitar. And It looks very much like the Peavey Wolfgang. Eddie Van Halen took the Wolfgang design with him when he left to set up his own company working with Fender, but I’m pretty sure Peavey wouldn’t have taken this step without some kind of legal justification for using the design. One thing’s for sure though: this thing looks hot. Seriously, look at it in this pic.
It’ll be interesting to see what happens from here. When EVH left Peavey, large chunks of the Wolfgang design lived on in the form of the brilliant HP Special guitar for a while. Those things were phenomenal. Does the market have space to sustain two Wolfgang-shaped guitars, one of which has ‘Wolfgang’ on the headstock? I guess we’ll see. I can’t wait to try one of these though.
Here’s the press release.
Peavey® Builds Legacy of Innovation with USA Made HP™2 Guitar
MERIDIAN, MS — Building upon the legacy of its award-winning, USA made guitars, Peavey Electronics® proudly introduces the HP™2 Guitar at the 2017 Summer NAMM Show in Nashville. The HP2 is constructed with leading-edge technology, traditional handcrafted methods, professional-quality upgrades, and customizations. When a USA-made guitar bears the initials of Peavey founder and CEO Hartley Peavey, players can expect an iconic design with its own unique flair.
While the esthetic is classic, the HP2 undoubtedly stands out with its carved top and offset, asymmetrical body design that offers comfort, proper balance, and maximum playing ease. Maple was chosen for the top and basswood for the back; solid basswood construction is also available. Peavey selected these hardwoods not only for their natural beauty and weight characteristics, but also for their specific tonal qualities. Cream or black-edge binding accents the body.
At the select birdseye maple neck and fingerboard, players will find unmatched stability and playability. Dual graphite reinforcement bars and an easy-access, adjustable steel torsion rod provide additional strength, as does the bolt-on construction with contoured neck heel. The oil-finished fingerboard is cut from the same piece of wood as the single-piece neck, keeping the color and grain patterns consistent. The stress-relieved lamination also adds increased stability. The HP2 has a 25 ½’’ scale length, 22 jumbo frets and 15’’ fingerboard radius. The 10-degree tilt-back headstock has a 3+3 tuning machine configuration featuring Schaller® tuning machines with pearloid or cream buttons. The chrome-plated hardware finish completes the look.
The HP2’s construction and electronics work in harmony. Two custom-wound Peavey humbucking pickups supply optimal output and tonal response. They’re made using a two-step wax-dipping process that provides ultra-low noise operation and resistance to microphonic feedback. The pickups are mounted directly to the body, further reducing feedback at high volume levels and enhancing response. A Switchcraft® 3-way toggle switch allows selection of pickups in up, center and down configurations. Players will also find either a Peavey/Floyd Rose® licensed, double-locking tremolo assembly or tune-o-matic/stop tailpiece fixed-bridge to complete the guitar. Finishing off the guitar are two push-pull knobs for volume and tone, with the ability to split the pickups individually.
Get a closer look at the HP2 at peavey.com, or if you’re at the Summer NAMM show through July 15, stop by booth #623.
About Peavey Electronics®
Founded in 1965, Peavey® is one of the world’s largest manufacturers and suppliers of musical instruments and professional sound equipment. Peavey has earned more than 180 patents and distributes to more than 130 countries. Peavey and its MediaMatrix®, Architectural Acoustics®, Crest Audio®, Composite Acoustics®, Budda®, and Trace Elliot® brands and affiliates can be found on concert stages and in airports, stadiums, theme parks and other venues around the world. Chief Operating Officer Courtland Gray says, “We are striving every day to produce the world’s finest music and audio equipment.” To find out more, visit www.peavey.com.