PRESS RELEASE: Through a unique blend of artists and musicians including Donald Edward Hardy, Brandon Boyd, Thomas Campbell, Johnny Marr and Shawn Stussy Hurley and Fender will recognize the unparalleled heritage of the worlds most popular guitar on its 60th anniversary. Twenty American-made, hand-painted Stratocaster guitars will be auctioned off to raise money for Waves For Water, which in turn will save lives through water-based initiatives. Continue reading
Fender is welcome to deposit one into my iTunes account.
PRESS RELEASE: Fender is extremely proud to introduce the Adam Clayton Jazz Bass guitar. Throughout the entire phenomenal history of the band, the groundbreaking music of U2 has been underpinned by the gracefully muscular bass work of Adam Clayton. His impeccable groove and expansive tone form the sonic foundation of one of the biggest bands in the history of rock music, never more powerfully than today. Fender’s Adam Clayton Jazz Bass guitar puts his rock solid sound and style in bassists’ hands, with elegant appointments and elemental tone, including two potent Fender Custom Shop pickups and a beautiful Sherwood Green Metallic gloss finish with matching headstock. Continue reading
Gooood… goooooooood. Eddie Van Halen’s EVH has announced the release of the long-awaited 5150III 50-watt combo amp with a single 12″ speaker and power scaling. Note that it’s a pretty damn big amp – none of this ‘just enough space to cram a twelve-incher into (hehe). So this isn’t exactly a mini amp by any stretch of the imagination – in fact it almost looks as big as the 2X12 version! I look forward to testing this beastie out some day. Here’s the press release:
PRESS RELEASE: After nearly three years in development, EVH is pleased to announce the launch of the 5150III 1×12 50-watt combo amplifier. This is not your average 1×12 combo by any stretch. In line with Eddie Van Halen’s legacy, this 1×12 is a true game changer, making players swear they’re standing in front of a half-stack. Continue reading
Ouch. John Mayer has parted ways with Fender in the form of a big ‘ol burn on Twitter.
Heads up to anyone thinking about owning my signature @Fender Stratocaster, they’re no longer being made and I’m no longer a Fender artist.
14/10/2014 7:35 am
I love Fender guitars and will continue to play them, but the fact is that the company as it is today isn’t the same one I started with.
14/10/2014 7:44 am
The John Mayer Signature Stratocaster is a pretty damn spectacular guitar, so if you’re interested in them you should pick one up while you still can.
PRESS RELEASE: Fender is proud to expand its popular American Standard series. The series, which debuted in 1986, has become the proverbial heart of the Fender brand, fusing the best of classic and contemporary features. “The Fender American Standard series is the core of the Fender lineup, the place where we combine our 60-plus years of history with modern innovations in a perfect blend of the best of yesterday and today,” said Justin Norvell, vice president of marketing at Fender. “They are handcrafted American originals, and the choice of professionals worldwide. These seven new models provide musicians with an even greater tonal palette, making the American Standard a great choice no matter what features or sounds a player is seeking. With the American Standard series, we make art in our instruments, so musicians can make their art with them in their music.” Continue reading
If I have one criticism of the EVH Wolfgang, it’s that, well… they’re infuriatingly priced at what they’re worth! They’re great guitars with killer tone and playability. And they look cool. But they justifiably cost a pretty penny, especially if you want the USA stuff. But now the Wolfgang Special series has been revamped as a made-in-Mexico model (it was previously made in Japan and then China, if I recall correctly), and a new more affordable line called Wolfgang Standard has just been introduced too. And of course you’ll still be able to get the USA stuff as well if your budget stretches that far. Here’s the press release…
PRESS RELEASE: EVH is pleased to announce the launch of the Wolfgang Standard series and revamping of its popular Wolfgang Special series, offering all the quality players expect from EVH plus features not usually found on guitars at these price points. Continue reading
Fender Custom Shop Master Builder Todd Krause has designed an unusual take on the Telecaster for the Classic Player series. The high-performance Classic Player Triple Tele rocks three slanted Nocaster single-coil bridge pickups for truly distinctive modern tone and the classic look of a black finish and pickguard paired with a one-piece maple neck/fingerboard. For more product details, go here, and check out the video below! Continue reading
Aah, is there anything sweeter than seeing an email in my inbox about a bunch of new Fender models? Well, maybe that day I brought home my Fender American Vintage ’62 Strat Reissue or perhaps my Squier Bass VI. But in terms of guitar-geek excitement level, there’s something primal about the Fender logo that still makes me giddy after all these years. Today they’ve announced some new Limited Edition American Standard Series guitars, new Classic Player Series models and a Special Edition Blacktop Series guitar, as well as some pretty dang sweet Custom Shop stuff. Here’s the press release: Continue reading
Opeth unashamedly alienated some of their fan base with their 2011 album Heritage. While a large portion of their fans were drawn to the Swedesh masters for their progressive death metal leanings, Heritage was primarily inspired by 70s fusion in the style of John McLaughlin’s Mahavishnu Orchestra – and there wasn’t a single death-growl to be heard anywhere. And now, with Pale Communion, Opeth has moved sideways again, a little away from some of the jazzier moments of Heritage and towards more of a 1970s progressive rock feel, while still a million miles removed from death metal. It’s an album which will challenge some fans while thrilling others, but the overall impression from a chat with frontman Mikael Åkerfeldt is that he’s driven solely by his artistry, and this is what he’s feeling right now. Continue reading
Shihad worship at the altar of The Riff. Few bands this side of AC/DC have managed a knack for instantly identifiable, eminently air-guitarable riffs. But although they’ve enjoyed a consistent career of killer albums and shows, new album FVEY stands above their immense catalog as The One That Will Probably Move Them Up A Notch. Produced by Killing Joke’s Jaz Coleman, this album encapsulates everything everyone has always loved about Shihad – the riffs, the song craft, the energetic performance, the melody, the thought-provoking lyrics. But there’s something more happening on this one. I caught up with vocalist/guitarist/riffmeister Jon Toogood to talk about it.
First thing we all want to know is ‘Where the hell do these riffs come from?’
Okay, we’ve been experimenting with this tuning which is basically standard E with the bottom string dropped to a bass-register A. So you’re doing the A, an octave A, and then the rest of the guitar is tuned normally. And it’s quite hard to play because the low string is really floppy but once you get used to it it makes this wall of sound. You get a decent amp and turn it up loud, and then you play with a great bass player like Karl and a great guitar player like Phil, and when you all play in unison and are in tune it sounds like Satan’s bass player. Continue reading
Most biographies of Jimmie Vaughan rightfully mention his powerful yet restrained Stratocaster playing. Most also mention, of course, his brother Stevie Ray, with whom Jimmie recorded one album before SRV was taken from us. What’s perhaps slightly less prominently mentioned is that Jimmie is also a bit of a style icon: his classic band The Fabulous Thunderbirds helped to usher in a blues revival while also popularising ‘retro cool.’ The slicked back hair, the hot rods, the vintage threads – Jimmie is his own man who cuts an imposingly cool figure across the guitar landscape. So what would it be like to talk with a man who has opened for Jimi Hendrix, stood on stage with the likes of Eric Clapton and Buddy Guy, opened for Bob Dylan and pretty much summarised a whole lifestyle which is soundtracked by hot 50s Stratocasters, scented by sun-warmed leather interiors and wrapped in mid-century sunglasses? Well it turns out that although he gives off an air of the ultimate baddass, Jimmie Vaughan is a dude who’s so cool and friendly that you instantly become cool by association. And you’ll want to go and pick up your guitar. Continue reading