Mary Ford’s Gibson Les Paul on eBay

Wow, how’s this for a piece of music history? The actual 1961 Gibson Les Paul (before this shape was renamed the SG) owned and played by Mary Ford, Les Paul’s wife. This guitar was recently featured on the History Channel’s Pawn Stars program. The back of the guitar still has the remains of an old setlist taped to it. The buyer will also get Mary’s guitar strap, the original hard shell case, photos of Les and Mary, personal letters including correspondence with personal assistants, doctors, record companies etc, and even – get this a letter where Les Paul is told not to sign a contract with Gibson.
If you’d like to take home this piece of music history, the Buy It Now price is a cool $250,000.

My latest for Gibson.com

Want to get caught up on my recent articles for Gibson.com? You can check my latest stuff at this link at any time but here are some recent features you might dig.
NAMM 2012: Visiting the Gibson Booth
Mean Streets: A Van Halen Tour of the Sunset Strip
What Could Have Been: Zakk Wylde Talks Guns N’ Roses
Yngwie Fast Track: Neoclassical Rock Lead Guitar Crash Course
Zakk Wylde on almost joining G’n'R
I had a chat with the mighty Zakk Wylde recently (It’ll be on the blog soon) and we touched on Zakk’s time jamming with Guns ‘N’ Roses in the mid 90s, as well as his recent jammage with the current line-up in December 2011. You can check the article out here.
A sample:
“It sounded like the riffs I write and the way I write, mixed in with the way the guys write, you know what I mean,” Wylde says. “It would have been like, when I was jamming with Slash and all the guys, even if I’m in the band there’s only one guy that’s playing the solos to ‘November Rain,’ ‘Sweet Child o’ Mine’ and all those classic songs. I’m not going to do anything there. But the future stuff that we would have been writing, it would have been cool! Because I love Slash’s playing and I’m buddies with him. It would have been cool, but with those guys there was nothing happening, so we were jamming but it wasn’t going anywhere.”
Peter Frampton’s legendary Les Paul returns after 32 years
Whoa! Okay, so in 1980 a cargo plane crashed, with Peter Frampton’s legendary three-pickup Gibson Les Paul on board. The guitar was presumed lost forever.
Well…

Frampton says: “I am still in a state of shock, first off, that the guitar even exists let alone, that it has been returned to me. I know I have my guitar back, but I will never forget the lives that were lost in this crash. I am so thankful for the efforts of those who made this possible… and now that it is back I am going insure it for 2 million dollars and it’s never going out of my sight again! It was always my #1 guitar and it will be reinstated there as soon as possible – some minor repairs are needed. And, I just can’t wait to get Mark Mariana on the phone.”
More info here!
Steve Vai + Gibson acoustic = cool song idea
From Steve’s YouTube channel: “Steve received a new Gibson acoustic and this is the first thing he played on it. It was improvised on the spot but may be a full song one day.”
Nice guitar! Personally I don’t own a Gibson acoustic but if I did I’d totally go for a J-185. What about you?
INTERVIEW: Korn’s James ‘Munky’ Shaffer

Korn are one of the few bands of the Nu Metal era to have endured. Not only does their original breakthrough material still hold up despite the decade and a half of imitators, they also manage to maintain a sense of vitality in their newer material. Just look at last year’s Korn III: Remember Who You Are. It was a dirty, raw, powerful, vital album at a time when bands often become complacent. But complacency isn’t in Korn’s vocabulary. Their latest, The Path Of Totality, finds them pairing up with various dubstep and electronica producers to put a heavily neo-industrial spin on their established bottom-heavy rhythmic drive. But The Path Of Totality isn’t the only new release that Korn guitarist James ‘Munky’ Shaffer is involved in. He recently – finally – released the debut self-titled album by his long-planned solo project, Fear and the Nervous System, a band which features Faith No More bass player Billy Gould, drummer Brooks Wackerman, and Repeater vocalist Steve Krolikowski.
How did the collaborations on The Path Of Totality happen? Did you work together in the studio? Did you send off recorded parts?
It was kind of mixed up. We started out with Skrillex and we worked in the studio with him on the first track, which was ‘Get Up.’” So we were actually working with him in person. And also with Downlink and Excision. Noisia, those guys are from the Netherlands so we just send tracks through the air. They sent them back and Jonathan (Davis, vocals) was in communication with them. So it was kinda different with each artist and producer.
It must have been a cool challenge to figure out exactly where the guitar would fit amongst all the other stuff going on.
I mean, on a lot of the tracks it seemed really like ‘Where am I gonna put the guitar? Where is it gonna fit?’ And it was challenging for me. Rhythmically it was really kinda busy and I was trying to find the right space and the right notes. It’s like a boxing match – you bob and weave to sort of get your punch in there.
Deep Cuts: The Last Action Hero Soundtrack

My latest feature for Gibson.com is about an album that made a huge impression on me back in the day. Heres’ a teaser below, but hit up this link for the rest.
These days it’s common – nay, expected – for a big blockbuster movie to have a kickass soundtrack packed with original new tracks by the big heavy-hitters of the day. But it wasn’t always like that. Once upon a time, the movie soundtrack section of a record store was populated largely by recordings of the actual orchestral music scores of films. If a soundtrack featured pop songs, they were often classic tracks that everybody knew. Even in the case of big blockbuster soundtracks that featured a healthy amount of original new songs – like the album that accompanied the release of Dirty Dancing in 1987 – the tracks were very much mainstream radio-friendly pop. So the 1993 release of the Arnold Schwarzenegger film Last Action Hero and its soundtrack sent shockwaves through the hard rock and heavy metal scene of the day. This was an album which featured new, never-before-heard tracks by some of the biggest names in heavy music at the time, including two of thrash’s Big Four. Check out this track listing:
“Big Gun” – AC/DC
“What the Hell Have I” – Alice in Chains
“Angry Again” – Megadeth
“Real World” – Michael Kamen and Queensrÿche
“Two Steps Behind” – Def Leppard
“Poison My Eyes” – Anthrax
“Dream On” [Live] – Aerosmith
“A Little Bitter” – Alice in Chains
“Cock the Hammer” – Cypress Hill
“Swim” – Fishbone
“Last Action Hero” – Tesla
“Jack and the Ripper” – Michael Kamen & Buckethead










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