When I was a kid I was obsessed with semi-hollowbody guitars. I blame The Beatles, The Cure and Ratcat. Basically if it had F-Holes or similarly-shaped soundholes, I wanted it. These days I tend to either play Les Pauls, Strats or Superstrats but I’ve always had a fondness for big boxy guitars with F-holes and Bigsby vibratos. I still don’t own one but if I did it’d be one of these…
Ace Frehley. Just the mere mention of his name is enough to send a jolt
Zakk Wylde has long been one of Gibson and Marshall’s most popular artists. The very idea of Zakk leaving either for another company at this stage seems utterly unbelievable. But that’s what’s happened: it’s just that Zakk hasn’t taken his considerable endorsement weight to other guitar and amp brands. He’s created his own instead.
The Gibson Explorer was ahead of its time when it was released in the 50s, and still seemed like a bit a quirky anachronism in the 70s. But in the 80s it found itself at the centre of a revolution in guitar: thrash. This highly technical, highly aggressive new form of music required a guitar that could have plenty of punch, was playable, and looked badass. Certain players took the Explorer and popped a set of EMG pickups in it, and went on to create history. The 1984 Explorer EX pays tribute to the meeting of Explorer and EMG that helped to define the future of heavy music.
Mastodon guitarist Bill Kelliher’s first signature instrument was the Gibson Golden Axe Explorer, a visually
Although the Gibson SG is an American design, for many decades it’s resonated particularly closely
From Gibson.com: “The SGS3 takes the timeless elegance of the “Black Beauty” and applies it