Joey Jordison has always been a monster of a drummer. His inventiveness and power have played a crucial role in making Slipknot into the unstoppable juggernaut it is. And if he was ‘only’ a drummer, his place in metal history would be assured. But Jordison isn’t tied down to one particular instrument. Murderdolls proved that he had a solid handle on rock-metal riffage. But with new band Scar The Martyr, Jordison is really free to explore his own musicality. He plays drums and bass throughout, and provides the guitar backbone for all but two of the self-titled album’s 14 tracks. As a guitarist Jordison’s style is assured, aggressive, and equal parts rhythmic and textural. As a result, Scar The Martyr [Roadrunner] is an incredibly dynamic listening experience, crammed full of brutal riffs and haunting chords, and some pretty damn chunky guitar tones too. In addition to Jordison, the album features the guitar work of Jed Simon (Strapping Young Lad), Kris Norris (Darkest Hour) and vocalist Henry Derek, as well as Nine Inch Nails’ Chris Vrenna on keys.
Those of us with a fondness for the, let’s just say, larger-haired corners of the rock guitar world will be excited to know that the long missing-in-action company ADA (Analog/Digital Associates) is on the way back after about a decade or so of inactivity.
ADA’s famous midi-controllable tube preamp, the MP-1, was used on a lot of recordings around the late 80s/early 90s, especially paired with the power section of a Marshall JCM800 or JCM 900 head. Notable MP-1 users included Steve Vai, Extreme’s Nuno Bettencourt, White Lion’s Vito Bratta, and Paul Gilbert. On the bass side, Primus’s Les Claypool used a modified MP-1, while Victor Wooten and Steve Bailey used the dedicated bass version, the MB-1. To this day, Gilbert uses a modified ADA flanger tweaked to create a whammy-like divebomb effect, and other notable flanger users include Pat Travers and Testament’s Alex Skolnick.
We’re in the storming and forming phase and usually send out a canned response, but your questions are intriguing and deserve an answer.
David Tarnowski, head engineer and inventor of all things A/DA, continues to be majority owner of A/DA and chief engineer of the new A/DA. He still owns all rights to the A/DA electronic designs and trademark. A group of us have convinced him that the time is right to come out of retirement and resurrect the A/DA legacy. We’re starting with stomp boxes, most notably the Flanger and Final Phase, which will be re-released in late 2008/2009. We’ll continue soon thereafter with other legacy effects such as Battman and the Seamoon line, as well as the Rocket Amp series. We’re currently working with suppliers to source original parts so that these releases can be as “original” as possible – we’ve gone over the designs and have decided that the original designs were best. We’re in the early stages, but are confident that we’ll have a full line of products to present at NAMM 2009.
Of particular interest to the ADAForum board would be our introduction of the all new MP3. Still on the drawing board, the digital potential is enormous and we’re still hashing out potential functionality prior to full design. As you well know, the fight starts trying to decide what goes into a future MPx and doesn’t stop until the prototype has been demo’d and agreed upon by all. As of now, there is no release date for the MP3.
We appreciate your interest and would ask that you help pass the word that the original A/DA is back!!
Cheers – the A/DA staff”