Jackson Phil Demmel Demmelition Pro

Jackson Phil Demmel Demmelition Pro

PRESS RELEASE:  Jackson is pleased to announce the latest addition to its popular Pro Series, the Phil Demmel Demmelition Pro guitar. Jackson’s Demmelition Pro model puts Machine Head guitarist Phil Demmel’s devastating style and double-cut King V™specs right in your hands. Features include a three-piece through-body maple neck with graphite reinforcement, compound-radius (12”-16”) bound ebony fingerboard with 24 jumbo frets and pearloid piranha inlay at 12th fret, EMG® 60 (neck) and 81 (bridge) humbucking pickups with three-way toggle switching, Floyd Rose® locking nut and recessed double-locking tremolo, and black hardware. Now available in Black Tide Fade and Red Tide Fade finishes.

For more information and to find a dealer near you, go to www.jacksonguitars.com.

INTERVIEW: Machine Head’s Robb Flynn

The Blackening was an unstoppable juggernaut of metal power for Machine Head. Conceived in 2005 and released in 2007, it kept the band on the road for quite literally years. But all good things must come to an end. And so finally, in the year of our lord 2011, Machine Head present Unto The Locust. Produced by Robb Flynn at Green Day’s Jingletown Studios, it’s a surprisingly diverse album which tempers its thrash edge with classical influences, wild mood swings, laser-focused precision, blunt-force-trauma riffage and some of Flynn’s best ever vocal performances. It may be hard to ever forget The Blackening and the way it captured the charred hearts of both modern and old-school metal fans in equal measure, but Unto The Locust its own animal and it makes neither concessions nor apologies for its history-making predecessor. It simply gets on with it in its own kickass way.

So I guess the question everyone wants to know the answer to is, did you have The Blackening‘s success in mind when you started working on this one, or did you try to ignore it? 

We definitely didn’t have The Blackening in mind at all. We lived that moment for so long. It was an amazing moment, but when it was done, we were really excited to start writing again. You’ve got to remember, when we started writing The Blackening, it was August of 2005. And we started writing for this record in June of 2010, so five years had passed. We were ready to write, and we were ready to create a new moment.

It was almost like that album wouldn’t let itself die, y’know? It just kept going and going.

Yeah! It was amazing. It was an incredible moment. The Slipknot tours, Metallica tours, Grammy nominations. It was an endless stream of good news! It was really amazing, but it just went on for a while. We were lucky enough to finish the tour in Australia. That was the last dates of the whole album cycle. The last show we played in Sydney. It was killer, a great way to end it, and we totally went triumphant into the writing sessions. We were really charged up.

I really dig the classical guitar influence on the new album. I understand you actually took classical lessons?

I did. I actually took classical guitar in high school. It was an elective I had to take and I mainly just smoked a lot of weed and played Black Sabbath songs. Haha. I got a C minus, which isn’t a very good grade. It’s below average. I guess I showed that teacher, huh? Haha. But it really got my mind into that mindset of playing it, and once I really started playing I always leaned towards classical players. Like, I always liked Richie Blackmore, and Randy Rhoads in particular was a massive influence. Randy Rhoads on the first two Ozzy albums brought a lot of classical vibes and that was a huge influence. So between that and Jimi Hendrix, Black Sabbath, those were pretty much my main masters.

Read More …

NAMM 2009: Peavy 6505 Plus 1X12 combo

I’m sure that when Eddie Van Halen designed the Peavey 5150 amp back in the early 90s (and later the 5150 II), he didn’t think that a decade later it’d be one of the most prominent amps among the extreme metal community, nor that the design would live on following his departure from Peavey. After Eddie jumped ship to form his own company, EVH, Peavey continued to build the amp but changed the name (5150 = 6505, 5150II = 6505+). Now they’ve released the single-speaker 6505 Plus 112, which cuts down on some of the legendary heft of the original 2X12 version.

Here’s the press release.

After forging the sound of aggression for more than 15 years, Peavey is making its highly respected, high-gain 6505® Series amplifier available for the first time in a 1×12 combo-amp configuration.

The Peavey 6505—the amplifier used by metal stars Trivium, Machine Head, Bullet For My Valentine and many more—will now be available in a 60-watt combo with two channels and an extensive feature set. The new 6505 Plus 112 combo harnesses the full gain and legendary tone of the Peavey 6505 Series, which since 1991 has defined the sounds of extreme rock guitar, into a format that is equally suited to clubs, rehearsal rooms and studios.

Five select 12AX7 preamp tubes and a pair of 6L6GC power-amp tubes provide the tonal foundation for the 6505 Plus 112 combo, while patented circuitry such as Peavey’s Resonance control tweak its legendary tone. Both the Lead and Rhythm channels feature independent three-band EQ, pre/post gain controls and Presence and Resonance adjustment. The Rhythm channel also includes a footswitchable Crunch boost.

The 6505 Plus 112 combo also features the Peavey MSDI™ microphone-simulated direct interface, which eliminates the need for miking by allowing users to route the amp’s signal directly to a recording device or mixing console. Additional features include three-spring reverb, effects loop and external speaker outputs, plus a 12″ Sheffield® loudspeaker in a sealed-back cabinet that offers maximum resonance and sound projection.

The extensive Peavey 6505 artist roster includes Machine Head, Trivium, Bullet For My Valentine, Black Tide, Evergrey, Unearth, Story of the Year, Bleeding Through, Job For A Cowboy, Black Stone Cherry, In Flames, Gojira, Daath, Divine Heresy, Evergreen Terrace, The Devil Wears Prada, Bury Your Dead, All That Remains, Demon Hunter and many more.

The Peavey 6505 112 Combo will be available from authorized Peavey retailers in Q2 2009.

Features

60 watts RMS
16, 8 or 4 ohms
Five 12AX7 preamp tubes and two 6L6GC power amp tubes
Footswitchable Lead/Rhythm channel select
Effects loop
Separate three-band EQ on each channel
Separate Resonance and Presence controls on each channel
Separate pre/post gain on each channel
Footswitchable Crunch boost on Rhythm channel
Three-spring reverb
MSDI™ microphone-simulated XLR direct output
12″ Sheffield® loudspeaker
External speaker outputs
Lighted Peavey logo with on/off switch

U.S. MSRP $719.99

For more information, visit their web site at www.peavey.com.

CLICK HERE to buy the Peavey 6505 120W amp from Music123.

CLICK HERE to buy the 2X12 version of the combo from Musician’s Friend.




HALLOWEEN BRUTALITY: Jackson Demmelition King V

This Halloween, I’ll be looking at some of the most evil guitars known to man. This demonic beast, the signature model for Machine Head guitarist Phil Demmel, takes the already brutal Jackson King V and adds even deadlier edges.
The Demmelition King V has a sharp alder body, witha  through-body quartersawn maple neck capped with a bound compound-radius ebony fingerboard (12” to 16”) and 24 jumbo frets. Shark fin inlays are one of the most metalworthy accoutrements a guitar can have, so of course they make an appearance on the Demmelistion, in mother-of-pearl form, and the Jackson logo is also inlayed in mother-of-pearl for extra metallic bling factor.
Pickups are an EMG 81 in the bridge and an EMG 60 in the neck position, each with its own CTS volume control. Other brutal features include a Floyd Rose Original double-locking two-point tremolo bridge, black hardware and die-cast tuners. Available in red with black bevels, black with silver bevels and white with black bevels. Grrr.


CLICK HERE to buy the Jackson Phil Demmel Signature King V