AmpliTube Joe Satriani – with Rockman and Satch JVM models – out now

July 9, 2020 – IK Multimedia, in partnership with rock icon Joe Satriani, have released their newest artist signature collection, AmpliTube® Joe Satriani. Available for Mac/PC, iPhone and iPad, it offers users instant access to play, practice and record – anytime, anywhere – using precise models of the guitarist’s amps and pedals that were created with Satriani himself.

AmpliTube Joe Satriani reflects the guitarist’s reputation as a tone and gear connoisseur, featuring models of both classic and artist signature pieces, along with some fan favourites. Each model was created to Satriani’s exact specifications, for an authentic user experience.

Inside AmpliTube Joe Satriani
Able to work both as a desktop app and plug-in for any DAW AmpliTube Joe Satriani features five stompboxes and three amps, including:

Pedals:
Satch Wah – modelled after a Vox® BBW Wah; Satch Dist – modelled after an early ’80s, Japanese-made BOSS® DS-1; Satch Overdrive – modelled after an early ’80s, Japanese-made BOSS OD-1; Tube Overdrive – modelled after a mid-80s Chandler® Tube Driver; Satch Octave – modelled after an Ultimate Octave.

Amplifiers and cabinets:
Satch VM, modelled after Satriani’s Marshall® JVM410HJS signature head, SJ50, modelled after a ’93 Peavey® 5150, both with matching cabinets; and Boston 100, an expanded version of the ’82 Scholz® Rockman model with stereo mode and cabinet modelling.

Also included are song presets covering Satriani’s discography that allow users to dial up their favourite Joe Satriani tones for instant inspiration.

The Joe Satriani Collection (iPhone and iPad version) is available via in-app purchase from within AmpliTube CS for iPhone or iPad, and features the same amp, cab and stompbox models and presets.

Joe Satriani - Image


Groundbreaking Modelling Technology

IK’s latest Dynamic Interaction Modeling™ was used to deliver the highest level of ultra-realistic sound when modelling Joe Satriani’s gear. The product of 20 years’ experience modelling analogue gear, DIM™ models the behaviour of every component in the circuit all the way down to its smallest nuance and character. Applied to Satriani’s rig, it delivers the same sound and feel as his real gear.

About AmpliTube guitar and bass tone studio
AmpliTube is the world’s most powerful guitar and bass tone studio for Mac/PC/iPhone/iPad. Available in both free and paid versions, it recreates the entire guitar/bass signal chain from instrument to recording device in a hyper-realistic and intuitive way. Users can also browse and purchase collections of gear models from top gear manufacturers plus signature artist gear.

Easy connections to AmpliTube
Joe Satriani uses AmpliTube with AXE I/O, IK’s premium audio interface with built-in guitar shaping tools including PURE and JFET input circuits; IK’s Z-TONE® circuit with adjustable impedance for interaction with electric or acoustic pickups; a dedicated Amp Out, and more. AmpliTube is also compatible with many other IK Multimedia studio interfaces and portable audio interfaces.

Options, pricing and availability
AmpliTube Joe Satriani (for Mac/PC) runs inside AmpliTube Custom Shop, a free download available to all. The new models are currently available as a bundle from within the Custom Shop, the IK Multimedia online store and from IK authorized dealers worldwide for $/€99.99* (excluding taxes).

No previous purchase of AmpliTube is required. These new models will show up as an optional purchase for existing users of AmpliTube upon updating to the latest version.

The Joe Satriani Collection (iPhone and iPad) is available via in-app purchase from within AmpliTube CS for iPhone or iPad for $24.99. Individual models may also be purchased a la carte.

For more information about AmpliTube Joe Satriani and the Joe Satriani Collection, please visit:
www.ikmultimedia.com/satriani

To see AmpliTube Joe Satriani in action: www.ikmultimedia.com/satriani/video

For the official Joe Satriani website, visit: www.satriani.com

Cool Gear Alert: Marshall Studio Series

About 10 years ago Marshall released some adorable itty bitty baby 1-watt amps. They were cool and all, but it was the height of ‘lunchbox amps rule’ and I don’t think they ever really caught on. Part of the reason was probably that the power sections just weren’t the same as the amps they were based on, so they just didn’t feel quite right. Aah but now Marshall has taken that idea, blown it up, crammed appropriate power sections into ’em and created some truly desirable, useful and just plain frickin’ awesome amps in the form of the Studio Series.
The line currently consists of three models: 20-watt variants of the Plexi (SV20), JCM800 (SC20) and Jubilee. Each is available in either head or combo form, are made in the UK and are packed with the tone of their big brothers. They each contain two EL34 power-amp valves and can be switched down from 20 to 5 watts. And another thing I really like about these amps is that the combo versions each have their own cabinet designs rather than just building the different designs into the same chassis.

I love the idea of these amps. I’d be so tempted to run two Plexis side by side to rattle some windows and piss off some neighbours. Or imagine having a Jubilee for crunchy rhythm tones and a JCM800 for leads. Oh the fun you could have!

Cool Preamps They Don’t Make Any More

 

In the late 80s and early 90s, preamps and power amps were where it was at. Amp heads? Pfft. Sure, you put them on top of your dummy stacks on stage, but you didn’t actually use them. In the 90s that all changed and players rediscovered the glories of stacks, half stacks and combos, so everyone sold off their preamps. Now you can’t take a stroll on eBay or through a secondhand guitar store without tripping over a stack of the damn things. That’s very bad news for the clumsy of footfall, but great news for those of us who can’t get enough guitar gear. So I present to you, dear reader, Cool Preamps They Don’t Make Any More.

Marshall 9001

This preamp holds a special place in my heart because it was advertised on the back page of the very first guitar magazine I ever got – the March 1991 Guitar World with ZZ Top on the cover. Part of the 9000 range that also included a few different power amp options, the 9001 rocked three channels of 12AX7 goodness. It also had a cabinet emulation switch for direct recording applications. It’s not the most well-known and full-featured Marshall preamp – that honour goes to the JMP-1 – and it seemed to be favoured more for its medium overdrive tones than its clean and screaming settings. But it’s still a cool piece of kit. 
CLICK HERE to see the Marshall 9001 on eBay

Marshall JMP-1


This preamp is an undisputed classic. Real tube operation with the flexibility of MIDI control, this one is still the heart of Def Leppard guitarist Phil Collen’s rack, and Iron Maiden has been known to use it pretty extensively. This beast packs four channels into a single rack space: Clean 1, the edgier Clean 2, Plexi-ish OD1 and high gain OD2. I’ve used a few of these in various situations over the years – usually in combination with a Marshall EL34 power amp – and I’ve never been anything less than completely blown away by the clarity and harmonic complexity, especially for fat-ass lead sounds and crunchy humbucker rhythm work. IK Multimedia has a great emulation of this in AmpliTube 4 which does an incredible job of capturing the spirit of the original.
CLICK HERE to see the Marshall JMP-1 on eBay.

ART Powerplant

Designed by N.S.”Buck” Brundage, this unit was manufactured from 1990 to 1997 and it was a favourite of producer Max Norman – yes, he who worked with Megadeth on Rust In Peace, Countdown To Extinction and Youthanasia, not to mention Ozzy Osbourne in the Randy Rhoads era. Back in the day, ART said: “Power Plant combines the finest elements and saturation curves of 12AX7s into 6L6 tubes giving the user the thickest, heaviest crunch of classic tube amps without diction and articulation of notes! The Power Plant is one of the most versatile studio and live sound production tools available. It has totally separate clean and overdrive channels, master volume control, a switchable effects loop, and a +20 dB output for a power amp feed (this output has a unique equalization and pre-emphasis circuit that reflects the curve of a guitar amplification section).”
CLICK HERE to see the ART Power Plant on eBay

A/DA MP-1


This little beauty was popular among many players in the early 90s, especially when paired with a Marshall JCM 900 amp head. The typical trick was to bypass the JCM 900’s preamp section entirely by plugging into the MP-1 then sending its output directly into the Marshall’s effect loop return. Players who were big on the MP-1 included Nuno Bettencourt, Paul Gilbert, Kirk Hammett and White Lion’s Vito Bratta. Believe it or not, even Billy Corgan used one in Smashing Pumpkins. You get 128 programmable user patches, plus a chorus effect. ADA made an amp called the Quadtube which featured a rather MP-1-looking control section. They also released the MP-2 and the MB-1 bass preamp. Awesome. Now A/DA is back, and you can get the A/DA MP-1-Channel, a pedal version of the MP-1 rack preamp which employs the 4-stage vacuum tube design to achieve the same rich tone that made it the staple for most of the touring bands in the late 1980s and early 1990s.
CLICK HERE to see the ADA MP-1 on eBay.

Soldano/Caswell X99


Another tube-driven preamp with 128 presets and MIDI control, part of the X99’s cool charm is that the passive control knobs are moved by little MIDI-driven motors. The idea is that if the pots themselves were motorised, an additional gain stage would have been introduced, and you’d get all sorts of additional noise. When I was 16 I played in a band with a few older dudes. The singer/guitarist had one of these and an Alesis Quadraverb. I thought it was the coolest damn rig I’d ever seen, and the warmly overdriven sounds were godlike. The X99 is a great choice for rock styles, and although I don’t know if I’d use it for metal, it’s one powerful piece of kit with a killer pedigree. Great colour too.
CLICK HERE to see the Soldano/Caswell X99 on eBay.

Bogner Fish


This all-tube four-channel blue behemoth is one of the most lusted-after pieces of guitar kit around. Forgive me for going back to Megadeth but if you dig the tones of the Rust In Peace era, they burst forth from this piscatorial pulveriser. It’s also all over a lot of early 90s work by Alice In Chains and Anthrax. The Fish is exceedingly hard to find today, so if you see one, snap the damn thing up.
CLICK HERE to see the Bogner Fish on eBay.

Hafler Triple Giant

The Bogner you buy when you can’t afford a Bogner, the Triple Giant was indeed designed by Reinhold Bogner himself. It’s not quite in the same league as the Fish, but it’s certainly not without its charms. There’s a pleasing depth to the midrange and bass. Just know that if you cover up the Hafler logo with black tape so people think you have a real Bogner, we’re onto you. *cough* Hi Simon.
CLICK HERE to see the Hafler Triple Giant on eBay.

Fascinating Facts About Steve Vai’s Passion And Warfare

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Steve Vai’s Passion & Warfare turned 25 years old this past July, and the guitar has never been the same. Part hard rock, part psychedelia filtered through 80s neon, part Looney Toons soundtrack, part Zappa, Passion & Warfare found Vai breaking out on his own with an incredible level of focus and determination. Read More …

IK Multimedia announces AmpliTube 4!

amplitube_4_cs
For many years now I’ve been a huge fan of IK Multimedia’s AmpliTube range of amp/effect/cabinet simulators. AmpliTube 3 is still my go-to plug-in even after years of reviewing anything and everything. In fact, at this very moment I’m getting to know AmpliTube: MESA/Boogie for a review, and it’s once again demonstrating how incredibly flexible and detailed the AmpliTube universe is. And now IK Multimedia has announced AmpliTube 4, with some really advanced new features and a suite of new British-inspired amplifiers, including one based on the legendary Marshall JMP-1 tube MIDI preamp! And something I’ve been hoping for for quite a while: an effects loop insert point between the preamp and power amp. Awesome. Below is the video and press release.

Read More …

REVIEW: Yngwie Malmsteen @ 170 Russell

Yngwie

There’s no question that Yngwie Malmsteen is one of the greatest, fastest and most excessive rock guitarists of all time. But you don’t really get an appreciation for just how good he is until you experience it in person. Yngwie just continues to get better and better, which is no mean feat when you consider how great he was right out of the gate. So, having missed his last Australian tour and his clinic tour, I was really excited to catch Yngwie this time around. Read More …

Universal Audio Marshall Plexi Super Lead Plug-In

UA Marshall Plexi

PRESS RELEASE: Universal Audio and Softube are proud to announce the Marshall “Plexi” Super Lead plug-in — the only Marshall-branded amplifier plug-in on the market — coming exclusively to Apollo audio interfaces and the UAD Powered Plug-Ins platform in May 2015. The 100-watt Marshall Super Lead Model 1959, commonly referred to as the “Plexi,” is one of the world’s most celebrated guitar amps. Softube worked with Marshall and recording engineer Tony Platt (AC/DC’s Highway to Hell and Back in Black) to craft a stunningly faithful emulation of Marshall’s own reference Super Lead Model 1959 amp, built in 1967 and captured using an era-correct 1960BHW speaker cabinet in Kore Studios, London. Read More …

Zakk Wylde Introduces Wylde Audio

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Zakk Wylde has long been one of Gibson and Marshall’s most popular artists. The very idea of Zakk leaving either for another company at this stage seems utterly unbelievable. But that’s what’s happened: it’s just that Zakk hasn’t taken his considerable endorsement weight to other guitar and amp brands. He’s created his own instead. Wylde Audio will make guitars, amps, effects and all sorts of accessories. I caught up with Zakk to find out what’s what. Read More …