Hot off the success of their first studio album release in 20 years, This Is Not The End (and its Top 20 ARIA Album Chart debut), iconic Aussie rockers The Baby Animals are hitting the road for the national Feed The Birds tour. The tour will be filmed for the band’s first ever live DVD, to be called Feed the Birds (Live). And Baby Animals can always be counted on for great guitar moments courtesy of lead guitarist Dave Leslie and vocalist Suze DeMarchi. Dave’s one of those incredibly adapatble players who is able to sound perfectly at home whether he’s playing a simple rhythm part, dishing out the shred or – and this seems to be his most impressive skill – playing the kind of stuff that sounds simple until you try to play it yourself, whereupon you learn that it’s impossibly perfect and unpredictable. I Heart Guitar caught up with Dave right before the tour kick-off to talk shop. Read More …
Press Release: MI Audio are now shipping their new limited-run overdrive called the Cross Over Drive to selected retailers. This pedal was designed to be the swiss-army knife of drive pedals with a seamless transition from boost to overdrive to distortion to fuzz with a sweep of the GAIN knob. The backbone of the Cross Over Drive are four discontinued FET transistors designed to capture the response and touch-sensitivity of an amp’s organic overdrive. But making a FET stage behave like a particular tube stage is actually a very complex affair and is not a simple substitute like most other FET-based preamp circuits. Our experience in designing valve amplifiers at MI Audio has seen us obsess over every minute detail of the Cross Over Drive’s circuit from operating points, dynamic range, scaling of clipping thresholds, output impedances, intrinsic capacitances due to the Miller Effect… you get the idea! This obsession has led to an original pedal design like no other that becomes a natural extension of your guitar, amp and playing style.
Last year I reviewed the phenomenal MI Amplification Megalith Beta amp. Well check this out! MI Effects is releasing the Megalith Delta high gain distortion pedal, and you can win one! “But dude,” I hear you type, “We want to know more about the Megalith Delta!” Well…
MI EFFECTS RELEASES THE MEGALITH DELTA HIGH GAIN DISTORTION PEDAL
SYDNEY, AUSTRALIA JUNE 6, 2012 – The quest for the ultimate in high-gain distortion continues for MI Effects with the announcement that the Megalith Delta high gain distortion pedal is ready to hit the streets on the 8th June. This highly anticipated release has a completely unique and original design, and will change the perception of high-gain distortion stomp boxes.
Michael Ibrahim, director of MI Audio, and pedal designer comments “The Megalith Delta high gain distortion pedal design came from years of R&D of our MI Amplification high gain amplifier, the Megalith Beta. It took some time for me to really understand the variables behind great high gain tones. But by designing the Megalith Beta amplifier from the ground up, I was able to really grasp how to make a complex, sophisticated high gain sound that kept all the nuances, huge bottom end and the clarity and character of the top end”.
Australia’s MI Amplification has a small stable of top-quality tube amps – currently the Megalith, the Revelation and the Iron Duke. The Megalith is the meanest-looking of the bunch, with understated but decidedly tough-looking cosmetics and an imposing ‘none-more-black’ colour scheme. I tested the Megalith Beta with a matching MI Amplification speaker cabinet with four US-made, 12-inch, 8 Ohm Eminence Wizard speakers in an 18mm void-free plywood enclosure.
The preamp features two independent channels (Clean and Overdrive), each with Gain, Bass, Middle, Treble, Volume and Contour controls, as well as a three-position EQ Shift switch. The Contour control works in the phase inverter, and its effect can particularly be heard in the tightness or looseness of the sound and attack. When turned to the left it emphasises fat mids, while increasing travels to the right scoop out the mids and increase the bass.
The EQ Shift switch selects between three voicings – 0 shifts the midrange frequency upwards and adds more low mids as well; 1 offers a more ‘British’ tone, with a more even frequency spread; and 2 is more scooped and ‘American.’ The Clean channel also includes a three-position Attack switch which further adjusts the tightness and response, while the Overdrive channel has a three-way Mode switch for low, medium and high gain voicings.
In the power amp, things get even more interesting. With four tubes in a push-pull configuration, you can install KT100, KT90, KT88, KT77, 6550 (this is what was in the test model), EL34 or 6CA7 power tubes for between 150 and 200 watts of output power. If that’s too much for you though, you can drop the output power to 40% by selecting the low power mode on the Standby switch.
MI Audio Pty Ltd is offering a killer giveaway of three Crunch Box pedals with five mods which may be used on a possible future production version.
1) Start with an internal voltage tripler to run at the pedal at 24V for the punchiest, most amp-like tone.
2) The presence trimmer is now external for on-the-go adjustments.
3) A 3 position clipping switch for >> traditional CB sizzle, a more organic softer clip, or an open sounding ‘volume boost’ mode.
4) A switchable filter mode for a fat, ‘fixed wah’ tone
5) A switchable lower gain mode, with improved guitar volume sensitivity.
There are 3 ways to win a modified Crunch Box. One Crunch Box will go to someone who has subscribed to MI’s newsletter. Subscription form can be access on their Facebook page or the MI Effects website. A second Crunch Box is Facebook-related and a third is Twitter-related. All the details can be found at http://www.mieffects.com/giveaway.htm