The Raconteurs Live At Montreux 2008
On 18 June 2012, Eagle Rock Entertainment release Live At Montreux 2008 by The Raconteurs. Filmed in high definition, this show will be simultaneously released on DVD and Blu-ray formats. This is the first ever video release by The Raconteurs and features tracks from both their top 10 albums including the singles “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldier”, “Salute Your Solution” and more.
The Raconteurs were formed in 2005 by Jack White of The White Stripes, acclaimed solo artist Brendan Benson and drummer Patrick Keeler and bassist Jack Lawrence from The Greenhornes. Their debut album “Broken Boy Soldiers” charted at No.2 in the UK and follow up “Consolers Of The Lonely” went in at No.8. Both albums were also Top 10 in the USA. This performance from Montreux in 2008 was part of the tour in support of their second album. The setlist is split between songs from the two albums and includes covers of Terry Reid’s “Rich Kid Blues” and the old Charley Jordan track “Keep It Clean”.
Slash is one of those players who manages to cross the divide between generations. Original classic rock fans love his blues-based style. Hard rock and metal fans dig his attitude. And kids are drawn to his guitar hero persona. Slash has always used top-quality gear and has had no hesitation in putting his name to the equipment that meets his standards. We may not all be able to afford a Gibson Slash Les Paul and his signature Marshall AFD 100 amp, but now with AmpliTube Slash you can at still rock out with a version of Slash’s iconic tone – no, scratch that, make that tones.
AmpliTube Slash is available for iPad, iPhone and iPod Touch, and you can use IK Multimedia’s iRig or iRig Stomp to connect to the app. Other interfaces which use the 30 pin connector work too, and you can also use iRig MIDI to control AmpliTube Slash with your floor controller.
The app includes five effects (Chorus, Delay, Booster, OctoBlue and Distortion/Wah, the latter being available for free when you register the app) as well as a noise gate, two amplifier heads (Marshall JCM Slash Edition Silver Jubilee and the AFD 100), a single track recorder, expandable to eight tracks with mastering effects. You can export your recordings via email, SoundCloud, FTP or File Sharing. There are 30 tone presets included, and you can create your own too. There’s a tuner, a metronome, and you can import/purchase and play along with your favourite Slash tracks or any music in your library. The SpeedTrainer section lets you slow down or speed up licks while maintaining pitch for practicing. if you currently own AmpliTube for iPad or iPhone, upgrade to version 2.5 for free and all AmpliTube Slash gear models are available as in-app purchase, either as a complete set or a-la-carte.
So those amp models: it appears that there are two included, but really there’s three, with two contained within the Marshall AFD100 amp, just like with the real amp. Lemmie explain. The original AFD100 Slash amp features two modes: AFD and 34. The 34 mode is based on Slash’s modded JCM 800 2208 (which has ’34′ stencilled on the side). The second mode, AFD, adds an extra gain stage and is based on the sound heard on the Appetite For Destruction album. So the AFD model in the app is based on this amp and its two modes. Cool huh?
I plugged my Gibson Les Paul Traditional in using Sonoma Wire Works GuitarJack 2 (I don’t have an iRig Stomp handy) and let rip. I could tell you all about the sounds, but you can hear some of my noodlings here.
FAMILY GUY AND KISS COMBINE FORCES FOR A NEW, ROCKIN’ CONSUMER PRODUCTS LINE
Collaboration Kicks Off Co-branding Strategy That Will Pair Animated Franchise With Other Iconic Names
On their own, FAMILY GUY and KISS are two of the most recognizable names in entertainment. Today, Twentieth Century Fox Consumer Products and KISS are proud to announce an upcoming co-branded FAMILY GUY/KISS product line that will hit shelves this coming fall. Moving forward, Fox Consumer Products and Kiss will look to create a line of co-branded merchandise inspired by other prominent guests from the show.
The FAMILY GUY/KISS line is an organic collaboration that taps into the band’s references within the show. So far, KISS has appeared three times on the series, providing viewers with insightful and hilarious nuggets that include Peter Griffin’s love for the band and the fact that Lois Griffin once dated KISS’ bass playing Demon, Gene Simmons before he became famous.
To support the program, Fox Consumer Products and Live Nation Merchandise, Kisses’ licensing agent, will be looking for partners in the following categories: vinyl figures, bobble heads, apparel, plush, novelty, barware, social expressions and fine art.
There haven’t been many innovations in pickup switching since the 50s. A few coil splits, phase flips, blend pots, series/parallel tweaks and Fender’s S1 are pretty much all that’s happened in that department in 60 years (okay, I’m understating it to make a point, but bare with me). So Ernie Ball Music Man has tackled the problem in a system that takes the best of what techs have been tweaking in back rooms for years, and blows it out to almost unlimited potential in The Game Changer. The best way to describe it is this: it frees the coils of each pickup from the normal order of things, so now you can instantly – and with an analog signal path – rewire your guitar or bass by combining any order of pickup coils in series, parallel and in or out of phase. The result is more than 250,000 possible pickup configurations, which you can create on your computer and then send to the guitar for storage in several banks.
The release of a new Rush album is always cause for celebration among Our People. Progressive, melodic, virtuosic, energetic, verbose, thoughtful – Rush is music for those of us who like to ponder, think, analyse, and discuss as well as rock out. And Clockwork Angels gives fans more fodder for discussion and immersion than any Rush release to date. It’s their first concept release since side one of Hemispheres and it goes all out, with an accompanying novel to be released later this year. It tells a tale of a steampunk world, oppressive leadership, a surreal carnival, flying ocean liners dashed by deceptive lights on the horizon – it’s almost like a Terry Gilliam film has been teased into a musical rather than visual narrative. And it matters: when you take the lyrical and thematic content on board, Clockwork Angels is an immersive experience. And yet that’s not the reason why this is being called the best Rush album since Moving Pictures by so many fans. The reason is, it’s simply good music. Thought Vapor Trails and Test For Echo sounded urgent and energetic? They’re almost naps compared to the power of Clockwork Angels.
Awesome news from Zappa.com:
TIME TO FREAK OUT… FRANK’S BACK!
ZAPPA FAMILY TRUST REGAINS CONTROL OF ICONIC MUSICIAN’S EXTENSIVE CATALOG
GLOBAL LICENSE/DISTRIBUTION DEAL SIGNED WITH UNIVERSAL MUSIC ENTERPRISES
CATALOG OF 60 RECORDINGS TO BE LAUNCHED WITH JULY 31 RELEASE OF 12 TITLES
Back home where it belongs, the music of FRANK ZAPPA is now back in the hands of the ZAPPA FAMILY TRUST.
To celebrate this, the estate has signed a global license and distribution deal with UNIVERSAL MUSIC ENTERPRISES to release 60 of the iconic composer’s recordings. The roll-out kicks offJuly 31 with 12 recordings, with another dozen recordings to be released monthly through the end of 2012.
“The ink is not yet dry on The Zappa Family Trust’s worldwide deal with Universal Music Enterprises,” says Gail Zappa. “They made us the offer we couldn’t refuse–for all the right reasons. It is a win-win for all of us, but mostly for Frank Zappa. Long may his baton wave. We are so ready to go.”
“The artist and composer, Frank Zappa, is one of the most important and influential artists in music history with his prolific body of work, including his breakthrough rock ‘n roll concept albums. We are honored that Gail Zappa and the Zappa Family Trust have entrusted us with his legacy. We intend to honor him and bring high quality releases, digital and physical, for his new and longtime fans,” said Bruce Resnikoff, President/CEO, Universal Music Enterprises (UMe).
TV Jones, Inc was formed 1993 by guitarist and luthier Thomas V. Jones in Whittier, California. Now based out of Poulsbo, Washington, the company is known for their brilliant recreations of classic Gretsch Filter’Tron pickups in the form of the TV Classic, as well as more modern variations on the theme, like the TV Classic Plus, Magna’Tron, Power’Tron, Power’Tron Plus (developed with Billy Gibbons of ZZ Top) and Super’Tron. They do plenty more too: for the full range check out TVjones.com
d you get started? Did you follow the classic ‘accidentally destroy a lot of cheap guitars as a kid’ route, or more traditional luthiery?
As a kid I took my guitars apart out of curiosity. Later on I did many repairs and even attempted to build a double neck electric guitar (6 string and mandolin). Around 1990 I decided to become more serious about guitar repair and construction, so I got a job at a violin shop called The World of Strings in Long Beach, California. I worked in the guitar department for almost three years, and learned to repair and construct stringed instruments based on orchestral instruments. So I got started as a luthier.
What is it about the FilterTron tone that is so magic for you?
The growl, clarity in the bass, and compression –– it is magical.
I imagine you must have disassembled, analysed and reassembled quite a few vintage pickups over the years – what have you learned from this process? Was there as much variation between FilterTrons as there was between classic-era PAFs?
I learned that it’s not just the coils, or coils that make a great pickup, but the combination of superior materials that make a great pickup. Most vintage pickups were made with high quality materials –– that’s all there was. We choose to have our components and materials made in the USA –– the birthplace of the electric guitar pickup.
Check out this great video of Aussie guitar monster James Ryan showcasing the Roger Mayer Voodoo TC Octavia. I love this pedal! I used it to record a song which I’m currently adding nicer-sounding drums to, and then it’ll be ready to go. But don’t wait for my track – click on the video below and hear the Voodoo TC Octavia now! In Australia, Roger Mayer pedals are distributed by Guitar Toyz.
Everyone seems to be going utterly nuts for the Fender Johnny Marr Jaguar. Why? What is it about this variant on the classic Jag that’s got everyone whipped into such a frenzy? Well, why don’t you let Mr. Marr himself tell you in this excellent video?
If you didn’t have time to sit through the whole video or your’e reading this on a dodgy work computer that can’t play YouTube videos (hey, it happens), here it is in a nutshell: custom-wound Bare Knuckle Johnny Marr single-coil neck and bridge pickups; custom-shaped maple neck based on Marr’s 1965 Jaguar, four-position blade-style pickup switch mounted to the lower-horn chrome plate (bridge, bridge and neck in parallel, neck, bridge and neck in series); two upper-horn slide switches (universal bright and pickup switch position four bright); Jaguar bridge with Mustang saddles, nylon bridge post inserts for improved stability, chrome cover and vintage-style floating tremolo tailpiece. And it’s available in two colours: Olympic White, and Metallic KO. Check ‘em out!
The Les Paul has been through literally hundreds of iterations over the years. The current Les Paul Standard, for instance, is a very different instrument to the Standard of the 50s. It now features a chambered body and a compound radius fretboard. By contrast, the Gibson Les Paul Traditional is more akin to what we think of when we hear ‘Les Paul.’ It has a 12″ fretboard radius and a weight relieved (not chambered) body. It’s the Les Paul for those who want a more classic guitar, inspired by the iconic LPs of the 50s but also channeled through models like the 80s/90s Les Paul Classic. When I decided I needed a Les Paul, I tested out quite a few before settling on the one I ultimately called my own. This is a review of that guitar.
The Traditional model spec calls for a one or two piece Grade A mahogany body with a maple top (about 2cm thick, certainly more than thick enough to have an impact on the tone). Available colours are Heritage Cherry Sunburst, Desert Burst, Honey Burst, Iced Tea, Light Burst, Gold Top, Ebony, Chicago Blue and Wine Red. On this particular guitar the body is made of two pieces of mahogany, joined right down the middle. The Honey Burst top is flamed maple, and while there were many perfectly book matched and frankly breathtaking tops, this particular example has a bit more character. The bass half is heavily flamed and three-dimensional while the treble side is quite different. With the pick guard on you can barely discern any flame at all. Under certain lighting conditions it’s practically plain. Remove the pick guard and there’s a little more flame visible, balancing out the mismatched effect somewhat, but there’s still a big discrepancy between the two halves. This is something you’ll often see on original 1958-1960 Les Paul Standards, so I’m quite happy to see it on this guitar, although some might consider it an imperfection.