PRESS RELEASE: Extreme II: Pornograffitti (A Funked Up Fairy Tale) first came out on A&M Records in August 1990, the follow-up to the band’s 1989 debut. The album is considered, according to the newly penned liner notes by Metal Hammer’s Malcolm Dome contained in the accompanying booklet, as the “definitive album” of the band’s career. “This was the album where we found ourselves,” says vocalist Gary Cherone. “Our first album showed us to be the bastard sons of Queen, Aerosmith and Van Halen. But on the second record, we discovered our style and sound.” Click here to preorder Extreme II: Pornograffitti [2CD Deluxe Edition] on Amazon.
Randall Amplifiers has been home to many talented engineers over the years, starting with Gary Sunde and even including Bruce Egnater who invented the MTS modular series. In particular the company has long been an innovator in the world of high-gain amps. So who do you turn to when you want to kick it up to a new level? Randall Brand Director Joe Delaney enlisted the services of world-renowned heavy metal amp engineer Mike Fortin to reinvent Randall for the 21st Century. Coming from the likes of Korg/Marshall USA and Yamaha (and of course his own Fortin brand amps), Mike understands distortion. Randall purchased two of these designs – the NATAS and MEATHEAD – and these are now known as the THRASHER and 667. But that’s not all; Fortin has used those amps as springboards for new designs too, including the SATAN signature model for Six Feet Under/Feared guitarist Ola Englund, the NULLIFIER for Anthrax’s Scott Ian, and the forthcoming CAGE 103 for Metallica’s Kirk Hammett and a new line for Meshuggah’s Fredrik Thordendal. I caught up with Fortin to chat about what makes his amps tick. Read More …
I’m sure we all have those guitars that we’d love to own, but unless we suddenly become ridiculously rich we sadly must resign ourselves to the bleak, grim fact that we’re probably never going to own all of them. So rather than mope about this inside my own head, I figured I might as well write about them here, and maybe hear from those of you who own these guitars, so I may live vicariously through you. So here’s the first, the Washburn N4 Nuno Bettencourt signature model. Nuno Bettencourt was one of my early guitar heroes – not as early as Mark Knopfler and George Harrison, and slightly after Eddie Van Halen and Steve Vai, but certainly before dudes like John Petrucci and Reeves Gabrels. I liked how Nuno’s style was (and is) simultaneously flashy and stripped back: he’s always been able to wring all sorts of nuances and details out of his guitars using pretty much just his bare hands. And that’s also what I like about Nuno’s signature Washburn line. Read More …
PRESS RELEASE: The Nuno Bettencourt N4 has long been a popular model in the Washburn line. The combination of the Stephens Extended Cutaway with a Floyd Rose has proved irresistible to shredders the world over. Now Washburn ups the ante with the addition of a carbon fiber fretboard and stainless steel frets. The N4CV’s 22 stainless steel frets are silky smooth and will last the life of the owner without needing replacement. The carbon fiber fretboard is extremely fast and slippery so bends and dives never bind your fingers. Read More …
The Washburn P4 was one of the coolest guitars of the late 90s. It was vaguely Les Paul-ish in general feel, but with a look all its own and really comfortable balance. Nuno Bettencourt was pictured with them a lot during his Schizophonic era. And now it’s back! It’s being built in Washburn’s USA Custom Shop, and it has some pretty serious hardware: Seymour Duncan ’59 humbuckers, Grover 18:1 chrome tuners, TonePros tune-o-matic-style bridge with Schaller fine-tune tailpiece… and of course it’s got the Buzz Feiten Tuning System for consistent intonation. And best of all: it looks cool.
Here’s the press release.
Chicago, January, 2013 – Washburn Guitars brings back an old friend with the re-release of the P4, one of Washburn’s popular models from the ’90s.
Built in the USA Custom Shop, the P4 features a solid mahogany body with a carved, bound maple top, and a mahogany neck with a bound ebony fingerboard and pearl teardrop inlays. The top shelf hardware includes a chrome TonePros® tune-o-matic style bridge with Schaller® fine tuning tailpiece. Premium Grover® 18:1 chrome tuners are utilized to ensure micro fine tuning stability. Seymour Duncan ’59 pickups are controlled by 1 volume and 1 tone knob and chosen with a 3-way toggle switch. The Buzz Feiten Tuning System® ensures accurate intonation all the way up the fingerboard.
The Custom Shop has gone to great lengths to make sure the current P4 is a faithful recreation of the original P4; producing thick, meaty tones ideal for classic rock, blues and jazz. The P4 is available in Tiffany Blue and Silver Sparkle.
I’m so glad this axe exists. The Washburn Nuno Bettencourt signature model deserves a seven-string variant. This guitar just makes so much sense: killer Stephens Extended Cutaway neck joint for those high notes, big reverse headstock for extra resonance and sustain on the low notes, Original Floyd Rose bridge, aged alder body, Buzz Feiten tuning system, and of course that finish (or lack thereof) which really allows the wood to breathe and the high end to sing out. It kills me that I can’t afford this axe right now, because I can already tell that it would make my life infinitely better in every conceivable way.
By the way, dig the fretwork on the pics below.
Nuno Bettencourt’s Signature with a Seventh String Twist
Upon one look at the Nuno Bettencourt Signature Series N7VINTAGE guitar, it is clear that the ingenuity and attention to detail that is synonymous with the Washburn name is still top notch. Offering the same sleek style that lovers of the guitar legend have become accustomed to, and increasing the versatility with the seventh string, this instrument enables players to harness Nuno’s unique tone.
Offering a slim, aged alder body with a Stephens® extended cutaway neck joint, this beauty plays like a breeze. In addition to its supreme comfort, the sound of this axe is a perfect replication of Bettencourt’s signature sound thanks to the Seymour Duncan® Distortion pickup in the bridge position and the Seymour Duncan® ’59 neck pickup. The extremely fast neck offers a 22 fret ebony fingerboard with a maple neck and the standard stunning reverse headstock. With the Buzz Feiten tuning system paired up with Original Floyd Rose® tremolo, this guitar can take the most vigorous of playing and remain perfectly in tune.
As with the N4VINTAGE in the same series, all hardware and parts on this guitar are aged to give the look of a guitar that has been owned for years. The N7VINTAGE can give players the freedom they need to explore, along with the added ability to sound tight and feel right while playing. [geo-out country=”Australia” note=””]The N7VINTAGE retails at $3529.90.[/geo-out]
Nuno Bettencourt has always had an ear for punchy, listenable distortion tones. Check out his sound on the Dramagods album Love, or Extreme’s latest, Saudades De Rock, for great examples. Nuno’s standard combination of bare-wood guitars and high output pickups means his amps need to be able to handle the kind of ultra-fine tonal detail that such features demand. and after years of collaboration, Nuno and Randall have introduced the NB King 100.
The NB King 100’s styling is unmistakable: it simply looks unlike any other amp in the world. For starters, all of the controls are over on the right hand side (the left features a badge of the logo for Nuno’s post-Extreme band Mourning Widows – and dude, you really have to check out their two albums), and the control panel is dominated by a seriously oversized volume knob and a VU meter. The design scheme is mirrored on the matching speaker cabinet. The matching NB412 speaker cabinet includes four 12″ Celestion Greenback 30s and is made from 3/4″ void-free birch plywood. It’s also freaking heavy.