SPONSORED POST: YourInstrument.com

As you guys know, I’m a huge guitar geek and my tastes range from pointy, neon-coloured shred axes with Floyd Roses to classic semi-hollowbodies with Bigbsy vibratos. So when the fine folks at YourInstrument.com asked me to write a sponsored post, I thought the perfect thing to do would be to have a look around at the wide variety of instruments for sale. Because a) it’d be a great way to show the diversity of instruments that folks like you and I are using the site to buy/sell, and b) because nothing is more fun than looking at electric guitars for sale, except for playing them. So let’s see what’s there this week. And you can always keep up with what’s online at this very moment by checking out the site.

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PRS SE Mikael Akerfeldt
This is the signature model for the Opeth frontman. It’s one of the first SE models to include old-school bird inlays, and it rocks 24 jumbo frets, PRS designed tremolo bridge, SE HFS and SE Vintage Bass pickups, volume and tone control with a 3-way toggle switch. You can see Mikael playing these on the road. Read More …

INTERVIEW: Opeth’s Mikael Åkerfeldt

Opeth Opeth unashamedly alienated some of their fan base with their 2011 album Heritage. While a large portion of their fans were drawn to the Swedesh masters for their progressive death metal leanings, Heritage was primarily inspired by 70s fusion in the style of John McLaughlin’s Mahavishnu Orchestra – and there wasn’t a single death-growl to be heard anywhere. And now, with Pale Communion, Opeth has moved sideways again, a little away from some of the jazzier moments of Heritage and towards more of a 1970s progressive rock feel, while still a million miles removed from death metal. It’s an album which will challenge some fans while thrilling others, but the overall impression from a chat with frontman Mikael Åkerfeldt is that he’s driven solely by his artistry, and this is what he’s feeling right now.  Read More …

INTERVIEW: Opeth’s Mikael Åkerfeldt

Opeth have always been a little left of centre, especially when taking the iconic sounds of death metal out of the 90s and into the naughties and infusing it with a progressive edge. But nowhere has that prog influence been more inspired – and even jarring – than on their new album, Heritage. There’s barely a hint of metal to be found on the album and absolutely no death growling anywhere. In its place there’s distorted organ, nylon string guitar, and – you’re not gonna believe this – fully authentic 1970s-style jazz fusion in the style of Mahavishnu Orchestra. Mikael Åkerfeldt explains the abrupt change in style…

There’s an obvious fusion feel to a lot of the material on Heritage. Where did that come from?

We’ve been listening to not only fusion but all sorts of music. And the fusion aspect comes from Mahavishnu Orchestra, Billy Cobham… I listened to Alphonse Mouzon, the drummer who was with Larry Coryell in The Eleventh House; some Herbie Hancock; the Headhunters, who are a mix of free-form and jazz and pop and whatever. But we listened to all styles of music. Some influences are more there than others, but I think we’ve been quite taken by the sounds of fusion for quite some time now, all of us.

How did you write it? Fusion is very ‘musician’ music.

I write everything on my own. I’m not really a good keyboard player, although I’m learning and I would love to be better. But with Opeth I can play what I want to hear, and I can play it fairly well. But I really, really rely on the other guys to make it proper for the actual recording once we go into the studio. I make demos of everything, and the demos, if I do say so myself, they’re pretty fucking good-sounding! I work a lot on the drums. Every ghost hit on the snare has got to be there. Everything’s there. So I want to have a splendid demo that I can present to the other guys so they should almost feel intimidated! I tell them, “You make it better than this and we have a real fucking thing going here!” And they always do! I think it’s inspirational for them to get that kind of level from the demos. Once they come up with something it’s gonna be fucking outrageous.

It must be great to have musicians who are professional enough to deal with that!

Yeah! I surround myself with really, really good musicians, but they are also more than metal musicians. They listen to all sorts of music, they’re interested in their own instruments and in developing their skills for those instruments. That’s been the case since the beginning. We always aimed to be fairly competent musicians because it makes experimentation so much easier. I mean, we could not have been doing this album with just a bunch of musicians who can only play metal. It’d be physically impossible.

Read More …

NEWS: Contrive tour with Opeth, ready Devy-mixed album

The following press release pretty much says it all – Contrive are supporting Opeth in Australia this week – but let me just take a moment to say things seem to be freaking awesome for Contrive at the moment. A few weeks ago singer Paul Haug got to sing ‘Dead Skin Mask’ with Slayer when Tom Araya’s voice blew out (watch it here), and their forthcoming album is mixed by Devin Freaking Townsend. Luckyducks!

Melbourne trio CONTRIVE head off on tour as direct support for OPETH this week commencing in Brisbane.

The dates and Contrive onstage times are as follows:

Sunday Nov. 22 – The Tivoli, Brisbane (18+); On stage 8:00pm
Monday Nov. 23 – Enmore Theatre, Sydney (Lic A/A) – On stage 8:00pm
Wednesday Nov. 25 – Palace Theatre, Melbourne (18+) – On stage 9:00pm

These upcoming shows will focus purely on the CONTRIVE’s forthcoming second album titled “The Internal Dialogue”, set for release in early 2010, mixed by Devin Townsend in Vancouver, Canada.

New merchandise is being launched exclusively at these shows.

The band are currently shopping the CD around to various labels to secure a deal for its release.

LINK: Contrive.com.au