Here’s my latest for Gibson.com: Looks like RATT are getting ready to return to work after their much-publicised Mysterious Hiatus Right After Critically Acclaimed Album And Simultaneous Tell-All Book By Drummer. Check out the story here: Ratt Ready Reunion Do-Over
To partially quote Elton John, remember when rock was fun? When you could crank up the car stereo, hang out the window and scream the lyrics to ‘Loving You Is A Dirty Job’ with a smile on your face? Then the 90s happened and music got kinda depressing. Then the 00s happened and music got kinda homogenised and computerised and just, y’know, boring. Well the 21st century is in its teens now and has started sneakin’ out to parties, kissin’ girls, fighting boys and rockin’ out. Hard. And that can only mean one thing: Ratt’s back, baby. This classic Sunset Strip band is kicking all sorts of ass with their new CD Infestation, and I had a chat to guitarist Warren DeMartini about it.
The response to the new CD has been huge!
It’s really, really exciting, Peter. It really reminds me of the feeling we had when we started. It’s just been great.
Why the long wait?
That’s a good question, and I don’t have an answer for it. It’s a really weird art form that just kinda falls together when the planets line up, I guess. It’s not something we really could have done any sooner or any other way.
It also seems like a really good time because, well, for me I was a teenager in the 90s and I loved 80s rock and you were not allowed to love 80s rock in the 90s! And now nobody cares about stuff like that any more, now you can like what you like.
Yeah, I absolutely know what you’re talking about. It’s like someone’s switched the light on.
I understand you recorded Infestation in a mansion?
We did, we’re really big fans of records that have the stories behind them, like the band will rent a villa in the south of France, live there for six months and cut some timeless piece. We always talked about doing it but it really didn’t merge with opportunity until this record.
Did you use the space in creative ways, like do the Led Zeppelin thing of putting the drums in the stairwell, or was it more of just an environment to be in?
What happened was, our producer Michael Baskette basically bought his family’s home on the Chessapeake Bay and turned it into a recording studio. So it was already set up for recording. It just kinda evolved. He was cutting records in his living room, the as he got more and more successful he had more and more modifications done to the place, then he finally totally redid it to be a studio. It worked out perfectly, having the remoteness of getting away and moving into a place for a while, and the technical aspects.
So it’d be a very different album if you recorded it in LA or something.
I think so. It was more of a wake up in the morning, have a cup of coffee and get to it, then take a few breaks, get back to it, go to sleep, wake up and do it again. It was a little different not having to drive somewhere, and not having the kind of distractions you typically get when you record in LA.
Well that’s kinda like me except it’s a laptop and a Pro Tools MBox in the corner of the lounge room.
Yeah! It gets easier and easier, doesn’t it! (laughs).
So were you trying to make a classic Ratt album or did it just happen?
You can’t really try – the second you try it just doesn’t work. The only thing we were semi-conscious of going in was we wanted to recreate the energy, spark and colour of the stuff that was coming out around the time of 84, Out Of The Cellar meets Invasion of Privacy kind of thing. It was a kind of a ‘not spend too much time on any one thing,’ go-with-the-gut kind of approach to those records, that changed as we had more time to spend in the studio.
And it sounds like you guys are having fun.
Yeah, you can get great results with either approach, and on this one that almost through-and-go kind of approach really worked this time.
So what gear did you use on the CD?
There were two parts to the recording, because we were doing the 25th anniversary Out Of The Cellar tour in between the whole thing, so I cut the record with the reissue San Dimas-style Charvel, and I also had a Performance Koa and a Nashville Gretsch. Then we went back and did about a month’s worth of gigs, then we came back and that’s when I brought another Charvel, so I had the black French graphic, the white French graphic, a Performance Koa and a Gretsch Nashville.
It’s really cool to see Charvel coming back over the last few years since Fender bought them.
Yeah, they really got great again. Fender bought Charvel several years ago so it’s all assembled in Corona, which is a very similar result that they had with the San Dimas plant, so it’s something I like being involved in.
And Performance, how did you hook up with those guys back in the day?
I was at Frank Zappa’s studio and his guitar was sitting there on a guitar stand. I said ‘Can I try it out?’ and he said ‘Yeah,’ and I played it and I was astounded how good it played. I was like, ‘What? What is this? Where did it come from?’ and he told me about their shop. At that time it was by the Capitol Records building in Hollywood. I called them up and said ‘Do you still have the specs on the guitar you built for Frank Zappa?’ He said yes and I just ordered one right there. That was the beginning of many collaborations.
Is that the same neck shape you use today?
Yeah, the Koa necks were all more or less based on that neck they made for Frank. I have several of them, and the Koa was one of those lot, yeah.
You just don’t see them in Australia so I was really stoked to try out a bunch at NAMM.
Yeah, the skill and the extra time in them can be very impressive.
And what about amps?
On Infestation I did the basics with a Diesel, then when we went to overdubs we hooked a Soldano and a Diesel together. The Diesel filled out the bottom, the upper mids and highs, and we blended that with a Soldano which had taken most of the mids, and it was just a nice combination.
Did you talk about gear choices with Carlos Cavazo, or did he do his own thing?
There were many amps which were part of the studio, and I think Carlos used one of those, possibly with the Soldano, I can’t remember. I know Carlos used a Marshall that belongs to the studio, and I believe the Soldano.
You guys have some great twin-lead stuff on the album. It’s great to hear that again.
Thanks! Yeah, that was kind of another loose thing we were keeping in mind doing this record: keeping the twin lead stuff that Robbin Crosby and I crafted early in the band’s career.
So Australian tour plans. Are you coming back any time soon? Please?
Definitely! We were there a couple of years ago and it well, and basically the word was, when you come out with a new record, come on back! So I’m counting on that happening. So while there isn’t a definite plan at the moment, I know it’s in the works. There’s a festival in Tokyo that happens every year, and we got added to that last week, so it would make sense to take it to Australia.
And I hear you were recently added to Download.
Yeah! The Infestation tour, we’re doing some warm-up stuff here but we’re going to sort of officially launch the tour in Europe at Sweden Rockfest on June 10th, then Download’s on the 13th.
Cool, hit the ground running!
Yeah! That’ll get the blood pumpin’!
Photo from the Ratt website
New York, NY – Celebrated rock pioneers RATT and EXTREME have teamed up to bring you this summer’s most rockin’ tour lineup. The tour, which will feature sets from both bands with Ratt closing kicks off on July 12 in Amarillo, TX and runs through August 7th in Hampton Beach, NH. It will cross the U.S. and cover 16 markets, with more to be announced soon. In celebration of the 25th anniversary of their landmark debut Out Of The Cellar, RATT will be playing the album in its entirety.
Both bands are excited about the double bill. “Warren DeMartini and Nuno Bettencourt on same stage, same night?? ‘Nuff said, we’ll see you there!” says RATT’s Bobby Blotzer. EXTREME’s Nuno Bettencourt concurs, “One hot summer night. Two bands fully loaded with musicianship. Mix in one part memorable songwriting. Add nine ounces of passionate performers. Throw in three well respected guitarists. Add a touch of West Coast raunch and a hint of East Coast funk. And you get yourself a recipe for one night of unforgettable rock and roll.”
Ratt is currently in the studio recording its first new record in over 10 years with famed producer Elvis Baskette (credits). The band announced its new partnership with Loud & Proud/Roadrunner Records earlier this year. The album is planned for release this fall.
EXTREME recently released their first new album in thirteen years Saudades de Rock (pronounced “sow-dodge”) which is a groundbreaking record that reaffirms the beloved, Boston-bred foursome’s stature as innovators in the world of rock & roll.
Over the past two years, RATT has toured the world in support of their releases Tell The World – The Very Best Of Ratt and their first ever DVD, Videos from the Cellar- The Atlantic Years. During this time, the current lineup of Stephen Pearcy, Warren DeMartini, Bobby Blotzer, Robbie Crane and Carlos Cavazo played shows in Australia, Colombia and Peru for the first time in their careers. Their mega-hit “Round and Round” was prominently featured in the Oscar nominated 2008 film The Wrestler, and the band will be headlining ROCKLAHOMA this July.
One of the most popular rock acts of the past 20 years, RATT’s brand of guitar-driven melodic rock helped shape the LA metal scene. The band boasts a deep catalog of hits including smashes like “Round and Round,” “Lay It Down,” “You’re In Love,” “Lack of Communication” and “Wanted Man” which are beloved by fans the world over. The band has gone on to sell millions of albums worldwide. With 1984’s mega-platinum debut Out of the Cellar celebrating its 25th anniversary this year, the band is looking forward to starting a new chapter with new music to complement the impressive legacy they have established over two-plus decades.
To date, the Grammy-nominated EXTREME have released five albums, plus a greatest hits set—selling over 10 million records worldwide. They also achieved a #1 hit single, “More Than Words”—from their 1990 multi-platinum album Extreme II: Pornograffitti—on the Billboard Hot 100, which they followed with the Top Five “Hole Hearted.” Although these two acoustic hits brought the band great mainstream success, the band’s trademark sound has always been more a mix of hard rock funk—fueled by guitar virtuoso Nuno Bettencourt’s signature style, Gary Cherone’s resonant vocals and socially conscious lyrics, Pat Badger’s rock solid bass, and the hard hitting Kevin Figueiredo on drums. Extreme has recently been introduced to an entire new generation of fans with the inclusion of their song “Play With Me” in the popular video game Guitar Hero as well as “More Than Words” featured in hit movies Forgetting Sarah Marshall and The Love Guru.
Tour dates are as follows (***= Extreme only)
7/12/2009 Amarillo, TX Midnight Rodeo
7/13/2009 San Antonio,TX Scout Bar
7/14/2009 Odessa, TX Dos Amigos
7/16/2009 Tempe, AZ Marquee Theater on sale 6/6
7/17/2009 Los Angeles,CA Wiltern Theater
7/18/2009 Las Vegas, NV Hard Rock
7/19/2009 Anaheim, CA House of Blues
7/22/2009 Denver, CO Ogdon Theater on sale 6/6
7/23/2009 Kansas City Crossroads
7/24/2009 Chicago HOB on sale 6/6
7/26/2009 Cheswick, PA Ches-a-rena on sale 6/5
7/28/2009 New York, NY Nokia Theater
7/30/2009 Westbury, NY Westbury Theater on sale 6/12
8/2/2009 Allentown, PA Crock Rock Festival
8/5/2009 Springfield, VA Jaxx***
8/6/2009 Sayerville, NJ Starland Ballroom on sale 6/12
8/7/2009 HamptonBch,NH Hampton Bch Casino on sale 6/12
8/08/2009 Boston, MA House of Blues***