Help find Reb Beach’s stolen Suhrs

From Reb’s Facebook page:

Dear all,
I have some terrible news. Two of my beautiful Suhr guitars have been stolen. My first Suhr “modern” with the sunburst quilted top (Serial #8370), and the Suhr strat with the double color paint and the mirror pick guard (Serial #2653). It’s green or purple, depending on what angle you look at it from. I am so deeply upset about this.
They were stolen from my garage in Pittsburgh while I was on the road last year. If anyone knows anything about the whereabouts of either of these guitars, please contact me on my message board at www.rebbeach.com, or on my facebook page ,http://www.facebook.com/RebBeach
Thanks,
Reb

CD REVIEW: Whitesnake – Forevermore

David Coverdale and his extremely capable Whitesnake collective dish up a dirty, bluesy follow-up to the more metallic Good To Be Bad in the form of Forevermore. If Good To Be Bad was a naughties update of some of the louder moments of the band’s 1987 album, Forevermore is what would happen if the Whitensake sound of the early 80s was updated in 2011. It’s more aggressive, more powerful and usually a lot faster than, say, an album like Lovehunter, but retains much of the blues-based melody, groove, phrasing and bluster (with an occasional dose of Slip Of The Tongue-era glitz). Whereas Good To Be Bad would make a great work-out album, Forevermore is driving music. Party music. Sex music.

The album hits hard from the beginning with “Steal Your Heart Away,” which drives forward with a heavy blues groove, augmented by subtle organ and harmonica. It’s the kind of track Coverdale-Page would have done really well if they’d gone for a louder production style. Meanwhile the solo section in “All Out Of Luck” represents the closest Whitesnake has come to the Slip Of The Tongue sound since the days when Steve Vai was spinning his Ibanez Universe around his neck. The rest of the song rocks with a dirty single coil guitar tone.

Read More …