Roger Mayer

INTERVIEW: Garbage’s Butch Vig

When Garbage went into hiatus around 2006, nobody expected the band to be gone forever. It really did seem like more of a ‘recharge the creative batteries’ break than a ‘we hate each other and can’t stand to work together ever again’ thing. So when they announced their plans to return, it was not really a surprise. What is a surprise is that their new album, Not Your Kind Of People, sounds like they never missed a day. It does what Garbage – Shirley Manson, Butch Vig, Steve Marker and Duke Erikson – have always done best, and that’s to sound like themselves. That indefinable quality that makes each Garbage album sound different to the one before it, yet makes them all sound like part of the unified output of those four musicians and the dynamic between them.

“We did not want to reinvent ourselves,” Vig says. “We wanted to embrace the sensibilities of what we like as the four of us. And just basically try to capture what it is that makes it sound like who we are.” Part of that was the realisation that nobody else sounds like Garbage, and that there’s something about having an identity that’s very hard to define and quantify, but that when you find it, you hang on to it. “I think that’s a huge, valuable asset in today’s world, to have that kind of signature sound. So we decided to simply do what we like to do. And that’s the sound of this record. A lot of people said it reminded them of our first album.”

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GUEST POST: Roger Mayer on digital modelling and plug-ins

I recently interviewed a famous producer who said they love to use Roger Mayer’s RM58 limiter, and they mentioned that they wished it came in plug-in form so everyone could enjoy it. But as Roger is one of the pioneers of analog music technology and is dedicated to preserving the full sonic glory of the analog audio signal, somehow I don’t see that happening. Roger has supplied the following application note explaining his discoveries on digital and its deficiencies compared to analog.

DIGITAL MODELLING AND PLUG-INS

By Roger Mayer

The claims and performance of digital modelling and plug-ins have several basic flaws, which are conveniently forgotten in the hype and description of their use.

Information in the original sound source:

The fact is that you are trying to simulate or emulate a sound using a sound source that differs in one or more ways from that which you wish to emulate. Your starting source of information might or probably does not contain within itself the necessary information you are trying to simulate. It is not possible to accurately extrapolate information from any sources that do not contain it.

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MUSIKMESSE 2012: Bart Provoost’s Guitar Effects Report

You regularly visit www.effectsdatabase.com, right? Bart Provoost’s site is one of the most informative on the web for pedal fans like you and I. He was recently on the ground at Musikmesse in Frankfurt and he filed this report. Some incredible stuff here by the likes of Amsterdam Cream, AMT Electronics, Bogner, Carl Martin, Ciocks, Dr. J, Ego Sonoro, Electro-Harmonix, Greenhouse Effects, GWires, JAM Pedals, Mooer Audio, Nux, Palmer Audio, Paul Landes, Roger Mayer, T-Rex, TC Electronics, Two Notes, and Yerasov.

MUSIKMESSE 2012: Roger Mayer TC Series Pedals

If you’re at Musikmesse this year, make sure you stop by Hall 4.0 booth B45 to check out Roger Mayer’s new Voodoo TC Series of pedals. The line includes the Axis, Spitfire, Voodoo Boost, Mongoose, Voodoo Bass, Voodoo Bass2, Voodoo-1, Voodoo Vibe TC and my personal favourite, the Octavia. In fact, I’m on a personal mission to make sure everyone realises how great the Octavia is and promptly adds one to their pedalboard.

The large knob on each TC series pedal can be adjusted by your foot while you play, and it also allows you to really, really zero in on the perfect setting for your particular musical situation. The two Soft Touch Small Diameter controls are Tone (with each one optimised for that particular pedal) and Output, which gives you a range from unit to the required level of boost. The colours are Cay Coral, Matador Red, Dusk Pearl, Coranado Yellow, Colonial Cream and Tropical Turquoise, and they – like the general visual design of the pedals themselves – are inspired by classic USA cars of the 1950s.

There’s plenty more info at Roger’s site.

COOL GEAR ALERT: Roger Mayer Vibe TC


One of my favourite pedals ever is the Roger Mayer Voodoo Vibe. It’s one of those pedals that has the uncanny ability to simply make everything sound better, and once you turn it on it’s hard to turn it off. Well the latest evolution of the Voodoo Vibe is the new Vibe TC, and it’s a very stylish little unit too. The press release is below, and make sure you check out Roger’s website and Facebook page.

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Hi! I'm Peter Hodgson. I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), guitarworld.com, Tone DeafBeat (including their weekly hard rock/metal column Crunch) and The Brag. And I'm Assistant Social Coordinator with Seymour Duncan. I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've also dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food. You can check out my guitar playing at Reverbnation or on YouTube, and feel free to email me at iheartguitarblog@gmail.com