The fine folks at Drum City-Guitar Land are currently offering an exclusive run of Schecter Avengers that you really have to check out: all the specs of Schecter’s popular SLS with addition of a a Floyd Rose and Sustainiac System, in TransPurple Burst. Only 24 are being made, and when they’re gone they’re gone. Specs include Mahogany body, Maple set neck, Ebony fretboard, 24 Jumbo frets, Grover tuners, Seymour Duncan SH-10 Full Shred bridge humbucker, Sustainiac neck pickup, and a Floyd Rose 1000 Series bridge. Hardware is Black Chrome, and the 1C molded case is an extra $119. You can pick one up from Drum City-Guitar Land here, but you’d better be quick. I’d rather like one myself. Continue reading
Keith Merrow – metal master extraordinnaire, he who has launched a thousand riffs and currently collaborator with Jeff Loomis in Conquering Dystopia – is working with Schecter on a new signature guitar. And if you’re following Keith on his Facebook Page you will have seen over the weekend that his first prototype KM-7 7-string has arrived, and it’s awesome. You can see a full gallery of this monster here. This isn’t the finished version of the guitar though: Keith will ask for the bridge pickup and the controls to be shifted back a little bit. And he’s already popped a covered Seymour Duncan Nazgul and Sentient pickup set in there to compare them to the open-coil look. Here’s more info from the Facebook page: Continue reading
Check out this new video of Keith Merrow and Wes Hauch tearing off the heads of all and sundry in this as they demo Seymour Duncan’s various 8-string humbucking pickups. Keith’s using his Schecter and Wes is using the new Jackson SLATFXQMG 3-8, the model we looked at a few days ago here and which you can read more about here, and which looks extra-cool with those Duncan passive-in-active-housing pickups, don’t ya think? In the video below you’ll hear Duncan’s Pegasus bridge, Sentient neck, Nazgul bridge, Distortion neck and bridge, Invader neck and bridge, and Blackouts neck and bridge models all put to devastating use by Keith and Wes. Enjoy! Continue reading
Avenged Sevenfold’s Synyster Gates has done a lot to promote the gloriously fun art of lead guitar. He’s also helped to further the cause of post-Metallica heavy metal riffage, amply demonstrated on A7X’s most recent album, Nightmare. Syn requires a guitar that allows him to flawlessly execute complex lead work as well as ballsy rhythm chunk, and for years now he’s been working with Schecter to achieve this. The Synyster Gates Custom is one of five models for the guitarist, and this particular variant is perhaps the best summary of the line. Continue reading
Although Schecter was initially known for slightly more traditional guitars, they’ve really hit their stride in the past decade-plus as purveyors of fine high-performance axes aimed at the metal market. They still cater to the traditionalists – especially with the new USA Production Series unveiled at NAMM in January), but the SLS Blackjack C-1 FR-S is a great example of how Schecter unifies a whole stack of shred-friendly features that are unashamedly pitched at those who dwell on the dark side.
The SLS has a mahogany body with your choice of Crimson Red Burst or Satin Black finish. The latter is the model on review here: the finish seems particularly well applie, and nicely offset by multi-ply binding. The neck is made of three-piece maple for enhanced stability, and there are 24 Jumbo frets on the ebony fretboard. The headstock is a bound three-tuner-per-side variant featuring Grover Rotomatic tuners with an 18:1 gear ratio for smoother tuning and a higher degree of backlash elimination. The only inlay on the fretboard face of the Satin Black version is a ‘Hell’s Gate Skull’ which looks pretty bitchen’, and definitely positions this as a metal guitar. Personally I think it’d do fine without it, as on the Crimson Red Burst model which has offset dots instead, but it’s not a deal breaker. The set neck is carved into Schecter’s Ultra Access shape, which mimics a neck-thru instrument, and the profile is the Ultra Thin spec, which is 19mm at the first fret and 20mm at the 12th.
YES! Love this! It’s about time Kenny Hickey (Type O Negative) got his own signature model. This Schecter is based on a guitar Hickey used towards the end of Type O (whose career was tragically cut short by the death of Peter Steele). It’s a 26.5″ scale baritone which comes tuned B/E/A/D/F#/B. It has a Seymour Duncan JB humbucker, a Sustainiac, mahogany body with three-piece mahogany neck, and bitchen green inlays. And here’s a nice touch: that colour is known as ‘Steele Green.’
More info here.
The Blackjack SLS range includes a variety of models with similar specs but across different body shapes, hardware features and string counts; the single cutaway Solo-6, the eight-string superstrat-style C-8, the Tele-like PT, the Floyd Rose-loaded V-1 FR V… they’re all unmistakably Schecter but they each offer something slightly different to each other. What unites them is that ‘SLS’ – it stands for Slim Line Series. These guitars feature a thinner arched top body measuring 45mm deep for a lighter feel. And many players swear by the tonal qualities of lighter guitars.
Allans Billy Hyde & Schecter Guitar Research Presents
Jeff Loomis’ complex shredding has been a central part of the progressive but powerful and thrashy edge often attributed to Nevermore’s trademark sound. Taking the classic techniques he learned from listening to legends like Jason Becker and Yngwie Malmsteen as a teen and applying his own ingenuity, Loomis has carved his own niche and created an instantly recognisable style.
Don’t miss your chance to see Jeff Loomis live and be in the audience for your chance to win a Schecter SGR C7 electric guitar.
You could also be shredding it up on stage with Jeff Loomis by entering the Schecter Shred Off Competition.
Yesterday a Schecter Blackjack SLS C-1 arrived to review for a guitar mag. The review won’t be published for a while but I thought I’d give you a sneak peek. It has a mahogany body with three-piece maple neck, ebony fretboard, 24 Jumbo frets, a set neck with Ultra Access carve (which looks and feels like a neck-thru), a TonePros TOM bridge with thru-body stringing, and either Seymour Duncan active Blackouts or passive Seymour Duncan Full Shred and Jazz humbuckers with coil split. It plays quite nicely and sounds great (the review model is the Full Shred/Jazz version, and it sounds very lively, chunky and articulate – I’m thinking of getting this pickup set for my Buddy Blaze 7-string prototype), and frankly… it looks cool! Check out the ‘Hell’s Gate Skull’ inlay at the 12th fret, which you can see below on the Blackjack SLS PT model.