Schecter is well known on the metal scene for their incredibly shredworthy axes (which is a huge about-face when you consider the company’s earlier days making great Strat and Tele-type instruments for players like The Who’s Pete Townshend). And this helps Schecter’s basses to have a lot going for them too: the company really understands how to make a fast, playable and comfortable neck on an instrument that is designed to handle the rigours of the road.
The Studio-4 is a neck-through instrument with a multi-laminate maple/walnut neck and body core, given some extra visual pop by mahogany body wings topped with slices of bubinga. Combined with a rosewood fretboard, the look is elegant and refined, and it’s the kind of bass that could look equally at home on a country, blues, rock or metal gig. There are some hints to the company’s modern metal leanings, particularly in the form of the pointy headstock, but the overall look gives the impression that this is not a one-trick pony. Continue reading