Seymour Duncan

Seymour Duncan Announces The Nazgûl

nazgulAs you probably know if you follow me on Twitter, Instagram or Facebook, I work for Seymour Duncan in social media. It’s a really fun job and everyone at Seymour Duncan is just so friendly, knowledgable and downright cool. Something I’m super-excited about on a personal level – since I’m way into my extended range guitars – is the new selection of pickups designed specifically for 7 and 8-string players: the Pegasus, the Sentient and the Nazgûl. The Nazgûl is a passive humbucker specifically created for extreme metal styles, and it sounds brutal. In the best possible way, of course. Here’s the press release:

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INTERVIEW: Funeral For A Friend’s Gavin Burrough

ConduitFuneral For A Friend’s sixth and latest album is Conduit. It’s one of the heaviest records the band has ever done, yet as always the brutality is tempered by some rather complex, almost jazz-like chords. Okay, maybe ‘jazz’ is stretching it a bit but they’re certainly more intricate than the voicings employed by most heavy bands. “It’s funny how other people interpret it,” guitarist Gav Burrough says. “When you’re writing it, it’s organic and it just comes out. So what we try to do is to not think about it. Continue reading

Jackson Custom Shop SL2H Dakota Red

SoloistCheck out this bad boy from the Jackson Custom Shop: the SL2H Dakota Red. I don’t know if it’s purposely designed to recall that cool Soloist Steve Vai used in the film Crossroads – there are a few differences here, particularly the bridge colour and the electronics layout – but they’re similar enough to make me want to pick one up and wail on Eugene’s Trick Bag. As of this writing there’s one on Amazon.com here, and there’s a list of dealers here. I’m not sure where the rest are hiding or if they’re already snapped up yet. I hope whoever buys them plays the hell out of them. Continue reading

REVIEW: Schecter Synyster Gates Custom

SchecterAvenged Sevenfold’s Synyster Gates has done a lot to promote the gloriously fun art of lead guitar. He’s also helped to further the cause of post-Metallica heavy metal riffage, amply demonstrated on A7X’s most recent album, Nightmare. Syn requires a guitar that allows him to flawlessly execute complex lead work as well as ballsy rhythm chunk, and for years now he’s been working with Schecter to achieve this. The Synyster Gates Custom is one of five models for the guitarist, and this particular variant is perhaps the best summary of the line.  Continue reading

REVIEW: Schecter Blackjack SLS C-1 FR-S

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Although Schecter was initially known for slightly more traditional guitars, they’ve really hit their stride in the past decade-plus as purveyors of fine high-performance axes aimed at the metal market. They still cater to the traditionalists – especially with the new USA Production Series unveiled at NAMM in January), but the SLS Blackjack C-1 FR-S is a great example of how Schecter unifies a whole stack of shred-friendly features that are unashamedly pitched at those who dwell on the dark side.

The SLS has a mahogany body with your choice of Crimson Red Burst or Satin Black finish. The latter is the model on review here: the finish seems particularly well applie, and nicely offset by multi-ply binding. The neck is made of three-piece maple for enhanced stability, and there are 24 Jumbo frets on the ebony fretboard. The headstock is a bound three-tuner-per-side variant featuring Grover Rotomatic tuners with an 18:1 gear ratio for smoother tuning and a higher degree of backlash elimination. The only inlay on the fretboard face of the Satin Black version is a ‘Hell’s Gate Skull’ which looks pretty bitchen’, and definitely positions this as a metal guitar. Personally I think it’d do fine without it, as on the Crimson Red Burst model which has offset dots instead, but it’s not a deal breaker. The set neck is carved into Schecter’s Ultra Access shape, which mimics a neck-thru instrument, and the profile is the Ultra Thin spec, which is 19mm at the first fret and 20mm at the 12th.

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Win A Buddy Blaze Vivian Campbell ‘Lightning Storm’ Shredder

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The Kramer Nightswan is one of those ‘holy grail’ guitars for many players. It was very innovative for its time, and it lives on as the Buddy Blaze Shredder. (Buddy is, of course, one of the finest guitar builders in the world and the man responsible for my killer seven-string). Now Buddy, Floyd Rose and Seymour Duncan have teamed up to give away one of only 25 Vivian Campbell 25th Anniversary Shredder VC-II / LS guitars.

Here’s the press release:

Win A Buddy Blaze Vivian Campbell ’Lightning Storm’ Shredder

Buddy Blaze Guitars has joined forces with Seymour Duncan and Floyd Rose to give away a very special guitar: The Buddy Blaze – Vivian Campbell 25th Anniversary Shredder VC-II / LS modeled after the historic guitar used by Campbell in his Whitesnake days.

In 1987, Buddy Blaze and Vivian Campbell designed the Buddy Blaze Shredder, the guitar that would ultimately become known as the Kramer Nightswan. With a scale length of 24 5/8″, floating Floyd Rose tremolo and a ‘bridge/middle’ pickup configuration (a Seymour Duncan Full Shred and a JB, respectively), the Shredder was a unique take on the ‘superstrat’ concept. When Blaze was drafted by Kramer, Campbell soon followed him. The ‘Lightning Storm’ Nightswan prototype was born, featuring the first appearance of the Full Shred as well as a similar finish to Dimebag Darrell’s Dean From Hell, another famous guitar Buddy is intrinsically linked to.

shredder black background“I was quite drawn to the idea of working one-on-one with a guy who simply wanted to build guitars, as opposed to a bigger company that was more concerned with marketing,” Campbell says. “I liked the idea of a short scale guitar. I had been playing Charvel/Jackson for a year or two before that, and whilst I certainly appreciated those instruments, there were certain features that were unnatural to me – one of which was the wide, flat and unfinished fretboard. Another was their 25 1/2 inch scale; although I have big hands, I liked the idea of a smaller instrument with a smaller neck as I tend to use my left hand thumb over the top of the neck when playing bar chords and that was difficult to do with larger, wider necks.”

To celebrate 25 years since the ‘Lightning Storm’ prototype was created, Buddy and Vivian have teamed up to offer the  Buddy Blaze Vivian Campbell 25th Anniversary Shredder VC-II / LS. Only 25 will be made, each with a unique lightning storm graphic hand-painted by Buddy. They’ll have an Original Floyd Rose tremolo with R1 nut (Titanium Floyd optional), the same Full Shred/JB pickup combination (with each Full Shred signed by Seymour W. Duncan), a Honduras Mahogany body, figured maple neck with 16″ radius ebony fretboard, 24 5/8″ scale length, Buddy Blaze-designed CTS pot, and a certificate of authenticity signed by Buddy and Vivian.

And you could win one. Simply enter on Facebook, and you could own one of these 25 historic guitars! Entries close on March 27th and giveaway is open worldwide.

Click here to enter: http://on.fb.me/Yy93Uq

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Seymour Duncan Merch Now Available

photoMy friends at Seymour Duncan (where I help out in the social media department, as you may have seen in my bio to the right of the page there) have just launched seymourduncanstyle.com, a web store where you can purchase all sorts of SD goodies, from T-shirts and pickup-inspired necklaces to straps, pots and pickup covers.

I particularly like the Invader shirt and the Invader necklace, both of which you can see me modelling in this awkwardly posed Instagram photo taken while I waited for my buddy to show up for lunch.

I’ve noticed a lot of love for the Invader lately as I cruise around guitar forums and generally talk guitar with folks, and I got stopped more than a few times at NAMM by folks wanting to know where they could get this shirt. Well, now ya know!

Seymour Duncan Releases Whole Lotta Humbucker Set

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Back in the day, when Seymour Duncan was working at the Fender Soundhouse in London, he developed a pickup modification that added output and high-end frequency response to the typical humbuckers of the day. He’d rewind them, change the magnets and basically awesomize these pickups for players like Jeff Beck, Jimmy Page, Eric Clapton and others. The Whole Lotta Humbucker set is based on these modifications, and it’s no longer just a UK exclusive: these bad boys are now worldwide!

Press Release

Seymour Duncan Announces Worldwide Launch of Whole Lotta Humbucker

Over a year ago Seymour Duncan launched the Whole Lotta Humbucker set as a limited edition UK exclusive. This set was based off Seymour’s experience working at the Fender Soundhouse with artists like Jeff Beck, Eric Clapton, Jimmy Page and many others. Seymour recalls, “When I’d work on one of those great old guitars for a client, I liked to rewind the pickups with 42-gauge plain-enamel wire. I’d also insert sand-cast Alnico magnets with a better-balanced magnetic field, which made the B and high E sound as powerful as the other strings. This modified pickup had more output and a higher frequency response. The Whole Lotta Humbucker set is a replica of these special pickups with 8.78k DC resistance for the bridge pickup, 8.20k for the neck, custom winding pitch, and a calibrated sand-cast Alnico magnet. I have such great memories of living in London, so I’m thrilled to be producing this pickup once again.” Guitar players around the world who are looking to capture the tone of an era will now be able to get Whole Lotta Humbucker at their local store or favorite online dealer.

For more information, visit: http://www.seymourduncan.com

REVIEW: Blackstar Blackfire 200 Gus G Signature Amp

Gus G requires a lot from his amps. He needs them to keep up with his power metal shredding in Firewind, but he also demands that they keep up with the various eras of rock and metal tone that he needs to convey during the course of a typical Ozzy Osbourne set. As Ozzy’s guitarist he has to dip into vintage 70s metal, 80s neoclassical and hard rock, the more gained-out approach of Zakk Wylde and his own, modern-voiced Ozzy material. The Blackstar Blackfire 200 is a 200 watt beast of an amp designed to pump out the required tones at the required volumes.

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NAMM: Washburn Time Traveler Series

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Still have a couple of bucks left over after buying up a crate of KISS ice-cream? Well this guitar is probably the greatest KISS-related tie-in ever, and it’s the kind of thing that you don’t need to be a huge mega KISS fan to appreciate: the Washburn Limited Edition Time Traveler series. Taking some cues from the Gibson Firebird but going in a different direction, the Time Traveler, features Seymour Duncan mini humbuckers, Buzz Feiten Tuning System and very impressively applied ageing. These guitars attracted a lot of attention at NAMM, regardless of their connection to KISS and Paul Stanley: folks were just digging the fact that they were killer guitars.

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Here’s the press release.

Washburn Guitars Presents the Limited Edition Time Traveler Series

Chicago, February, 2013 – Washburn Guitars is proud to introduce the Time Traveler series with the model PS2012R, a classically inspired guitar for the ages. Designed in conjunction with Paul Stanley of Kiss, the Time Traveler guitars are hand crafted and aged to look, feel and play as if they’re 40 years old.

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A95QpJWCEAA6AUk-2.jpg-large Hi! I'm Peter Hodgson. I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), BluntBeat (including their weekly hard rock/metal column Crunch) and The Brag. And I'm Assistant Social Coordinator with Seymour Duncan. I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've also dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food. You can check out my guitar playing at Bandcamp or on YouTube, and feel free to email me at iheartguitarblog@gmail.com