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INTERVIEW: Ace Frehley

It’s the Les Paul that launched a million guitarists: the 1974 Cherry Sunburst three-pickup Gibson Les Paul used by Ace Frehley during KISS’s breakthrough era. The guitar, known as the Budokan Les Paul in honour of the historic Japanese venue where it was given one of its best-known public showings, left Ace’s stewardship a few years ago, and it was long since retired from the road. But now it’s back, in spirit at least, in the form of Gibson Custom’s new Ace Frehley “Budokan” Les Paul Custom. This limited edition instrument will be available in four versions: fifty signed guitars aged by Tom Murphy in the Gibson Custom Shop; one hundred aged (but not signed) pieces; a further 150 finished with Gibson’s VOS (Vintage Original Spec) process; and 1000 pieces of an Epiphone version which retains most of the design features of its Gibson big brother. Ace took some time to talk with I Heart Guitar about the new guitar, the 30+ year old classic it’s based on, and his future plans.


“It was my favourite guitar that I used pretty much exclusively through the 70s and 80s, I guess,” Frehley says of the original instrument. “I continued to use it even with Frehley’s Comet. I don’t even remember when I got it! It was some time around 1975, 76. I had three or four backups, but the particular one that they just released, which is called the Budokan guitar, it was always my favourite guitar, my number one. It just felt the best and played the best.”

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NEWS: Gibson 50th Anniversary models

A lot of neat stuff happened in 1958: the Sputnik satellite fell to earth; St Clare was named Patron Saint of Television; the Bossa Nova was invented; and instant noodles went on sale for the first time. But perhaps the coolest thing to happen in 1958 was that Gibson well and truly sunk its teeth into some new designs.

To celebrate the most well known of the designs or redesigns that went on sale in 1958, Gibson is releasing 50th anniversary versions of the Korina Flying V, Korina Explorer, ES-335 and Les Paul. The Les Paul even features an aged finish by Gibson’s Tom Murphy.

These guitars don’t appear to be exact recreations of the originals – they didn’t actually make ‘Burstbucker’ pickups back then, after all, and this series is full of ‘em – but they’re sure to be as collectible as they are good-lookin’.

For more info, go here.

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Peter Hodgson Hi! I'm Peter Hodgson. I write for Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine (including my instructional column, 'Unleash Your Inner Rock God,' which has been running since 2007), BluntBeat (including their weekly hard rock/metal column Crunch) and The Brag. And I'm Assistant Social Coordinator with Seymour Duncan. I've been playing guitar since I was 8 years old, and I've been writing for magazines since I was 18. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've also dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food. You can check out my guitar playing at Bandcamp or on YouTube, and feel free to email me at iheartguitarblog@gmail.com

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