PRS Introduces Vernon Reid Signature Model

Vernon Reid is one of my favourite guitarists, and a damn nice guy as well. He’s been playing PRS Guitars for a few years now and has solidified his partnership with the company via a new limited edition signature model, the S2 VR Vela. I love so many things about this guitar, from the Floyd Rose to the pickguard to the choice of colours. And I can’t wait to hear it in action on Living Colour’s new record, Shade, out next month. Here’s the press release. 

(STEVENSVILLE, MD) August 8, 2017 – PRS Guitars is pleased to announce a new limited edition model in the S2 series of US made electric guitars: The S2 VR Vela. Developed with Living Colour founder, Vernon Reid, the VR Vela is a commanding instrument with a cult personality and tons of tonal textures. Read More …

Catch Living Colour Live Online!

livingcolourI don’t think I could ever overstate just how much Living Colour has helped to shape my musical development. They showed me you could explore all sorts of different styles while anchoring everything in rock, whether it’s funk, jazz, metal or avant garde. They show us that you can be a world-class practitioner of your instrument of choice but you can do it with soul, feeling, energy and humour. And they’re some of the nicest dudes you’ll ever meet.

Oh and they’re a stunning live band. You can witness this for yourself by tuning in on Wednesday October 1 to see Living Colour live on Yahoo Screen Live from The Independent in San Francisco! The link is right here where you will see a countdown to the event. (For me here in Melbourne the time will be October 2nd, 2014, 2:30 pm Australian Eastern Standard Time). There’s a ‘Remind Me’ button on that link to send you a message by text message (USA numbers only) or email right before the show is about to start, so whatever time zone you’re in, you have no excuse! And after the concert streams live, the show will loop for 24 hours ,so if you can’t catch the performance the first time around, you’ll still be able to go back and experience it. You can see the current 30-day lineup of other shows here. There have been plenty of killer shows recently including Bob Mould, Kenny Wayne Shepherd, The Offspring, Yes, Buckcherry and the mighty KISS, so I’m excited to see what other stuff is on the horizon.

For more on Living Colour, here’s my interview with Vernon Reid back when the band was about to play at the Soundwave festival in February 2014.

INTERVIEW: Living Colour’s Vernon Reid

VernonReidFew guitarists are as endlessly creative as Living Colour’s Vernon Reid. One of those rare individuals who seems to be able to summon inspiration and individuality to them on request, Vernon’s playing ranges from the subtle and traditional to the sublimely outrageous. Living Colour are in Australia for the Soundwave festival and a few of their own side shows with Alter Bridge. I Heart Guitar caught up with Vernon recently to talk about it.

Correct me if I’m wrong but did you guys book this through Twitter? It kinda looks like that’s how it happened! I saw the Living Colour Twitter account tweeting to Soundwave that you’d like to do the festival, and a few weeks later it was announced.

I guess that’s the power of social media!  Read More …

REVIEW: Living Colour – The Chair In The Doorway

Goddammit I love Living Colour’s Stain. When I first got that album (on a see-through orange cassette in a cool orange case, and which some jagoff stole along with my car in 2000), I must have played it constantly for, like, a month. It had everything I was looking for in music: cool grooves, out-there solos, killer vocal performances, thoughtful songwriting, thoughtful lyric writing, and it sounded dirty and angry. These were all very good things. Living Colour eventually went their separate ways, but when they reunited in 2000 and released Collideøscope in 2003, I was pretty freakin’ ecstatic, especially because there were a few key elements to that album which made it sound pretty much like an extension of Stain. Living Colour was back and all was well with the world.

So last week I marched on down to JB Hi Fi in Chapel St (hi, friendly JB staff) and plonked down a fistful of I Heart Guitar Funbucks for the new LC album, The Chair In The Doorway. Throwing the CD into the ‘ol player I was curious to see if the newie continued the Stainalike theme. Nope! The first thing I noticed from opening track ‘Burned Bridges’ was that the mix is much more 3-dimensional, the guitar tones are softer and thicker, the drum sounds are deeper, and the playing is much more groove-oriented and psychedelic. Living Colour were always able to bring on the brutal metal power, but even on the gloriously heavy riffage of track two, ‘The Door’ or track three, the super-riffy ‘DecaDance’ (listen out for some cool Whammy Pedal work in Vernon Reid’s solo), some of the upfront edge and bite is removed from the guitar attack, replaced by sludgy, dull bludgeoning. It’s a different side of Living Colour: while the CD is slightly reminiscent in vibe to some of the non-Stainy bits of Collideøscope and maybe a little bit of Time’s Up, and some of the drum/bass interplay may remind keen listeners of Will Calhoun and Doug Wimbish’s excellent Jungle Funk work, for the most part Doorway is its own beast.

‘Young Man’ unites a disco beat with some rhythm guitar work that reminds me of King Crimson via a gloriously fuzzed-out guitar tone, while the mid-tempo ‘Method’ is home to some cool synthy textures that remind me a little of David Bowie’s 1.Outside album, overlayed with a restrained vocal performance. It’s one of those songs that rewards repeated listenings by slowly revealing new, deeper layers – one of the many reasons I love this band so much.

‘Behind The Sun’ is another great example of Vernon’s textural approach to overdubs on Doorway. Check out the atmospheric tremoloed and panned single notes in the chorus, over the top of a rhythm guitar figure which singlehandly provides undeniable proof that overwhelming sheets of gain can still be applied musically without sounding like a death metal jamboree.

‘Bless Those (Little Annie’s Prayer)’ has some of the most overtly bluesy songwriting and performance of Living Colour’s career, complete with cool slide guitar parts and an up-front bass/guitar unison tagline, but capped off with yet another hugely fuzzed-out rhythm guitar tone for the chorus. Once again, Vernon is giving us a crash course on getting away with fearsome amounts of gain, and once again it sounds pretty freaking cool. The guitar solo represents some of his most Hendrixy playing ever, and stands out all the more by being the sole guitar track – no rhythm overdubbage here – recalling LC’s live sound.

‘Hard Times’ has a great ominous chorus set against an upbeat verse and a solo which really, really reminds me of Mike Keneally. Seriously, it sounds like something Mike might have played in The Mistakes or on something from his Sluggo! album.

‘That’s What You Taught Me’ is a little more straightforward, once again with a more textural guitar approach which kinda reminds me of Jane’s Addiction, and a steady 8th-note bass pulse. Wimbish’s tone on this track in particular is amazing – punchy and throaty yet supportive and ballsy. Awesome. ‘Out Of My Mind’ has a monster stomping riff followed by an intricate verse which almost sounds like a live band taking a run at something from Nine Inch Nails’ Broken EP.
‘Not Tomorrow’ opens up with a bit of a Yardbirds vibe, with some serious ‘old tone’ happening. Killer nuanced drum performance by Will Calhoun here, supported by some mixed-back power-chord rhythmic emphasis by Reid. This track is somewhat meditative, droney and psychedelic, and I’m not entirely sure I agree with its placement on the album. I might have put it between ‘Bless Those (Little Annie’s Prayer)’ and ‘Hard Times,’ but that’s just me.

Finally after a blank track there’s ‘Asshole,’ a straight four-on-the-floor, poppy track with some great dirty guitar tones, soul-influenced sing-along melodies and some coffee-spittingly hilarious lyrics. I won’t give any of it away but seriously dude, you’ve really gotta hear this song. It’s especially funny because the music is quite upbeat. It’s such a great way to wrap up the album,

Alright, so where do I stand on The Chair In The Doorway? Well it doesn’t replace Stain as my favourite. The guitar work is less heroic and more atmospheric, but I kind of get the feeling Vernon Reid is becoming so comfortable with his various other musical guises that he’s happier playing for the song in Living Colour now. Where before he may have packed a fluttering spree of notes into a bar of an LC song, perhaps his musical soul is now being nourished in that way by his solo output instead. The result is a more laid-back Living Colour with deeper grooves and more space and texture, and although there are less killer riffs per square inch, the ones that are there more than earn their space. This is the first Living Colour album that I’ve been happy to let play in the background to appreciate its wholeness at least as often as I’ve found myself devoting my entire attention to its details, my head sandwiched between the headphones.

http://www.livingcolourmusic.com/

NEWS: New Living Colour track for free download

Man 2009 is shaping up to be an awesome year for bands I like. Killer new CDs by Queensryche, Heaven & Hell, Devin Townsend, Dream Theater, not to mention the monstrous debut of Chickenfoot. But aside from the new Alice In Chains, the one I’m most looking forward to is the new Living Colour CD, The Chair In The Doorway. You can download ‘Behind The Sun,’ a new track from the album, at iLike for free right now.

“Behind The Sun”, a new song from LIVING COLOUR, is available for free download at this location. The track comes off the band’s first new studio album in five years, entitled “The Chair In The Doorway”, which is due on September 15 via Megaforce Records.

“The Chair In The Doorway” was written and recorded at Sono Studios outside of Prague in the Czech Republic during the fall of 2008 and spring of 2009. The results stretch from the modern soul anthem “Behind The Sun” to the politically-charged, heavy rock of “DecaDance” to the sacred steel blues of “Bless Those”.

“We feel like this is the best record we’ve made yet and we couldn’t be more excited to be releasing it with the legendary Megaforce Records,” says guitarist Vernon Reid. “Some of our favorite bands were or are Megaforce artists — METALLICA, BAD BRAINS, ANTHRAX, BLACK CROWES — so it’s an honor to be part of a label with a great legacy.”

Having helped to pave the way for a number of contemporary African-American artists to follow in their wake, ranging from RAGE AGAINST THE MACHINE to LENNY KRAVITZ to BEN HARPER, with a multi-dimensional sound that drew equally from JIMI HENDRIX, BAD BRAINS, TALKING HEADS and ORNETTE COLEMAN, the success of LIVING COLOUR broke down the color barriers in rock music. Guitarist and founding member Vernon Reid also founded the Black Rock Coalition to use his influence to further this cause.

Discovered by Mick Jagger who produced their first demo and later offered them an opening slot with THE ROLLING STONES, LIVING COLOUR would go on to create a repertoire that includes a multitude of classic songs, including “Cult Of Personality”, “Elvis Is Dead”, “Open Letter To A Landlord”, “Glamour Boys” and “Love Rears Its Ugly Head”. With “The Chair In The Doorway”, the fifth album of the band’s storied career, LIVING COLOUR expands the scope of its timeless body of work and, in the process, proves vital as ever.

“The Chair In The Doorway” track listing:

01. Burned Bridges
02. The Chair
03. DecaDance
04. Young Man
05. Method
06. Behind The Sun
07. Bless Those
08. Hard Times
09. Taught Me
10. Out Of Mind
11. Not Tomorrow

NEWS: Parker Vernon Reid, Adam Dutkiewicz signature models

It’s a big year for Living Colour fans, with the release of the new album The Chair In The Door on September 15 (more info here, or keep reading to see video of one of the tracks performed live) and the new Parker DF824VR Dragon Fly. Can’t wait to try this one out!

Here are excerpts from the press release:

The DF824VR from Living Colour guitarist Vernon Reid
Vernon Reid is best known for his role in Living Colour, which he founded in 1984. The DF824VR was crafted in his honor.

The DF824VR is constructed of a poplar body, top and neck with a Parker Finger Joint set neck, and carbon composite fretboard. The DF824VR has a Floyd Rose original bridge, Grover tuners, EMG SAX neck and middle pickup and an EMG 81X bridge pickup. Available now in a violet pearl and black cherry finish with black hardware.

The DF842AD from Killswitch Engage guitarist Adam Dutkiewicz
Grammy-nominated heavy metal group Killswitch Engage has become one of the hottest touring bands since they hit the charts in 2004 thanks to influential guitarist, Adam Dutkiewicz. Parker teamed up with Dutkiewicz to create a guitar that reflects his extremely articulate yet wild and unpredicatable style.


The DF842AD is expertly crafted of a mahogany body and top, mahogany neck with a Parker Finger Joint set neck, and carbon composite fretboard. Additional features include a Parker Tremelo bridge, Sperzel locking tuners, an EMG 85 pickup and an EMG 81 bridge pickup. Available now in black ice and dusty black finish with black hardware.

For more info, visit parkerguitars.com and Premier Guitar, and thanks to Guitar Noize for once again retweeting awesome news! Man, you’re on it today!

NEWS: New Living Colour album on September 15

Here’s a little personal background, because this is my blog, dammit, and I’m allowed to waffle on a bit from time to time.

I’ve been a Living Colour fan ever since about 1990 or so when I saw the video for Type on an Australian show called Countdown Revolution. I’ve played ‘Love Rears Its Ugly Head’ countless times in various cover bands and bar jams. I’ve shredded my fingers to the bone on licks from ‘Ignorance Is Bliss’ and banged my head to ‘This Little Pig.’ I think I listened to Collide-O-Scope for about a month solid. Finally saw them live in 2006 and while I didn’t get to meet them, Vernon gave a few guitar picks to my buddy Steve from Tempus and he gave one to me, so it has pride of place with my Steve Vai and Brian Molko picks. And Vernon Reid is one of the nicest guys on Twitter. Follow him here.

So it should come as no surprise that I’m a little dizzy with excitement about the forthcoming new Living Colour album.

LIVING COLOUR To Release ‘THE CHAIR IN THE DOORWAY’
World Tour To Commence Fall 2009

New York/London — Living Colour will release their first new studio album in five years entitled The Chair In The Doorway on September 15 via Megaforce Records. The legendary downtown NYC rock band, who exploded out of CBGB’s in the late ’80s, landing all over MTV, the cover of Rolling Stone and stadium stages around the world with their Grammy Award-winning, multi-platinum debut album Vivid, are back and “fierce” as ever.

Original members Vernon Reid, Corey Glover, Will Calhoun and (since 1993) Doug Wimbish gathered at Sono Studios outside of Prague in The Czech Republic during the fall of 2008 and spring of 2009 to write and record what would become The Chair In The Doorway. The results stretch from the modern soul anthem “Behind The Sun” to the politically-charged, heavy rock of “DecaDance” to the sacred steel blues of “Bless Those.” The artwork for The Chair In The Doorway was compiled from thousands of contest entries by fans from around the world.

“We feel like this is the best record we’ve made yet and we couldn’t be more excited to be releasing it with the legendary Megaforce Records,” says guitarist Vernon Reid. “Some of our favorite bands were or are Megaforce artists, Metallica, Bad Brains, Anthrax, Black Crowes, so it’s an honor to be part of a label with a great legacy.”

Living Colour will announce plans for a world tour shortly. With dates set to begin in September, it will include their first North American tour in four years along with performances in South America, Europe, Australia and Asia.

Having helped to pave the way for a number of contemporary African-American artists to follow in their wake, ranging from Rage Against The Machine to Lenny Kravitz to Ben Harper, with a multi-dimensional sound that drew equally from Jimi Hendrix, Bad Brains, Talking Heads and Ornette Coleman, the success of Living Colour broke down the color barriers in rock music. Guitarist and founding member Vernon Reid also founded the Black Rock Coalition to use his influence to further this cause.

Discovered by Mick Jagger who produced their first demo and later offered them an opening slot with The Rolling Stones, Living Colour would go on to create a repertoire that includes a multitude of classic songs, including “Cult Of Personality,” “Elvis Is Dead,” “Open Letter To A Landlord,” “Glamour Boys” and “Love Rears Its Ugly Head.” With The Chair In The Doorway, the fifth album of their storied career, Living Colour expands the scope of their timeless body of work and, in the process, proves vital as ever.

Track listing:

1. Burned Bridges
2. The Chair
3. DecaDance
4. Young Man
5. Method
6. Behind The Sun
7. Bless Those
8. Hard Times
9. Taught Me
10. Out Of Mind
11. Not Tomorrow

Photo by Bill Bernstein

NEWS: Parker Vernon Reid Dragon Fly

If you’re following Living Colour’s Vernon Reid on Twitter you have probably already seen this. If not, here’s prototype #1 of the Parker Vernon Reid Dragon Fly.

A few points of particular interest:

* New body shape

* Floyd Rose bridge, instead of Parker’s usual model

* Synth pickup

* New headstock shape

Looks like it’s shaping up to be a very versatile and innovative guitar. Can’t wait for further updates!