DigiTech Introduces The Drop And Luxe Whammy Offspring

DigiTech Drop pedalThe DigiTech Whammy Pedal is a certified legend, but DigiTech have never rested on their laurels. The Whammy DT is the most feature-packed evolution of the Whammy yet. But now they’ve done something equally cool and interesting: separated out a two of the DT’s non-whammy features into unique standalone pedals, the Luxe and the Drop. Of the Luxe, DigiTech says: “The DigiTech® Luxe is an anti-chorus, the world’s first stand-alone, compact, polyphonic detune pedal. The Luxe takes the detune effect from the popular Whammy™ product line and adds positive and negative detune capabilities.
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NEWS: ProGuitarShop launches gear microsites

I just got this press release from ProGuitarShop about their new series of product microsites. This one is based on the Digitech Whammy Pedal, but there will be many others.

For my own thoughts on the venerable Whammy Pedal, check out my review here and my ‘8 Whammy Pedal Moments You Totally Have To Hear’ here.

CLICK HERE for ProGuitarShop’s eBay store.

Now we’ve all heard of the Digitech Whammy pedal, right? Have you ever tried to find any information on it? All retailers have the same info as the manufacturer on their website. This is great if you need to find out what voltage power supply to use or if the Whammy is true bypass, but what if you need to know if the Digitech Whammy is up to the task of imitating pedal steel licks. Does the pitch shift function shift smoothly or does it sound like the pitch is walking up or down the stairs? Can I get the rich doubled sound like the solo of “Money”? You just cannot find this information on any retailer’s site or even Wikipedia. That’s why we are proud to announce the launch of http://www.digitechwhammy.com/. This informational site is dedicated exclusively to the Digitech Whammy pedal. Features, tones, artists, even videos and nicely shot photographs will tell you more about this legendary pedal than anywhere else. How many salesmen have you grilled before you buy a product? How many of them answered your questions satisfactorily? No matter how knowledgeable they are, there is always opinion and bias in any information you’re given. That’s because they are there to make the sale. Now you can find all the information you need on the Digitech Whammy, including some awesome video demonstrations, without the hassle of calling a retailer or walking into a store and wondering if they really know the gear, or just need the commission. This site is for you, the working guitarist. Check out http://www.digitechwhammy.com/ and find out if the Digitech Whammy is the right pedal for you.

REVIEW: Digitech Whammy WH4 Pedal

The DigiTech Whammy Pedal first arrived on the scene in the early 1990s (I remember first seeing it in an ad in the British magazine Guitar way back then), and was quickly adopted by the big wigs of the shred movement, such as Steve Vai and Joe Satriani, for high pitched sonic freakout squeals and other tricks. The pedal was originally designed and marketed as a way of copying whammy bar effects on fixed bridge guitars such as Les Pauls and Telecasters, right around the time that dive bombs and racing car effects started to go out of fashion. However, players soon realised that the ‘pitch up’ settings were of more musical use than ‘pitch down,’ and a sonic revolution ensued.

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8 Whammy Pedal moments you totally have to hear

Steve Vai – Touching Tongues (Sex & Religion)
Vai combines a whammy pedal and delay to create complex harmonies and countermelodies in the chorus of this track from 1993’s Sex & Religion album. Very musical, very creative and very cool.

Living Colour – Wall (Stain)
With a delay effect keeping the groove going, bass player Doug Wimbish picks out certain notes to emphasise with the Whammy pedal before shifting the whole friggin’ riff up an octave over the course of the final bar of the intro. Awesome.

Pantera – Becoming (Far Beyond Driven)
Dimebag stomps on the Whammy pedal on the second beat of each bar of this killer riff. Live he liked to rock out without having to worry about pedals, so his tech did all Dime’s Whammy squealing for him.

Audioslave – Like A Stone (Audioslave)
Tom Morello uses the Whammy Pedal almost like Eddie Van Halen sometimes does with the whammy bar, using it to slide into each note from below. Awesome.

Pink Floyd – Marooned (The Division Bell)
The Whammy Pedal usage in this song is pretty subtle on first listen. David Gilmour uses it to stretch bends out over an octave, but he blends it in with his regular playing style so seamlessly that you can be forgiven for not even noticing.

Joe Satriani – Cool #9 (Joe Satriani)
The Whammy Pedal had been available for a while when Satch released this track on his low key, live-vibed self-titled album, and he’s used the pedal a lot since, but the open space provided by the vamp of this track leaves plenty of room to hear Joe’s intuitive Whammy Pedal technique in detail.

Coverdale/Page – Over Now (Coverdale/Page)
Jimmy Page uses the original WH1Whammy Pedal’s ‘Down 2nd’ mode to slide an A5 chord down to a D5. This setting is still present in the WH1, but these days they call it ‘Drop Tune.’

The White Stripes – Seven Nation Army (Elephant)
What sounds like a bass on this track is actually a Digitech Whammy Pedal with the pitch dropped way down below the basement. While Jack White loves his vintage analog gear, he’s obviously not shy about the occasional digital chip either.

CLICK HERE to read my review of the DigiTech Whammy Pedal.


CLICK HERE to buy the Digitech Whammy WH4 from Guitar Center for $169.95.

CLICK HERE to see Digitech Whammy pedals (all models) for sale on eBay.

GEAR: Strociek TurboTrem

Check out this wacky little innovation. Ever busted a string on a guitar with a Floyd Rose trem, and been unable to locate an allen wrench to fix it? A company called Strociek has designed the TurboTrem series of replacement whammy bars based on several popular models, with a hidden feature: a 3mm allen wrench built into the base of the bar. Now if you pop a string, just remove the whammy bar and use the screw/push-in end as an allen wrench. Genius!

Strociek currently offers 3 models of TurboTrem: threaded, collared, and pop-in. The company says the TurboTrem is compatible with any Kahler tremolo system and all original and licensed Floyd Rose single and double locking tremolo systems, such as the Ibanez Edge series, Schaller, Gotoh, ESP, Peavey, Jackson and Charvel and more.

NEWS: ADA returns!

Those of us with a fondness for the, let’s just say, larger-haired corners of the rock guitar world will be excited to know that the long missing-in-action company ADA (Analog/Digital Associates) is on the way back after about a decade or so of inactivity.

ADA’s famous midi-controllable tube preamp, the MP-1, was used on a lot of recordings around the late 80s/early 90s, especially paired with the power section of a Marshall JCM800 or JCM 900 head. Notable MP-1 users included Steve Vai, Extreme’s Nuno Bettencourt, White Lion’s Vito Bratta, and Paul Gilbert. On the bass side, Primus’s Les Claypool used a modified MP-1, while Victor Wooten and Steve Bailey used the dedicated bass version, the MB-1. To this day, Gilbert uses a modified ADA flanger tweaked to create a whammy-like divebomb effect, and other notable flanger users include Pat Travers and Testament’s Alex Skolnick.


The new website is at www.adaamps.com and it shows the classic Final Phase and Flanger pedals, so we can assume these will be among the first products to be reissued. Could a reissued MP-1 be on the horizon?

A member of the ADA Depot forum posed some questions to ADA, and got this answer:

“Hello,

We’re in the storming and forming phase and usually send out a canned response, but your questions are intriguing and deserve an answer.

David Tarnowski, head engineer and inventor of all things A/DA, continues to be majority owner of A/DA and chief engineer of the new A/DA. He still owns all rights to the A/DA electronic designs and trademark. A group of us have convinced him that the time is right to come out of retirement and resurrect the A/DA legacy. We’re starting with stomp boxes, most notably the Flanger and Final Phase, which will be re-released in late 2008/2009. We’ll continue soon thereafter with other legacy effects such as Battman and the Seamoon line, as well as the Rocket Amp series. We’re currently working with suppliers to source original parts so that these releases can be as “original” as possible – we’ve gone over the designs and have decided that the original designs were best. We’re in the early stages, but are confident that we’ll have a full line of products to present at NAMM 2009.

Of particular interest to the ADAForum board would be our introduction of the all new MP3. Still on the drawing board, the digital potential is enormous and we’re still hashing out potential functionality prior to full design. As you well know, the fight starts trying to decide what goes into a future MPx and doesn’t stop until the prototype has been demo’d and agreed upon by all. As of now, there is no release date for the MP3.

We appreciate your interest and would ask that you help pass the word that the original A/DA is back!!

Cheers – the A/DA staff”