One of the cool ‘Wait a minute… what’s that I see in the corner?’ things from NAMM was this EVH Wolfgang Special with hard-tail bridge and ‘bumblebee’ striped finish. They’re only making 150 of them and the MSRP is $1,793.00. This is the first official striped Wolfgang and I hope there are many to follow. Who wouldn’t want a red, white and black striped Wolfgang with Floyd Rose, huh? Continue reading
If I have one criticism of the EVH Wolfgang, it’s that, well… they’re infuriatingly priced at what they’re worth! They’re great guitars with killer tone and playability. And they look cool. But they justifiably cost a pretty penny, especially if you want the USA stuff. But now the Wolfgang Special series has been revamped as a made-in-Mexico model (it was previously made in Japan and then China, if I recall correctly), and a new more affordable line called Wolfgang Standard has just been introduced too. And of course you’ll still be able to get the USA stuff as well if your budget stretches that far. Here’s the press release…
PRESS RELEASE: EVH is pleased to announce the launch of the Wolfgang Standard series and revamping of its popular Wolfgang Special series, offering all the quality players expect from EVH plus features not usually found on guitars at these price points. Continue reading
There’s a very particular feeling I get whenever I check out the EVH section at Fender’s room at NAMM. It’s a feeling that Eddie Van Halen (and the folks working with him like Chip Ellis, Matt Bruck and Fender) have so much experience, knowledge and creativity when it comes to guitars and amps that your tone is in the best possible hands. And that’s something that’s apparent whether you’re plugging into an EVH 5150III amp, picking up one of the EVH Striped models that made their second showing this year, or one of the much pricier EVH Wolfgang Custom Relic USA models. Here’s a look at the EVH booth at NAMM. Continue reading
Back in January we all gasped in awe at the EVH Wolfgang Custom Relic U.S.A. on display. The particular one sitting on the wall was Eddie Van Halen’s personal guitar, but now you can own one too. Or, if you’re not into the whole Relic thang, there’s a non-dinged-up version called the EVH Wolfgang Custom Deluxe U.S.A, which is the same guitar except with different binding and inlays, and minus the fine-tuning tailpiece and locking nut. At the same time, EVH Gear has unveiled a new limited edition hand-customized EVH 5150 III 100S head and 4×12 cabinet combination which are identical to the amps and cabs Eddie Van Halen has recently been touring with. Here’s the press release: Continue reading
It seems that when I ask anyone what will be remembered amongst the strongest releases of 2013 lately, they immediately elect the new letlive. album The Blackest Beautiful [Epitaph]. Out July 5 here in Australia and July 9 elsewhere, it’s a passionate, powerful, energetic burst of post-Rage-Against-The-Machine angst and ferocity, with a huge organic sound and a world-class approach to subtle but crucial vocal harmony. It’s also brain-grabbingly memorable, despite its complexity. Guitarist Jeff Sahyoun – who also engineered the album – has developed an idiosyncratic style which blends traditional riff-rock with post-hardcore adrenaline and a sound-designer’s appreciation of using found objects for weird noises and textures. Currently on the Warped tour throughout the US, I caught up with Sahyoun while he kicked back in a carpark in the middle of nowhere. Continue reading
If you’ve been to the EVH Gear section of the Fender room at NAMM, you might have noticed this particular Wolfgang USA Custom hanging on the wall with a few others. If you looked a little closer though, you may have noticed something that skipped your glance the first time ’round…
Yup! EVH is getting into the relic’ing game! Continue reading
YES! I’ve been hoping, wishing, and making bird offerings to my Viking forbears for this guitar for years, and finally EVH Gear is coming through with the goods! This is the EVH Stripe Series [official website]. And they’ll be surprisingly affordable, all things considered. US recommended retail is $1,199.98.
EDIT: The page on the official EVH site seems to have disappeared now.
It features a Basswood Stratocaster-style body with EVH stripes in three finishes: red with black stripes, black with yellow stripes and white with black stripes. There’s a graphite-reinforced maple neck with a hand-rubbed oil finish and thumbwheel truss rod adjustment, compound-radius maple fingerboard (12”-16”) with 22 jumbo frets and black dot inlays, and a direct-mount Wolfgang® humbucking pickup.
Other features include a single white volume control knob (labeled “tone” which is a classic Eddie-ism), single-ply black pickguard (white with black stripes model only), bar string retainer and Floyd Rose® locking nut, EVH-branded Floyd Rose® locking tremolo with EVH D-Tuna®, EVH die-cast tuners, chrome hardware, vintage-style strap buttons and EVH neck plate.
More info on the official EVH site.
Eddie Van Halen and his EVH Gear team have got the really hard work out of the way – designing the flagship EVH Wolfgang and 5150III amplifiers – and now they seem to be really having fun with it. Case in point: this 5150III. It’s still a 5150III as we know it, but slightly more Van Halenized. Dig the matching logo on the cabinet too.
Note the 1X12 speaker cabinets under the for the 5150 III 50 watt head. It’s rated at 16 ohms and is loaded with a 30-watt Celestion® Heritage speaker. It’s exactly 25 percent of the cubic size (by volume) of its 4×12 big brother and is available in black and ivory. I played through this rig at the Fender party the other night and it sounds INCREDIBLE. Very responsive, very raunchy and very, very rock.
Notice the EVH Wolfgang bass played by Wolfgang Van Halen at the band’s Cafe Wha? gig the other night? Check out the pic below from VHND.com. I wonder if these will make it into production. Imagine one with a stained black flamed maple top. A five-string version would be pretty badass too.
Remember the EVH Wolfgang Stealth and USA Custom I snapped at NAMM? (That is to say, snapped photos of them at NAMM – I didn’t actually snap the guitars). Well below is some more info courtesy of this link on the EVH Gear website.
By the way, it’s my birthday next week. Just saying.
EVH Introduces Wolfgang USA Custom and Stealth Guitars
EVH introduces two new Wolfgang guitar models, the Wolfgang USA Custom and the Wolfgang Stealth. Both are distinctive variations on the hugely successful original model, the U.S.-made EVH Wolfgang guitar designed by Eddie Van Halen.
Perhaps the most uniquely elegant instrument in the Wolfgang series, the Wolfgang USA Custom represents Eddie Van Halen’s personal tribute to the short-scale set-neck guitars of the late 1950s, combined with the distinctive modern personal touches he prefers on his own guitars. These two elements culminate in a truly magnificent tone machine embodying the best of yesterday and today.
Eddie Van Halen has some amazing gear on show at NAMM this year, including a set-neck Wolfgang, the Wolfgang Stealth (above), a lefty Wolfgang and a 50-watt, 3-channel 5150 III Mini amp. (Unfortunately I didn’t manage to catch EVH himself when I was at the EVH Gear booth. Oh well. Next time).
The set-neck model (the Wolfgang USA Custom) features a mahogany body and maple top (the bolt-on version is basswood with a maple top) which is almost 2″ thick. The neck is reinforced with carbon reinforcement rods that extend all the way into the headstock. The bridge is a Graph Tech Tune-O-Matic bridge with Schaller fine tuners.
I’ll start with the fit and finish. The body is basically the same shape as the older version, if not exact. The neck still has a roundish feel like the older one, but scaled down. It’s not really chunky and I wouldn’t consider it really thin either. It falls right in the middle. To me, its a perfect balance. The more I play it, the more I like it. Kind of like an old glove. The stainless steel frets are much smaller the 6105’s. They felt a little weird at first but they are growing one me, and I’m really starting to like them. The action was the best I’ve ever felt on any guitar. I have had professional level and setups and this one is right there on par, probably better. I can’t believe how close the strings are to the board, especially on the higher frets. There is a slight buzz in some areas, but no fretting out or loss of tone anywhere. I have never seen anything like it that was playable.
The knobs on this thing are on top of low friction pots, so they move really easily. This is something I could have done without, as the slightest brush of the volume knob with your pinky is gonna move it. I can see how they would come in handy but I have never played using the volume swell technique used in eddies “Cathedral”. But maybe now is a good time to learn :) The trem springs were a little loose when I received it, as the bridge was lifting with big bends. A few cranks on the screws solved that problem. Other than that the actual finish of this thing is superb: I couldn’t find any flaws whatsoever.
The sound of this thing is just amazing. Compared to what I thought was perfect in the older version, the new one made me realize I really don’t know what perfect is. This thing is a different sound all together. It’s much brighter. I think this is what really puts the sound over the top. It has a nice full sound to it and the separation is unbelievable: every note stand out on its and comes through nice and clear. At first I was having problems getting tapped harmonics to ring loud and clear, but after a day or two I got used to it and that’s not an issue. I will definitely buy another one of these in the future when the price comes down a bit, and probably trade my older one in for it.
This thing is awesome. Eddie and fender really got it right.