INTERVIEW: Nick Catanese

It can be an intimidating thing to stand up on stage with one of the greats and be expected to match them lick for lick, night after night. But that’s what Nick Catanese does. As second guitarist in Zakk Wylde’s Black Label Society, Catanese has to keep up with Zakk’s killer riffs, hold down the fort when the Wylde one takes a solo, and even handle some pretty high-profile leads of his own when required. Catanese has a reputation as a hard-working, reliable player who gets the job done with efficiency, energy and stage presence. And although his role is mainly a live one, Catanese has put in the hard yards to earn a rather nice Paul Reed Smith SE signature model.
Catanese recently took the opportunity to redesign his SE model. The original version was a more modern-looking, aggressive black and red affair, while the new one has more of a classic look. “It’s basically the same weight, dimensions, frets, everything, but the red flame top, all the chrome, the Chrome EMG pickups… we’re trying to go with the ’57 Chevy look,” Catanese says. “But it has the same neck dimensions. I like thick necks. No fret markers. The thing that’s different with this one is, on my first one I thought I was being cool when I put red fret dots on it, which looked cool in the light, but when the lights went down I couldn’t see anything! I had no fret markers or dots, so I was pretty screwed!”
NAMM 2012: Jim Dunlop Zakk Wylde Rotovibe

Zakk Wylde has been a great ambassador for the Rotovibe for many, many years now – it steals the show at several points on the one and only Pride & Glory album – and he has now been honoured with his own signature Rotovibe courtesy of Jim Dunlop. The ZW357 is a limited run which features the same intensity and speed controls and rotating speaker sound as the classic Rotovibe but in Zakk-approved livery. And frankly it looks freaking cool. “I’ve had a Dunlop Rotovibe on my pedalboard since 1988,” Zakk says. “Whether it’s to spice up a solo, add an overdubbed colour, or just as a sound to inspire songwriting.” And I’ve gotta agree – it’s one of those effects where once you turn it on it’s hard to force yourself to turn it off again.
Zakk Wylde on almost joining G’n'R
I had a chat with the mighty Zakk Wylde recently (It’ll be on the blog soon) and we touched on Zakk’s time jamming with Guns ‘N’ Roses in the mid 90s, as well as his recent jammage with the current line-up in December 2011. You can check the article out here.
A sample:
“It sounded like the riffs I write and the way I write, mixed in with the way the guys write, you know what I mean,” Wylde says. “It would have been like, when I was jamming with Slash and all the guys, even if I’m in the band there’s only one guy that’s playing the solos to ‘November Rain,’ ‘Sweet Child o’ Mine’ and all those classic songs. I’m not going to do anything there. But the future stuff that we would have been writing, it would have been cool! Because I love Slash’s playing and I’m buddies with him. It would have been cool, but with those guys there was nothing happening, so we were jamming but it wasn’t going anywhere.”
NEWS: Black Label Society crack US Top 50
Black Label Society‘s new album The Song Remains Not The Same has debuted at #41 on the Billboard charts. Congratulations Zakk and co! The album features acoustic-based versions of songs from The Order Of The Black (but there’s still some sweet-ass electric playing too) as well as other material recording during the Order sessions. It’s kind of the spiritual brother of Zakk’s Book Of Shadows album and the BLS album Hangover Music Vol. VI. Shades of Pride & Glory in there too. Cool.
Here in Australia the album is released by the fine folks at Riot.









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