INTERVIEW: George Lynch

George Lynch is one busy dude. Souls of We, Lynch Mob, his new album Orchestra Mayhem, not to mention various gear-designing and art projects. Lynch is heading to Australia soon for an Allans Music clinic tour, and I caught up with him via email for this quick chat:

You’re coming back to Australia soon for Allans Music. You’re quite a regular visitor here now! What can we expect to see and hear at the Allans clinics?
A little bit of everything. Plying along to tracks, improvising with other live musicians, meeting fans and signing my name a lot! lol

What can you tell us about Orchestral Mayhem (CLICK HERE to buy Orchestral Mayhem from How did you approach it?
Very casually. I didnt have to write the material and that takes a lot of pressure off. This record is basically just me blowing over a bunch of tracks over a two-day period

Can you tell us about the Morley Dragon 2 Wah? What do you look for in a wah pedal? The wah lock function is a great idea.
I always liked the idea of having a notched wah selector incorporated into a wah pedal. You can get that Schenker throaty EQ by hitting the switch every time. You don’t have to search around for the sweet spot.

A few questions about Lynch Mob’s Smoke & Mirrors:  The album sounds so powerful and earthy, and it seems to me that there’s a lot of blues or blues-rock influence. Is that what you set out to do, or did it evolve naturally?
Thats just the natural chemistry between Oni and I. I know where he lives melodically and I just naturally gravitate to that place when I’m writing the music.

There’s some very cool slide playing on the title track. Do you play a lot of slide? Who are your slide influences?
I love slide, pedal steel, slack-key …I’m not an accomplished slide player by any stretch of the imagination but i enjoy dabbling. I actually used a 9v battery on the record because I didn’t have a slide. Derek trucks and Duane Allman are two of my faves.

What gear did you use to record the album?
Guitars: ESP Super V and ESP custom Tele for rythms, Tiger and Tele for solos.
Amps: Randall Lynch Box with various modules, 68 Marshall plexi, 65 Fender super reverb, WEM Domintator, Lynch Box cab with super speakers, 71 Hiwatt cab with Fanes
Effects: I used many differant OD pedals; Cusack Screamer, Japanese Boss DS-1, Ting of Tone, Tube Screamers, DOD 250… Lots of vintage MXR Phase 90, morley Dragon Wah and Tripler pedal, Zoom G2G for various fill-in sounds, Fulltone Deja Vibe (old).

Last time I interviewed you, you said you had a guitar design you hoped ESP would build: you described it as “a Lexan body with a carbon fibre exoskeleton and a throbbing rose coloured LED embedded in the body.” Any luck convincing them to do that yet?
No! lol.. I get wacky ideas that are not practical. They’re polite enough to listen to my insane ramblings for awhile then usually tell me no. They learned their lesson when they built the 7-string motorized pickup guitar called the Aardvark which didn’t work very well and went over like a lead balloon.

Any other new guitar designs in the pipeline, either for your own use or available to the public?
I’ve got a signature guitar model I share with a Japanese artist that’s a camo Strat, 24 fret, invader pickups, not for the faint of heart. I’m also working with ESP on a Tele design and I’m working in collaboration with them and hand making Mr Scary guitars as well. You can chek them out

You’ve recently started building/modifying guitars and selling them online. What’s your philosophy regarding these guitars?
The heart of the guitars are the woods that we pick, the radical designs that are very organic, and achieving incredible tone and effortless playability, all in a package that looks 100 years old and feels like you’ve been playing it for 40 years

I was interested to read that you were making your own pickups. Any plans to make pickups available to the public? I think it’d be a very cool limited edition thing.
Seymour Duncan has taken me under his wing and given me hands-on experience building unique pickup designs from scratch.. I’m also recreating the prototype Distortion and Screamin’ Demon models.

You’ve also started selling art online. Is this something you’ve always been into or is it a more recent development? And do you see it influencing designs for your ESP guitar line?

This last year I dived into creating these art pieces which led to carving the guitars. I’ll actually be doing some gallery art showings where well be performing with acoustic instrumentation, banjos, mandolins, percussion … real laid back.

Finally: how on earth are you balancing Souls Of We, Lynch Mob and projects like Orchestral Mayhem?
Thats not even the tip of the iceberg, my friend! But I love playing and being creative, and I promise you it will all make sense when we look back a few years from now.

May 25 – Allans Music – Melbourne
May 26 – Allans Music – Sydney
May 27 – Allans Music – Brisbane
May 28 – Allans Music – Adelaide


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