There are so many different delay pedals out there. Digital, analog, hybrid… some give you a huge amount of features, but are fiddly to use. Others are dead-simple but they don’t offer much flexibility. I guess the ideal for many players would be a delay that offers incredibly fine control over every parameter like a rack unit, but in an easy-to-digest pedal format.
Ladies and gentlemen, the Strymon TimeLine.
I’m not going to waste time here: the TimeLine is probably – no, scratch that: definitely – the best delay pedal I’ve ever used. I like it so much that I’m not even going to save that grand statement for the end of the review. In fact I’ll say it again. The TimeLine is the best delay pedal I’ve ever used.
So why? What is it about this pedal in particular that gets it so right? Well it’s a combination of things: ease of use, quality of sound, depth of available editable settings, flexibility in sound types. Let’s break it down and see exactly what’s going on.