Meet the new Kiesel Jason Becker guitar

Here’s Kiesel’s latest collaboration with Jason Becker: the Yin Yang Tribute Guitar. Unlike other Kiesel Jason Becker guitars, which are all made based on instruments Jason played, the Yin Yang guitar is a new design, for which Jason took colour inspiration from Eric Clapton’s ‘Blackie’ Strat while developing a very modern shred-friendly instrument.

“Although I love the meaning of unity/duality in the yin yang symbol, my desire to design a guitar like this came from my love of Eric Clapton’s ‘Blackie’ guitar,” Jason says. “When I was 9, I saw The Band’s movie, The Last Waltz. Clapton and Robbie Robertson made me want to become a lead guitarist. I eventually got a black and white Strat in junior high and used it on Cacophony’s first album, Speed Metal Symphony.

“This yin yang design of mine was meant to capture the look of Clapton’s Blackie. To me, every line and curve is beautiful. I worked really hard on getting the perfect balance of black and white and artistic movement. My caregivers followed my picky requests. Without copying a Strat, it feels just as cool or cooler. The neck is the same size as my original Bluey, so I know it feels good. I am so grateful to Kiesel Guitars for bringing my design to life.”

From the Kiesel website:

The Jason Becker Yin Yang Tribute guitar has an mahogany body with a black/white Yin Yang finish on the front, and black back and sides with a clear gloss top coat. Mahogany is a medium weight high-quality tone wood used for its fine resonating warm tone. The bolt-on Eastern hard rock maple neck has a tung-oil finish and thinner neck profile ideal for fast playing. All of our necks and fingerboards undergo a long conditioning process in our de-humidification chambers to remove any stress in the wood and prevent future warping or twisting. Additionally, the dual-action, fully adjustable truss rod helps keep the neck straight and true, and allows you to set the action just the way you like it. Dual carbon-fiber rods further strengthen the neck.

The JBYY has a reverse inline angled pointed headstock, with black finish and white Kiesel headstock logo. Jason’s exclusive multilaminate Jason Becker truss rod cover, in white, is installed. A locking nut for the Floyd Rose tremolo is standard.

The standard roasted flamed maple fingerboard features a 24.75″ scale length, with exclusive matching Yin Yang dot inlays. Luminlay SuperBlue glow-in-the-dark side dots are also a standard feature. Stainless steel jumbo frets are standard equipment.

Kiesel Guitars new M12SD humbucker with black polepieces is installed in the bridge position. This pickup is similar in tone to the original M22SD pickup found in Jason’s original guitars from the 1990s. The coils are black and white zebra, to match the aesthetic of the rest of the instrument. Our new Mark’s Single pickup, with white coil, is installed in the neck position. Electronics are passive, with a 5-way pickup selector switch and master volume and tone controls with white knobs.

Carvin Offers Seymour Duncan Jason Becker Perpetual Burn Option

carvin jason becker perpetual burn

When Seymour Duncan announced the Jason Becker Perpetual Burn humbucker, it seemed like a natural fit for Carvin’s Jason Becker Tribute JB200C guitar. But Carvin have always – always -used their own pickups exclusively. Well ladies and gentlemen, history has been made today because as of today you can order a Jason Becker Tribute JB200C with a Perpetual Burn in the bridge position. As Carvin explained on Facebook (to a fan who asked what the big deal was with Carvin never using third-party pickups before), “The difference is that our company (Carvin) was founded on our pick-ups and we have ALWAYS made our own pick ups. This is the first time we’ve ever opened the door to working with a 3rd party manufacturer for something we still make in house. Doesn’t sound like a big deal.. but it really is to us. This is history in the making for anyone that truly knows about our company.” Read More …

REVIEW: Seymour Duncan Jason Becker Perpetual Burn Humbucker

Seymour Duncan jason becker perpetual burn humbuckerThe story of the Seymour Duncan Jason Becker Perpetual Burn humbucker is a very interesting one. Back in the day, a young Jason Becker became taken with the tone of a Gibson Les Paul loaded with a Seymour Duncan JB humbucker. The guitar belonged to Bob Rock, who was producer of David Lee Roth’s A Little Ain’t Enough album, and Jason used it on the title track. He was so intrigued by the tone of the JB that he started talking with Seymour Duncan about this pickup needs. Some prototypes were developing and the project was well on its way when Jason had to call a halt due to his progressively worsening ALS. But recently, while listening to friends play his guitars through prototypes of a possible signature amp, Jason was blown away by the tone of the prototype pickup. So he reached out to Seymour Duncan to finish was started. The Jason Becker Perpetual Burn bridge humbucker is the result.

[geo-out country=”Australia” note=””]Click Here to see the Seymour Duncan Jason Becker Perpetual Burn humbucker in eBay stores[/geo-out]

Read More …

Seymour Duncan Jason Becker Perpetual Burn

jason_becker_v9The story of the Jason Becker pickup starts decades ago when Jason was catapulted to the top of the guitarist world thanks to his work with Cacophony, David Lee Roth and as a solo artist. Jason writes: “I remember Bob Rock bringing in a Les Paul with a Duncan JB in it while I was recording the David Lee Roth song “A Little Ain’t Enough” and I absolutely loved it. After playing with Bob Rock’s guitar, I contacted Seymour Duncan to potentially work on a Becker pickup. We talked about what I wanted and over the course of a few months, they sent about six test pickups.” Read More …

Full Marty Friedman ‘Inferno’ Details Revealed

MART3386 (2)As I sit here I’m listening to an advance copy of Marty Freidman’s forthcoming album Inferno and it’s a monster. Marty’s playing has always been great but this is some seriously next-level stuff – he’s pulling out chops that are a continuation and progression from his Cacophony days as well as stuff that we’ve heard him develop over the last decade and a half, and the album even features a song called “Horrors” which is his first songwriting collaboration with Jason Becker since Cacophony. I’ll post a full review and an interview with Marty closer to the release date but just know that this album will kick your ass. Here’s more info: Read More …